Items for Quilley, Geoffrey

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Number of items: 41.

Article

Quilley, Geoffrey (2016) Reenacting Cook’s Voyages in Nineteenth-Century Visual Culture. SEL Studies in English Literature, 56 (4). pp. 845-869. ISSN 0039-3657

Quilley, Geoffrey (2014) 'By cruel foes oppress'd': British naval draughtsmen in Tahiti and the South Pacific in the 1840s. Journal of Historical Geography, 43. pp. 71-84. ISSN 0305-7488

Quilley, Geoffrey (2014) Introduction: mapping the art of travel and exploration. Journal of Historical Geography, 43. pp. 2-8. ISSN 0305-7488

Quilley, Geoffrey (2014) Art history and double consciousness: visual culture and eighteenth-century maritime Britain. Eighteenth-Century Studies, 48 (1). pp. 21-35. ISSN 0013-2586

Quilley, Geoffrey (2006) Art for the Nation: Paintings of the National Maritime Museum. British Art Journal, 7 (3). pp. 81-83. ISSN 1467-2006

Quilley, Geoffrey (2005) Points of View: Nicola Tassie and Bryan Ingham. Ceramics: Art and Perception, 60. pp. 92-95. ISSN 1035-1841

Quilley, Geoffrey (2004) William Hodges, Art and Empire. History Today, 54 (7). pp. 46-53. ISSN 0018-2753

Quilley, Geoffrey (2000) Missing the boat: the place of the maritime in the history of British visual culture. Visual Culture in Britain, 1 (2). pp. 79-92. ISSN 1471-4787

Book Section

Quilley, Geoffrey (2019) Empire and tourism in British India c.1780-1825: the artistic travels of William Hodges and Charles Ramus Forrest. In: Castro, Maria Joao (ed.) Empire and tourism.: an anthology of essays. ArTravel . Centro de Humanidades, Universidade Nova de Lisboa, Lisbon, pp. 125-140. ISBN 9789899971929

Quilley, Geoffrey (2016) Placing the sea in eighteenth-century British art. In: Spreading Canvas: Eighteenth-Century British Marine Painting. Yale University Press, New Haven CT. ISBN 9780300221572

Quilley, Geoffrey (2016) Siting the circum-Atlantic: Nelson in a bottle in Trafalgar Square. In: Bernier, Celeste-Marie and Durkin, Hannah (eds.) Visualising slavery: art across the African Diaspora. Liverpool Studies in International Slavery (9). Liverpool University Press, Liverpool, pp. 155-167. ISBN 9781781382677

Quilley, Geoffrey (2015) 'A proper set of views': The British East India Company and the eighteenth-century visualization of South-East Asia. In: Damodaran, Vinita, Winterbottom, Anna and Lester, Alan (eds.) The East India Company and the natural world. Palgrave Macmillan, London, pp. 167-192. ISBN 9781137427267

Quilley, Geoffrey (2014) Sailors on horseback: the representation of seamen and social space in eighteenth-century British visual culture. In: Cusack, Tricia (ed.) Framing the ocean, 1700 to the present: envisaging the sea as social space. Ashgate, Farnham, UK and Burlington, VT, USA, pp. 85-100. ISBN 9781409465683

Quilley, Geoffrey (2013) Of sailors and slaves: portraiture, property, and the trials of circum-Atlantic subjectivities, c.1750–1830. In: Lugo-Ortiz, Agnes and Rosenthal, Angela (eds.) Slave portraiture in the Atlantic world. Cambridge University Press, Cambridge. ISBN 9781107004399

Quilley, Geoffrey (2009) The analysis of deceit: Sandby's satires against Hogarth. In: Bonehill, John and Daniels, Stephen (eds.) Paul Sandby: Picturing Britain. Royal Academy of Arts, London. ISBN 9781905711482

Quilley, Geoffrey (2009) The 'Trattato della Pittura' and Leonardo's Reputation in Eighteenth-Century British Art and Aesthetics. In: Farago, Claire (ed.) Re-reading Leonardo: the "Treatise on Painting" Across Europe, 1550-1900. Ashgate, Farnham, pp. 495-507. ISBN 9780754665328

Quilley, Geoffrey (2007) The lie of the land: slavery and the aesthetics of imperial landscape in eighteenth-century British art. In: Hamilton, Douglas J and Blyth, Robert J (eds.) Representing Slavery: Art, Artefacts and Archives in the Collections of the National Maritime Museum. Lund Humphries, Farnham, pp. 118-135. ISBN 9780853319665

Quilley, Geoffrey (2006) Introduction: British art and the maritime nation. In: Quilley, Geoffrey (ed.) Art for the Nation: The Oil Paintings Collections of the National Maritime Museum. The National Maritime Museum, London, pp. 1-17. ISBN 9780948065767

Quilley, Geoffrey (2006) "A tiresome issue": the artistic heritage of empire and the Ministry of Defence Collection. In: Quilley, Geoffrey (ed.) Art for the Nation: The Oil Paintings Collections of the National Maritime Museum. National Maritime Museum, London, pp. 99-109. ISBN 9780948065767

Quilley, Geoffrey (2006) The Moralization of Shipwreck c.1770-1830. In: George, Hardy S (ed.) Tempests and Romantic Visionaries: Images of Storms in European and American Art. Oklahoma City Museum of Art, Oklahoma City, pp. 11-24. ISBN 9780911919042

Quilley, Geoffrey (2006) The Battle of the Pictures: Painting the History of Trafalgar. In: Cannadine, David (ed.) Trafalgar in history. A battle and its afterlife. Palgrave Macmillan, Basingstoke and New York, pp. 121-138. ISBN 9780230009004

