Article

Quilley, Geoffrey (2016) Reenacting Cook’s Voyages in Nineteenth-Century Visual Culture. SEL Studies in English Literature, 56 (4). pp. 845-869. ISSN 0039-3657

Quilley, Geoffrey (2014) 'By cruel foes oppress'd': British naval draughtsmen in Tahiti and the South Pacific in the 1840s. Journal of Historical Geography, 43. pp. 71-84. ISSN 0305-7488

Quilley, Geoffrey (2014) Introduction: mapping the art of travel and exploration. Journal of Historical Geography, 43. pp. 2-8. ISSN 0305-7488

Quilley, Geoffrey (2014) Art history and double consciousness: visual culture and eighteenth-century maritime Britain. Eighteenth-Century Studies, 48 (1). pp. 21-35. ISSN 0013-2586

Quilley, Geoffrey (2006) Art for the Nation: Paintings of the National Maritime Museum. British Art Journal, 7 (3). pp. 81-83. ISSN 1467-2006

Quilley, Geoffrey (2005) Points of View: Nicola Tassie and Bryan Ingham. Ceramics: Art and Perception, 60. pp. 92-95. ISSN 1035-1841

Quilley, Geoffrey (2004) William Hodges, Art and Empire. History Today, 54 (7). pp. 46-53. ISSN 0018-2753

Quilley, Geoffrey (2000) Missing the boat: the place of the maritime in the history of British visual culture. Visual Culture in Britain, 1 (2). pp. 79-92. ISSN 1471-4787

Book Section

Quilley, Geoffrey (2019) Empire and tourism in British India c.1780-1825: the artistic travels of William Hodges and Charles Ramus Forrest. In: Castro, Maria Joao (ed.) Empire and tourism.: an anthology of essays. ArTravel . Centro de Humanidades, Universidade Nova de Lisboa, Lisbon, pp. 125-140. ISBN 9789899971929

Quilley, Geoffrey (2016) Placing the sea in eighteenth-century British art. In: Spreading Canvas: Eighteenth-Century British Marine Painting. Yale University Press, New Haven CT. ISBN 9780300221572

Quilley, Geoff (2016) Siting the circum-Atlantic: Nelson in a bottle in Trafalgar Square. In: Bernier, Celeste-Marie and Durkin, Hannah (eds.) Visualising slavery: art across the African Diaspora. Liverpool Studies in International Slavery (9). Liverpool University Press, Liverpool, pp. 155-167. ISBN 9781781382677

Quilley, Geoffrey (2015) 'A proper set of views': The British East India Company and the eighteenth-century visualization of South-East Asia. In: Damodaran, Vinita, Winterbottom, Anna and Lester, Alan (eds.) The East India Company and the natural world. Palgrave Macmillan, London, pp. 167-192. ISBN 9781137427267

Quilley, Geoffrey (2014) Sailors on horseback: the representation of seamen and social space in eighteenth-century British visual culture. In: Cusack, Tricia (ed.) Framing the ocean, 1700 to the present: envisaging the sea as social space. Ashgate, Farnham, UK and Burlington, VT, USA, pp. 85-100. ISBN 9781409465683

Quilley, Geoffrey (2013) Of sailors and slaves: portraiture, property, and the trials of circum-Atlantic subjectivities, c.1750–1830. In: Lugo-Ortiz, Agnes and Rosenthal, Angela (eds.) Slave portraiture in the Atlantic world. Cambridge University Press, Cambridge. ISBN 9781107004399

Quilley, Geoffrey (2009) The analysis of deceit: Sandby's satires against Hogarth. In: Bonehill, John and Daniels, Stephen (eds.) Paul Sandby: Picturing Britain. