Article

Bown, Oliver, Eldridge, Alice and McCormack, Jon (2009) Understanding interaction in contemporary digital music: from instruments to behavioural objects. Organised Sound, 14 (12). pp. 188-196. ISSN 1355-7718

Dennis, Flora (2018) Organology and material culture. Journal of the American Musical Instrument Society, 44. pp. 18-25. ISSN ‎0362-3300

Elliott, Richard (2016) ‘My tongue gets t-t-t-’: words, sense, and vocal presence in Van Morrison's It's too late to stop now. Twentieth-Century Music, 13 (1). pp. 53-76. ISSN 1478-5722

Elliott, Richard (2008) Popular music and/as event: subjectivity, love and fidelity in the aftermath of rock ’n’ roll. Radical Musicology, 3. ISSN 1751-7788

Goh, Vicky, Ganeshan, Balaji, Nathan, Paul, Juttla, Jas, Vinayan, Anup and Miles, Kenneth A. (2011) Assessment of Response to Tyrosine Kinase Inhibitors in Metastatic Renal Cell Cancer: CT Texture as a Predictive Biomarker. Radiology, 261 (1). pp. 165-171. ISSN 0033-8419

Haddon, Mimi (2017) Dub is the new black: modes of identification and tendencies of appropriation in late 1970s post-punk. Popular Music, 36 (2). pp. 283-301. ISSN 0261-1430

Hurtado, Enrike, Magnusson, Thor and Rekalde, Josu (2020) Digitizing the txalaparta: computer-based study of a traditional practice. Computer Music Journal, 43 (2-3). pp. 125-141. ISSN 0148-9267

Jordanous, Anna and Keller, Bill (2012) What makes musical improvisation creative? Journal of Interdisciplinary Music Studies, 6 (2). pp. 151-175. ISSN 1307-0401

Norman, Sally-Jane (2013) Contexts of/as resistance. Contemporary Music Review, 32 (2-3). pp. 275-288. ISSN 0749-4467

Till, Nicholas (2011) [Review] Michael Freyhan (2009) The authentic Magic Flute libretto: Mozart's autograph or the first full-score edition? Music and Letters, 92 (3). pp. 484-486. ISSN 1477-4631

Till, Nicholas (2013) Stefano Gervasoni's Pas si: staging a music theatre work based on a text by Samuel Beckett. Contemporary Theatre Review, 23 (2). pp. 220-232. ISSN 1048-6801

Ververis, A and Marshall, N (2015) Taking part: singers perceptions of two ethnic community choirs. Problems in Music Pedagogy, 14 (1). pp. 67-78. ISSN 1691-2721

Withers, D-M (2019) Diabolic marks, organs and relations: exiting symbolic misery. Angelaki, 24 (5). pp. 88-103. ISSN 0969-725X

Withers, D-M (2018) ‘Neither pure love nor imitating capitalism’: Euro WILD and the invention of women’s music distribution in Europe, 1980-1982. Feminist Review, 120 (1). pp. 85-100. ISSN 0141-7789

Book Section

Eldridge, Alice (2015) [Reflection] Inside and outside shape. In: Music and shape. Studies in musical performance as creative practice . Oxford University Press, New York, pp. 165-169. ISBN 9780199351411

Elliott, Richard (2015) Words from the new world: adventure and memory in Patti Smith’s late voice. In: Chastagner, Claude (ed.) Patti Smith: Outside. Profils américains . Presses Universitaires de la Méditerranée, Montpellier, pp. 113-135. ISBN 9782367811758

Elliott, Richard (2016) Words take the place of meaning: sound, sense and politics in the music of Robert Wyatt. In: Marc, Isabelle and Green, Stuart (eds.) The Singer-Songwriter in Europe: Paradigms, Politics and Place. Routledge, London, pp. 51-64. ISBN 9781472452108

