B

Butler, Martin (2004) Sequenza Notturna. [Composition]

H

Hayden, Sam (2004) Relative Autonomy. [Composition]

Hayden, Sam and Jensenius, AR (2004) Emergence. [Composition]

Heile, Bjorn (2004) Darmstadt as Other: British and American Responses to Musical Modernism. twentieth-century music, 1 (2). pp. 161-78. ISSN 1478-5722

Heile, Bjorn (2004) Imaginäre und imaginierte Musik im Schaffen von Mauricio Kagel. In: Tadday, U (ed.) Mauricio Kagel. Edition Text + Kritik (31 May 2004). ISBN 3-88377-761-7

Heile, Bjorn (2004) Imaginäre und imaginierte Musik im Werk von Mauricio Kagel. Musik-Konzepte (124). pp. 83-96. ISSN 0931-3311

Heile, Bjorn (2004) Kagel, Bachtin und eine dialogische Theorie musikalischer Intertextualität. In: Diergarten, Felix, Holtmeier, Ludwig and Polth, Michael (eds.) Musiktheorie zwischen Historie und Systematik: 1. Kongreß der deutschen Gesellschaft für Musiktheorie. Wissner, pp. 62-69. ISBN 9783896393869

Heile, Bjorn (2004) 'Transcending Quotation': Cross-cultural Musical Representation in Mauricio Kagel's Die Stücke der Windrose für Salonorchester. Music Analysis, 23 (1). pp. 57-85. ISSN 0262-5245

J

Jordan, Tim (2004) The pleasures and pains of Pikachu. European Journal of Cultural Studies, 7 (4). pp. 461-480. ISSN 1367-5494

M

McKay, Nicholas (2004) Evocative metaphors, narrative craft: signifying processes in the neoclassic music of Stravinsky. In: Eighth International Congress on Musical Signification, Sorbonne, Paris, 3rd-8th October 2004.

McKay, Nicholas (2004) Silent accusations, incriminating voices: not speaking one's mind in the infernal machine of Stravinsky's Oedipus Rex. In: Third Marks Conference of the Institute for Hellenic and Roman Studies: 'Stravinsky/Cocteau/Oedipus: Myth, Music and Modernism: a colloquiem on the Stravinsky/Cocteau Oedipus Rex', University of Bristol.

O

Osmond-Smith, David (2004) New Beginnings: the International avant-garde, 1945-62. In: Cook, N and Pople, A (eds.) The Cambridge History of Twentieth Century Music. CUP, pp. 336-364. ISBN 978-0521662567

Osmond-Smith, David (2004) The tenth oscillator: the work of Cathy Berberian 1958-1966. Tempo, 58 (227). pp. 2-14. ISSN 0040-2982

T

Till, Nicholas (2004) Agamemnon Takes a Bath: libretto for opera by Hilda Paredes. [Performance]

Till, Nicholas (2004) 'First-Class Evening Entertainments': Spectacle and Social Control in a Mid-Victorian Music-Hall. New Theatre Quarterly, 20 (1). pp. 3-18. ISSN 0266-464X

Till, Nicholas (2004) 'I don't mind if something's operatic, just as long as its not opera: A Critical Practice for New Opera and Music Theatre. Contemporary Theatre Review, 14 (1). 15-24.. ISSN 1477-2264

Till, Nicholas, Chamberlain, F, Ellis, S, Mock, R and Whelan, JC (2004) Reflections on Practice as Research following the PARIP Conference 2003. Studies in Theatre and Performance, 24 (2). pp. 129-141. ISSN 14682761