Quilley, Geoffrey (2005) Peindre la lumière du monde: l'art dans les voyages de Cook. In: Changeux, Jean-Pierre (ed.) La lumière au siècle des Lumières et aujourd'hui. Editions Odile Jacob, pp. 263-275. ISBN 9782738116444

Bonehill, John and Quilley, Geoffrey (2005) Introduction. In: Bonehill, John and Quilley, Geoffrey (eds.) Conflicting Visions: War and Visual Culture in Britain and France c.1700-1830. Ashgate Publishing, Aldershot & Burlington, pp. 1-14. ISBN 9780754605751

Quilley, Geoffrey (2005) Questions of loyalty: the representation of the British West Indian colonies during the American Revolutionary War. In: Bonehill, John and Quilley, Geoffrey (eds.) Conflicting Visions: War and Visual Culture in Britain and France c.1700-1830. Ashgate, Aldershot, pp. 115-137. ISBN 9780754605751

Quilley, Geoffrey (2004) William Hodges, artist of empire. In: Quilley, Geoffrey and Bonehill, John (eds.) William Hodges 1744-1797: The Art of Exploration. Yale University Press, New Haven and London, pp. 1-7. ISBN 9780300103762

Quilley, Geoffrey (2004) Hodges and India. In: Quilley, Geoffrey and Bonehill, John (eds.) William Hodges 1744-1797: The Art of Exploration. National Maritime Museum, London, pp. 137-186. ISBN 9780300103762

Quilley, Geoffrey (2004) Representing Britishness: Hodges's British subjects. In: Quilley, Geoffrey and Bonehill, John (eds.) William Hodges 1744-1797: The Art of Exploration. Yale University Press, New Haven and London, pp. 187-202. ISBN 9780300103762

Quilley, Geoffrey and Kriz, Kay Dian (2003) Introduction: visual culture and the Atlantic world, 1660-1830. In: Quilley, Geoffrey and Kriz, Kay Dian (eds.) An economy of colour: Visual culture and the North Atlantic world, 1660¿1830. Manchester University Press, pp. 1-12. ISBN 9780719060069

Quilley, Geoffrey (2003) Pastoral plantations: the British slave trade and the representation of colonial landscape in the late eighteenth century. In: Quilley, Geoffrey and Kriz, Kay Dian (eds.) An economy of colour: Visual culture and the Atlantic world, 1660-1830. Critical Perspectives in Art History . Manchester University Press, Manchester, pp. 106-128. ISBN 9780719060069

Quilley, Geoffrey (2003) Signs of Commerce: the East India Company and the Patronage of Eighteenth-Century British Art. In: Bowen, H V, Lincoln, Margarette and Rigby, Nigel (eds.) The Worlds of the East India Company. Boydell and Brewer, New York and Woodbridge, pp. 183-199. ISBN 9780851158778

Quilley, Geoffrey (2002) Past the Post: Modernism and Post Modernism in the Art of the Singh Twins. In: Singh, Amrit Kaur and Singh, Rabindra Kaur (eds.) Past-Modern: Paintings by the Singh Twins. Southampton Institute Millais Gallery, Southampton, pp. 13-20. ISBN 9781874011699

Quilley, Geoffrey (2000) Duty and mutiny: the aesthetics of loyalty and the representation of the British sailor c.1789-1800. In: Shaw, Philip (ed.) Romantic War: Studies in Culture and Conflict, 1789-1815. The Nineteenth Century Series . Ashgate, Farnham, pp. 80-109. ISBN 9781840142662

Quilley, Geoffrey (1998) 'All ocean is her own': the image of the sea and the identity of the maritime nation in eighteenth-century British art. In: Cubbitt, Geoffrey (ed.) Imagining Nations. York Studies in Cultural History . Manchester University Press, Manchester, pp. 132-152. ISBN 9780719054600

Quilley, Geoffrey (1996) The sphere of contemplation: The imagery of global navigation in eighteenth-century England. In: Smethurst, Colin (ed.) Romantic Geographies: Proceedings of the September 1994 Glasgow Colloquium. University of Glasgow, Glasgow, pp. 55-64. ISBN 9780852614662

Conference or Workshop Item

Quilley, Geoffrey (2018) Piadas de negro: Escravidão e imprensa Satírica. In: Histórias da escravidão [Histories of Slavery], 28-29 October 2016, Museu de Arte de São Paolo.

Book

Quilley, Geoff (2019) British art and the East India Company. Boydell and Brewer, Woodbridge, Suffolk. (Accepted)

Quilley, Geoffrey (2011) Empire to Nation: Art, History, and the Visualization of Maritime Britain, 1768-1829. Paul Mellon Centre for Studies in British Art . Yale University Press, New Haven and London. ISBN 9780300175684

Quilley, Geoffrey (2006) Art for the Nation: The Oil Paintings Collections of the National Maritime Museum. National Maratime Museum, London. ISBN 9780948065767

Edited Book

Quilley, Geoffrey and Boneham, John, eds. (2005) Conflicting Visions: War and Visual Culture in Britain and France c. 1700-1830. Ashgate, Aldershot. ISBN 9780754605751

Quilley, Geoffrey and Bonehill, John, eds. (2004) William Hodges 1744-1797: The Art of Exploration. Yale University Press, New Haven and London. ISBN 9780300103762

Quilley, Geoffrey and Kriz, Kay Dian, eds. (2003) An economy of colour: Visual culture and the Atlantic World, 1660-1830. Critical Perspectives in Art History . Manchester University Press, Manchester and New York. ISBN 9780719060069

This list was generated on Sun Nov 17 07:06:27 2019 GMT.