Magnusson, Thor (2014) From a music industry to sound industries. In: Carvalhais, Miguel and Tudela, Pedro (eds.) Mono #2: cochlear poetics: writings on music and sound arts. Research Institute in Art, Design and Society (i2ADS), Porto, pp. 71-78. ISBN 9789899874503

Magnusson, Thor (2017) Interfacing sound: visual representation of sound in musical software instruments. In: Bovermann, T, de Campo, A, Egermann, H, Hardjowirogo, S I and Weinzierl, S (eds.) Musical instruments in the 21st century: identities, configurations, practices. Springer, pp. 153-166. ISBN 9789811029509

Magnusson, Thor and Hurtado, Enrike (2017) The acoustic, the digital and the body: a survey on musical instruments. In: Jensenius, Alexander and Lyons, Michael (eds.) A NIME Reader: Fifteen Years of New Interfaces for Musical Expression. Current Research in Systematic Musicology (3). Springer, Cham, pp. 317-333. ISBN 9783319472133

McCormack, Jonathan, Eldridge, Alice, Dorin, Alan and McIlwain, Peter (2011) Generative algorithms for making music: emergence, evolution, and ecosystems. In: Dean, Roger T (ed.) The Oxford Handbook of Computer Music. Oxford Handbooks . Oxford University Press, Oxford. ISBN 9780199792030

Norman, Sally-Jane (2014) Grappling with movement models: performing arts and slippery contexts. In: MOCO '14: Proceedings of the 2014 International Workshop on Movement and Computing. ACM, New York, NY, USA, pp. 136-141. ISBN 9781450328142

Surprenant, Celine (2014) Beckett's Proust, Schopenhauer, and the musical art of pastiche. In: Bailes, Sara and Till, Nicholas (eds.) Beckett and musicality. Ashgate, Farnham, Surrey, UK, pp. 27-45. ISBN 9781472409638

Till, Nicholas (2012) Hearing voices: transcriptions for the phonogram of a schizophrenic: music-theatre for performer and audio-visual media. In: Rebstock, Matthias and Roesner, David (eds.) Composed theatre: aesthetics, practices, processes. Intellect Books, Bristol and Chicago, pp. 185-199. ISBN 9781841504568

Till, Nicholas (2013) A new glimmer of light: opera, metaphysics and mimesis. In: Symonds, Dominic and Karantonis, Pamela (eds.) The legacy of opera: reading music theatre as experience and performance. Themes in theatre (7). Rodopi, Amsterdam, pp. 39-64. ISBN 9789042036918

Conference Proceedings

Armitage, Jack, Magnusson, Thor, Shepardson, Victor and Ulfarsson, Halldor (2022) The proto-langspil: launching an Icelandic NIME research lab with the help of a marginalised instrument. New Interfaces For Musical Expression, New Zealand, 28 June – 1 July 2022. Published in: New Interfaces for Musical Expression proceedings. NIME, New Zealand. ISSN 2220-4806

Chevalier, Cécile and Kiefer, Chris (2018) Listening mirrors: prototyping for a hybrid audio augmented reality installation. ICLI 2018. International Conference on Live Interfaces, Porto, Portugal, June 14-16, 2018. Published in: Alberto Gomes, José, Carvalhais, Miguel and Penha, Rui, (eds.) Proceedings: ICLI 2018, 4th International Conference on Live Interfaces. Inspiration, Performance, Emancipation.. 126-132. ISBN 9789897461705

Eldridge, Alice (2013) Improvising with self-observing systems: a duet for cellist and adaptive delay network. irst Conference on Computation, Communication, Aesthetics and X., Bergamo, Italy, 7-8 June 2013. Published in: Verdicchio, Mario and Carvalhais, Miguel, (eds.) Proceedings of the First Conference on Computation, Communication, Aesthetics and X.. 297-299. Universidade do Porto, Porto, Portugal. ISSN 9789897460173 ISBN 9789897460173

