B

Bright, Danny (2016) Sonic ghosting: developing an interface between space/place/memory and sound/music/noise. International Conference on Live Interfaces, University of Sussex, 29 June - 3 July, 2016. Published in: Magnusson, Thor, Kiefer, Chris and Duffy, Sam, (eds.) Proceedings of the 2016 International Conference on Live Interfaces. 219-223. Emute Lab & REFRAME Books, Brighton. ISBN 9780993199684

Butler, Martin and Wiegold, Peter (2016) King Arthur. [Performance]

E

Eldridge, Alice, Hughes, Ed and Kiefer, Chris (2016) Designing dynamic networked scores to enhance the experience of ensemble music making. TENOR 2016: Second International Conference on Technologies for Music Notation and Representation, Anglia Ruskin University, Cambridge, UK, 27- 29 May 2016. Published in: Hoadley, Richard, Fober, Dominique and Nash, Chris, (eds.) Proceedings of Second International Conference on Technologies for Music Notation and Representation. 193-199. Anglia Ruskin University, Cambridge. ISBN 9780993146114

Eldridge, Alice and Kiefer, Chris (2016) Continua: a resonator-feedback-cello duet for live coder and cellist. 4th Conference on computation, communication, aesthetics & X, Bergamo, 7-8 July 2016. Published in: Mario, Verdicchio, Alison, Clifford, André, Rangel and Miguel, Carvalhais, (eds.) xCoAx 2016: Proceedings of the Fourth Conference on Computation, Communication, Aesthetics and X. 398-401. xCoAx, Italy. ISSN 2183-9069 ISBN 9789897460944

Elliott, Richard (2016) ‘My tongue gets t-t-t-’: words, sense, and vocal presence in Van Morrison's It's too late to stop now. Twentieth-Century Music, 13 (1). pp. 53-76. ISSN 1478-5722

Elliott, Richard (2016) Words take the place of meaning: sound, sense and politics in the music of Robert Wyatt. In: Marc, Isabelle and Green, Stuart (eds.) The Singer-Songwriter in Europe: Paradigms, Politics and Place. Routledge, London, pp. 51-64. ISBN 9781472452108

F

Ficarra, Evelyn (2016) War Poems: the dead returning lightly dance. [Performance]

H

Hughes, Ed (2016) Brighton: symphony of a city. [Composition]

Hughes, Ed (2016) Silent film, live music and contemporary composition. In: Donnelly, K J and Wallengren, Ann-Kristin (eds.) Today's sounds for yesterday's films. Palgrave studies in audio-visual culture . Palgrave Macmillan UK, pp. 175-191. ISBN 9781137466358

Hurtado, Enrike and Magnusson, Thor (2016) Notating the non-notateable: digital notation of txalaparta practice. Second International Conference on Technologies for Music Notation and Representation, Anglia Ruskin University, Cambridge, UK, 27-29 May 2016. Published in: Hoadley, Richard, Fober, Dominique and Nash, Chris, (eds.) International Conference on Technologies for Music Notation and Representation. 2 44-49. Anglia Ruskin University, Cambridge. ISBN 9780993146114

J

James, Malcolm (2016) The colonial representation of Jihadi John: matters of life and death in the 'war on terror'. Soundings: A Journal of Politics and Culture (62). ISSN 1362-6620

K

Kiefer, Chris (2016) ApProgXimate Audio: a distributed interactive experiment in sound art and live coding. International Journal of Performance Arts and Digital Media, 12 (2). pp. 195-200. ISSN 1479-4713

M

Magnusson, Thor, Kiefer, Chris and Duffy, Sam (2016) Editorial: On the technology of liveness. International Conference on Live Interfaces, University of Sussex, 29 June - 3 July, 2016. Published in: Magnusson, Thor, Kiefer, Chris and Duffy, Sam, (eds.) Proceedings of the 2016 International Conference on Live Interfaces. 12-12. Emute Lab + REFRAME Books, Brighton. ISBN 9780993199684

Magnusson, Thor, Kiefer, Chris and Duffy, Sam (2016) Proceedings of the 2016 International Conference on Live Interfaces. Live Interfaces, 3 . Emute Lab + REFRAME Books, Brighton. ISBN 9780993199684

Magnusson, Thor and Sicchio, Kate (2016) [Editorial] Writing with shaky hands. International Journal of Performance Arts and Digital Media, 12 (2). pp. 99-101. ISSN 1479-4713

N

Norman, Sally Jane (2016) Senses of liveness for digital times. IETM Publications.

Norman, Sally Jane (2016) Setting live coding performance in wider historical contexts. International Journal of Performance Arts and Digital Media, 12 (2). pp. 117-128. ISSN 1479-4713

Norman, Sally-Jane (2016) Between grammatization and live movement sampling. In: Bleeker, Maaike (ed.) Transmission in motion: the technologizing of dance. Routledge, London, pp. 185-198. ISBN 9781138189430

Norman, Sally-Jane (2016) Dancing on Occam's razor: expressive movement in/and place. In: Fernandes, Carla (ed.) Multimodality and performance. Cambridge Scholars Publishing, Newcastle upon Tyne. ISBN 9781443894654

Norman, Sally-Jane (2016) Mothers of invention: an afterword. Contemporary Music Review, 35 (1). pp. 150-160. ISSN 0749-4467

T

Till, Nicholas (2016) “Sound Houses”: music, architecture, and the postmodern sonic. In: Oxford handbook of sound and image in western art. Oxford University Press, pp. 163-191. ISBN 9780199841547

V

Vaios, Errikos (2016) Portfolio of compositions with commentary. Masters thesis (MPhil), University of Sussex.