Items for Music in 2019

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Number of items: 28.

B

Bernardo, Francisco, Kiefer, Chris and Magnusson, Thor (2019) An AudioWorklet-based signal engine for a live coding language ecosystem. Web Audio Conference, Norwegian University of Science and Technology (NTNU), Trondheim, Norway, 4-6 December 2019. Published in: Roma, Gerard, (ed.) Proceedings of Web Audio Conference (WAC-2019). 77-82. WAC ISSN 2663-5844

Bull, Michael (2019) Into the sounds of war: imagination, media, and experience. In: Grimshaw-Aagaard, Mark, Walther-Hansen, Mads and Knakkergaard, Martin (eds.) The Oxford handbook of sound and imagination. Oxford University Press, New York, pp. 175-202. ISBN 9780190460167

C

Carruthers-Jones, Jonathan, Eldridge, Alice, Guyot, Patrice, Hassal, Christopher and Holmes, George (2019) The call of the wild: investigating the potential for ecoacoustic methods in mapping wilderness areas. Science of The Total Environment, 695. p. 133797. ISSN 0048-9697

E

Eldridge, Alice (2019) BirdBath. [Show/Exhibition]

Escobar Mundaca, Alejandro Esteban (2019) Translating poetics: analysing the connections between Violeta Parra’s music, poetry and art. Doctoral thesis (PhD), University of Sussex.

F

Farrell, Gemma L (2019) Psychedelic style and embodiment in psytrance. Doctoral thesis (PhD), University of Sussex.

Ficarra, Evelyn (2019) Hand, cup, stone. Array, 2019. pp. 23-27. (Accepted)

G

Graham, Thomas J, Magnusson, Thor, Rajguru, Chinmay, Yazdan, Arash Pour, Jacobs, Alex and Memoli, Gianluca (2019) Composing spatial soundscapes using acoustic metasurfaces. AM'19: Audio Mostly, Nottingham, United Kingdom, September, 2019. Published in: Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound. 103-110. Association for Computing Machinery ISBN 9781450372978

H

Haddon, Mimi (2019) Not playing properly: amateurism as generic choice in three postpunk case studies: the Slits, Lora Logic, and the Raincoats. Women and Music, 23 (1). pp. 159-183. ISSN 1090-7505

Haddon, Mimi (2019) Warp’s music videos: affective communities, genre, and gender in electronic/dance music’s visual aesthetic. Journal of British Cinema and Television, 16 (4). pp. 571-590. ISSN 1743-4521

Hanrahan, Fidelma, Hughes, Ed, Banerjee, Robin, Eldridge, Alice and Kiefer, Chris (2019) Psychological benefits of networking technologies in children’s experience of ensemble music making. International Journal of Music Education, 37 (1). pp. 59-77. ISSN 0255-7614

Hopkins, Tim (2019) The tapestry project 2019 - Britain narrates itself. [Show/Exhibition]

Hughes, Ed (2019) Flint. [Composition]

Hughes, Ed (2019) Scenes from Ozu. In: Barton, Ruth and Tresize, Simon (eds.) Music and sound in silent film: from the Nickelodeon to The Artist. Routledge Music and Screen Media Series . Routledge, New York, pp. 160-173. ISBN 9781138245341

Hughes, Ed, Kiefer, Chris, Eldridge, Alice and McCallum, Louis (2019) Syncphonia. AppStore.

J

Jordan, Timothy (2019) Doing digital social (and cultural and media) research: what stays the same when everything changes? Journal of Digital Social Research, 1 (1). pp. 25-30. ISSN 2003-1998

K

Kiefer, Chris (2019) Luuma - live set. [Performance]

Kiefer, Chris (2019) Sample-level sound synthesis with recurrent neural networks and conceptors. PeerJ Computer Science, 5. e205. ISSN 2376-5992

Krutnik, Frank (2019) [Review] Jans B. Wager (2017) Jazz and cocktails: rethinking race and the sound of film noir. Film Studies, 20 (1). pp. 54-56. ISSN 1469-0314

M

Magnusson, Thor (2019) [Review] Tom Garner (2018) Echoes of other worlds: sound in virtual reality. International Journal of Performance Arts and Digital Media, 15 (1). pp. 122-123. ISSN 1479-4713

Magnusson, Thor (2019) Scoring sound creative music coding with SuperCollider. LeanPub, Brighton.

Magnusson, Thor (2019) Sonic writing: technologies of material, symbolic, and signal inscriptions. Bloomsbury Academic, New York. ISBN 9781501313851

Minamimura, Chisato and Bright, Danny (2019) Scored in silence. [Video]

P

Polymeneas Liontiris, Athanasios (2019) IM-Medea: posthumansim and remediation in music theatre. Doctoral thesis (PhD), University of Sussex.

R

Richterich, Annika (2019) Hacking events: project development practices and technology use at hackathons. Convergence, 25 (5-6). pp. 1000-1026. ISSN 1354-8565

S

Sheng, Zhengguo, Pfersich, Saskia, Eldridge, Alice, Zhou, Jianshan, Tian, Daxin and Leung, Victor C M (2019) Wireless acoustic sensor networks and edge computing for rapid acoustic monitoring. IEEE CAA Journal of Automatica Sinica, 6 (1). pp. 64-74. ISSN 2329-9266

T

Till, Nicholas (2019) “A Free and Knightly Art”: Monteverdi’s Toccata for Orfeo and the neo-chivalric ideal in early seventeenth-century Italy. Journal of Seventeenth Century Music, 25 (1). pp. 1-41. ISSN 1089-747X

W

Watson, Joe (2019) Committing to tape: questioning progress narratives in contemporary studio production. In: Hepworth-Sawyer, Russ, Hodgson, Jay, Paterson, Justin and Toulson, Rob (eds.) Innovation in music performance, production, technology, and business. Perspectives on Music Production . Routledge, New York, pp. 248-265. ISBN 9781138498198

This list was generated on Sun May 9 06:49:51 2021 BST.