Items for Music in 2014

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Number of items: 20.


Baxter, Hannah (2014) The effect of Stravinsky’s ballets on the role of the conductor. Doctoral thesis (PhD), University of Sussex.


Elliott, Richard (2014) 'Time and distance are no object': holiday records, representation and the nostalgia gap. Volume!, 11 (1). pp. 131-143. ISSN 2117-4148

Elliott, Richard (2014) ‘You can't just say “words”’: literature and nonsense in the work of Robert Wyatt. In: Litpop: writing and popular music. Ashgate, Farnham, pp. 49-62. ISBN 9781472410979

Elliott, Richard (2014) The choreography of longing: songs, screens and space in Carlos Saura’s 'Fados'. Quaderns de Cine, 9. pp. 71-78. ISSN 1888-4571


Fasianos, Epameinondas (2014) The exploration of a triadic model of contest-complementation-conformance over innovative musical and visual forms of expression. Masters thesis (MPhil), University of Sussex.


Hopkins, Tim (2014) Occupation. Tim Hopkins Works.

Hopkins, Tim (2014) Song two - The sleeping-mat ballad. [Composition]

Hughes, Ed (2014) Against that time: three songs to sonnets by Shakespeare. [Composition]


Kiefer, Chris (2014) Musical instrument mapping design with Echo State Network. New Interaces for Musical Expression, Goldsmiths, London, June 2014. Published in: Proceedings of the International Conference on New Interfaces for Musical Expression. 293-298. ISSN 2220-4806


Magnusson, Thor (2014) Algorithmic notation: scores and timelines. In: Di Stanze Music Festival, November 1st, 2014, Leeds.

Magnusson, Thor (2014) From a music industry to sound industries. In: Carvalhais, Miguel and Tudela, Pedro (eds.) Mono #2: cochlear poetics: writings on music and sound arts. Research Institute in Art, Design and Society (i2ADS), Porto, pp. 71-78. ISBN 9789899874503

Magnusson, Thor (2014) Herding cats: observing live coding in the wild. Computer Music Journal, 38 (1). pp. 8-16. ISSN 0148-9267

Magnusson, Thor (2014) Improvising with the threnoscope: integrating code, hardware, GUI, network, and graphic scores. NIME 2014 (New Interfaces for Musical Expression), Goldsmiths, University of London, Jun 30-Jul 4, 2014. Published in: Caramiaux, Baptiste, Tahiroğlu, Koray, Fiebrink, Rebecca and Tanaka, Atau, (eds.) Proceedings of the Internation Conference on New Interfaces for Musical Expression. Goldsmiths University of London, London. ISSN 2220-4792 ISBN 9781906897291

Magnusson, Thor (2014) Scoring with code: composing with algorithmic notation. Organised Sound, 19 (3). pp. 268-275. ISSN 1355-7718

Margaretten, Mark and Gaber, Ivor (2014) The crisis in public communication and the pursuit of authenticity: an analysis of the Twitter feeds of Scottish MPs 2008–2010. Parliamentary Affairs, 67 (2). pp. 328-350. ISSN 0031-2290


Norman, Sally-Jane (2014) Grappling with movement models: performing arts and slippery contexts. In: MOCO '14: Proceedings of the 2014 International Workshop on Movement and Computing. ACM, New York, NY, USA, pp. 136-141. ISBN 9781450328142


Taylor, Philip John (2014) Commentary on the following three compositions: Jovia, Quartet for strings, Five concertantes. Masters thesis (MPhil), University of Sussex.

Tierney, Dolores (2014) Transnational political horror in Cronos (1991), El Espinazo del Diablo (2001) and El Laberinto del Fauno (2006). In: Tierney, Dolores, Davies, Ann and Shaw, Deborah (eds.) The transnational fantasies of Guillermo del Toro. Palgrave Macmillan, New York, pp. 161-182. ISBN 9781137407832

Till, Nicholas (2014) [Review] Mauro P. Calcagno (2012) From madrigal to opera: Monteverdi’s staging of the self. Renaissance Quarterly, 67 (3). pp. 1053-1054. ISSN 0034-4338

Till, Nicholas (2014) [Review] Rosamund Bartlett, Sarah Daswell (eds.) (2012) Victory over the sun: the world's first futurist opera. Music and Letters, 95 (1). pp. 116-229. ISSN 0027-4224

This list was generated on Sat Sep 30 01:26:11 2023 BST.