Eldridge, Alice (2014) Self-karaoke patterns: an interactive audio-visual system for handsfree live algorithm performance. Second conference on Computation, Communication, Aesthetics and X, Porto, Portugal, 26-27 June 2014. Published in: Carvalhais, Miguel and Verdicchio, Mario, (eds.) Proceedings of the Second Conference on Computation, Communication, Aesthetics and X. 496-499. Universidade do Porto, Porto, Portugal. ISSN 978-989-746-036-4 ISBN 9789897460364

Magnusson, Thor (2011) Confessions of a live coder. International Computer Music Conference, University of Huddersfield, UK, 31 July - 5 August 2011. Published in: Proceedings of the International Computer Music Conference 2011. 609-616. Michigan Publishing ISSN 2223-3881

Magnusson, Thor, Kiefer, Chris and Ulfarsson, Halldor (2022) Reflexions upon feedback: a study of feedback musicianship terminology. New Interfaces for Musical Expression, New Zealand, 28 June – 1 July 2022. Published in: New Interfaces for Musical Expression proceedings. NIME, New Zealand. ISSN 2220-4806

Polimeneas-Liontiris, Thanos, Eldridge, Alice, Kiefer, Chris and Magnusson, Thor (2018) The ensemble as expanded interface sympoetic performance in the Brain Dead Ensemble. ICLI 2018. International Conference on Live Interfaces, Porto, Portugal, June 14-16, 2018. Published in: Gomes, José Alberto, Carvalhais, Miguel and Penha, Rui, (eds.) Proceedings: ICLI 2018, 4th International Conference on Live Interfaces. Inspiration, Performance, Emancipation.. 117-125. Universidade do Porto, Porto. ISBN 9789897461705

Book

Elliott, Richard (2015) The late voice: time, age and experience in popular music. Bloomsbury Academic, New York. ISBN 9781628921182

Kane, Daniel (2017) "Do you have a band?" Poetry and punk rock in New York City. Columbia University Press, New York. ISBN 9780231162968

Magnusson, Thor (2019) Sonic writing: technologies of material, symbolic, and signal inscriptions. Bloomsbury Academic, New York. ISBN 9781501313851

Edited Book

Magnusson, Thor, Kiefer, Chris and Duffy, Sam (2016) Proceedings of the 2016 International Conference on Live Interfaces. Live Interfaces, 3 . Emute Lab + REFRAME Books, Brighton. ISBN 9780993199684

Edited Special Journal Issue

Hogg, Bennett and Norman, Sally-Jane, eds. (2013) Resistant materials in musical creativity. Contemporary Music Review, 32 (2-3). ISSN 0749-4467

Thesis

Joseph, Etienne (2019) Living the archive: race, music and place at the Africa Centre (1960-2000). Doctoral thesis (PhD), University of Sussex.

Magnusson, Thor (2009) Epistemic tools: the phenomenology of digital musical instruments. Doctoral thesis (DPhil), University of Sussex.

Show/Exhibition

Bright, Danny (2015) Ghosting the periphery. [Show/Exhibition]

Ficarra, Evelyn, Hovey, Karrie and Elise, Ficarra (2012) Endangered. [Show/Exhibition]

Hopkins, Tim (2019) The tapestry project 2019 - Britain narrates itself. [Show/Exhibition]

Composition

Berry, David and Thorn, Barnaby (2019) Mythologies. [Composition]

Butler, Martin (2013) Oboe Concerto. [Composition]

Ficarra, Evelyn (2010) The Arbitrariness of Language. [Composition]

Ficarra, Evelyn (2008) Fractured marble. [Composition]

Ficarra, Evelyn (2010) Vagues / Fenetres: for string trio and electronic sounds. [Composition]

Hopkins, Tim (2014) Song two - The sleeping-mat ballad. [Composition]

Hughes, Ed and Chandler, David (2012) Dark formations. [Composition]

Hughes, Ed and Morris, R (2012) When the flame dies. [Composition]