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B
Butler, Martin (2011) Rondes d'Automne. [Composition]
Butler, Martin (2011) Rumba Machine. [Composition]
E
Elliott, Richard (2011) Public consciousness, political conscience and memory in Latin American nueva canción. In: Clarke, D and Clarke, E (eds.) Music and Consciousness: Philosophical, Psychological and Cultural Perspectives. Oxford University Press, Oxford. ISBN 9780199553792
F
Felfer, Thomas (2011) Atmospheres of the night (Atmosphären der Nacht). Kuckuck. Notizen zur Alltagskultur, 2/11.
H
Hughes, Ed (2011) I Was Born, But... [Composition]
Hughes, Ed (2011) A Mother Should Be Loved. [Composition]
Hughes, Ed (2011) A Mother Should Be Loved: the musical score. DVD liner notes, BFIB10. pp. 12-13.
Hughes, Ed (2011) A new score for Yasujiro Ozu's 'I Was Born, But...'. In: ‘Good Morning/I Was Born, But...’ - Liner Notes. BFI, pp. 14-17.
Hughes, Ed, Tearle, K, Rickett, S and Chandler, D (2011) Interview: David Chandler and Katie Tearle with Sophy Rickett and Ed Hughes on 'AUDITORIUM' for Glyndebourne. In: AUDITORIUM. Photoworks, pp. 41-63. ISBN 978-1-903796-23-8
K
Khiabany, Gholam and Unset (2011) Terror, culture and anti-Muslim racism. In: Freedman, Des and Kishan Thussu, Daya (eds.) Media and terrorism: global perspectives. Sage, London, pp. 134-150. ISBN 9781446201589
M
Magnusson, Thor (2011) Algorithms as scores: coding live music. Leonardo Music Journal, 21. pp. 19-23.
Magnusson, Thor (2011) Confessions of a live coder. International Computer Music Conference, University of Huddersfield, UK, 31 July - 5 August 2011. Published in: Proceedings of the International Computer Music Conference 2011. 609-616. Michigan Publishing ISSN 2223-3881
Magnusson, Thor (2011) Interface investigations: the thinking behind tools for musical thinking. In: Collins, Nick, Wilson, Scott and Cottle, David (eds.) The SuperCollider book. MIT Press, Massachussets. ISBN 9780262232692
Magnusson, Thor (2011) When instruments become architecture: on liquefying frozen music. Wergo.
Magnusson, Thor (2011) ixi lang: a SuperCollider parasite for live coding. International Computer Music Conference, University of Huddersfield, UK, 31 July - 5 August 2011. Published in: Proceedings of International Computer Music Conference 2011. 503-506. Michigan Publishing ISSN 2223-3881
Magnusson, Thor (2011) The musical score: the system and the interpreter. In: International Symposium on Electronic Art (ISEA2011), 14-21 September 2011, Istanbul.
Magnusson, Thor, McLean, Alex and Collins, Nick (2011) Live coding DVD. [Video]
S
Seah, Stefanie Huei-Ling (2011) Alexander Scriabin's style and musical gestures in the late piano sonatas: Sonata No.8 as a template towards a paradigm for interpretation and performance. Doctoral thesis (DPhil), University of Sussex.
T
Takano, Keiko (2011) Theatrical work using Japanese text: portfolio of compositions and commentary. Doctoral thesis (DPhil), University of Sussex.
Till, Nicholas (2011) Orpheus Conquistador. In: Opera Indigene: Re/Presenting First Nations and Indigenous Cultures. Ashgate, pp. 15-30. ISBN 978-0-7546-6989-0
Till, Nicholas (2011) [Review] Michael Freyhan (2009) The authentic Magic Flute libretto: Mozart's autograph or the first full-score edition? Music and Letters, 92 (3). pp. 484-486. ISSN 1477-4631