B

Bright, Danny (2017) Conjuring the sonic ghosts of industrial and post-industrial spaces. In: Heaney, Gwen (ed.) The post-industrial landscape as site for creative practice: material memory. Cambridge Scholars Publishing, Newcastle-upon-Tyne, UK, pp. 45-52. ISBN 9781443899376

Bright, Danny (2017) Fracterruptions. [Composition]

Bright, Danny (2017) Fracterruptions. [Performance]

Bright, Danny (2017) Thrumming halls. In: Sound + Environment: Art | Science | Listening | Collaboration, 29 June - 2 July 2017, University of Hull.

C

Cairns, S, Behrendt, F, Raffo, D, Beaumont, C and Kiefer, C (2017) Electrically-assisted bikes: potential impacts on travel behaviour. Transportation Research Part A: Policy and Practice, 103. pp. 327-342. ISSN 0965-8564

D

Dekavalla, Marina and Jelen-Sanchez, Alenka (2017) Whose voices are heard in the news? A study of sources in television coverage of the Scottish independence referendum. British Politics, 12 (4). pp. 449-472. ISSN 1746-918X

E

Eldridge, Alice and Kiefer, Chris (2017) The self-resonating feedback cello: interfacing gestural and generative processes in improvised performance. New Interfaces for Music Expression, Copenhagen, Denmark, May 15-19 2017. Published in: Erkut, Cumhur, (ed.) Proceedings of New Interfaces for Music Expression 2017. 2017 25-29. Aalborg University Copenhagen, Copenhagen, Denmark. ISSN 2220-4806

G

Grize, Justin Newcomb (2017) Singing beasts: opera and the animal. Doctoral thesis (PhD), University of Sussex.

H

Haddon, Mimi (2017) Dub is the new black: modes of identification and tendencies of appropriation in late 1970s post-punk. Popular Music, 36 (2). pp. 283-301. ISSN 0261-1430

Hignell-Tully, Daniel Alexander (2017) Scoring other: the social function of art-making. Doctoral thesis (PhD), University of Sussex.

M

Magnusson, Thor (2017) Contextualizing musical organics: an ad-hoc organological classification approach. NIME 2017, Copenhagen, May 14-20. Published in: Proceedings of New Interfaces for Musical Expression. University of Aalborg

Magnusson, Thor (2017) Interfacing sound: visual representation of sound in musical software instruments. In: Bovermann, T, de Campo, A, Egermann, H, Hardjowirogo, S I and Weinzierl, S (eds.) Musical instruments in the 21st century: identities, configurations, practices. Springer, pp. 153-166. ISBN 9789811029509

Magnusson, Thor (2017) Musical organics: a heterarchical approach to digital organology. Journal of New Music Research, 46 (3). pp. 286-303. ISSN 0929-8215

Magnusson, Thor and Hurtado, Enrike (2017) The acoustic, the digital and the body: a survey on musical instruments. In: Jensenius, Alexander and Lyons, Michael (eds.) A NIME Reader: Fifteen Years of New Interfaces for Musical Expression. Current Research in Systematic Musicology (3). Springer, Cham, pp. 317-333. ISBN 9783319472133

R

Reid, Tom (2017) Formal experiments in silent film music: reading early abstract film texts as musical scores. Doctoral thesis (PhD), University of Sussex.

T

Thornham, Sue (2017) Reflections on equality, diversity and gender at the end of a media studies headship. Television and New Media, 18 (7). pp. 689-696. ISSN 1527-4764

Till, Nicholas (2017) Pop Star to Opera Star: labour, skill and value in musical performance. Studies in Musical Theatre, 10 (2). pp. 209-226. ISSN 1750-3159