Items for Music in 2020

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Number of items: 20.

B

Bernardo, Francisco, Kiefer, Chris and Magnusson, Thor (2020) Designing for a pluralist and user-friendly live code language ecosystem with Sema. International Conference on Live Coding, Limerick, Ireland, 5 - 7 February 2020. Published in: Proceedings of the 2020 International Conference on Live Coding (ICLC2020). 41-58. ISBN 9781911620235

Bernardo, Francisco, Kiefer, Chris and Magnusson, Thor (2020) A signal engine for a live coding language ecosystem. Journal of the Audio Engineering Society, 68 (10). pp. 756-766. ISSN 0004-7554

Bernardo, Francisco, Zbyszyński, Michael, Grierson, Mick and Fiebrink, Rebecca (2020) Designing and evaluating the usability of a machine learning API for rapid prototyping music technology. Frontiers in Artificial Intelligence, 3 (a13). pp. 1-18. ISSN 2624-8212

Bright, Daniel Gerald Peter Whiteley (2020) Sonic Ghosting: interrogating space/place/memory through multimodal sonic fracture. Doctoral thesis (PhD), University of Sussex.

C

Chevalier, Cecile and Kiefer, Chris (2020) What does augmented reality mean as a medium of expression for computational artists? Leonardo, 53 (3). pp. 263-267. ISSN 0024-094X

E

Eldridge, Alice, Carruthers-Jones, Jonathan and Norum, Roger (2020) Sounding wild spaces: inclusive mapmaking through multispecies listening across scales. In: Bull, Michael and Cobussen, Marcel (eds.) The Bloomsbury handbook of sonic methodologies. Bloomsbury Handbooks . Bloomsbury academic, New York, pp. 615-632. ISBN 9781501338755

F

Ficarra, Evelyn (2020) Sounding time: explorations of audio time-lapse and temporal layering in interdisciplinary collaboration. Leonardo Music Journal, 30. pp. 18-25. ISSN 0961-1215

H

Haddon, Mimi (2020) What is post-punk?: Genre and identity in avant-garde popular music, 1977-82. Michigan Publishing, University of Michigan Press, Michigan. ISBN 9780472131822

Hasselgren, Ingeborg (2020) Cute affectivism: radical uses of the cuteness affect among activists and artists. Doctoral thesis (PhD), University of Sussex.

Hopkins, Tim (2020) Turning points: Kagel. [Performance]

Hughes, Ed, Ficarra, Evelyn and Haddon, Mimi, eds. (2020) Composing the historical. REFRAME.

Hughes, Ed, Eldridge, Alice and Kiefer, Chris (2020) Syncphonia: understanding the value of participatory design in developing music technology to support musical ensembles that use notation. Journal of Music, Technology and Education, 13 (1). pp. 57-77. ISSN 1752-7066

Hurtado, Enrike, Magnusson, Thor and Rekalde, Josu (2020) Digitizing the txalaparta: computer-based study of a traditional practice. Computer Music Journal, 43 (2-3). pp. 125-141. ISSN 0148-9267

K

Kiefer, Chris and Magnusson, Thor (2020) Live coding machine learning and machine listening: a survey on the design of languages and environments for live coding. ICLC 2019 International Conference on Live Coding, Media Lab Prado, Madrid, 16-18th January 2019. Published in: Proceedings of the Fourth International Conference on Live Coding. Medialab Prado ISBN 9788418299087

Kiefer, Chris, Overholt, Dan and Eldridge, Alice (2020) Shaping the behaviour of feedback instruments with complexity-controlled gain dynamics. New Interfaces for Musical Expression, Birmingham, UK, 21-25 July 2020. Published in: Proceedings of the International Conference on New Interfaces for Musical Expression. 343-348. NIME, Birmingham, UK. ISSN 2220-4806

M

Magnusson, Thor (2020) Threnoscope. [Artefact]

O

O'Connell, Micheál (2020) Artists are only a law unto themselves. In: Finchett-Maddock, Lucy and Lekakis, Eleftheria (eds.) Art, law, power: perspectives on legality and resistance in contemporary aesthetics. Counterpress Limited, Oxford, pp. 16-33. ISBN 9781910761076

T

Tahiroğlu, Koray, Magnusson, Thor, Parkinson, Adam, Garellfs, Iris and Tanaka, Atau (2020) Digital musical instruments as probes: how computation changes the mode-of-being of musical instruments. Organised Sound, 25 (1). pp. 64-74. ISSN 1355-7718

W

Watson, Joe (2020) Growing cybernetic ears: transduction and performativity in the analogue and digital what have you. Doctoral thesis (PhD), University of Sussex.

Westwood, Lee (2020) A moment of clarity: exploring the notions of 'blur' and 'focus' within the context of contemporary instrumental music. Doctoral thesis (PhD), University of Sussex.

This list was generated on Tue May 18 16:26:32 2021 BST.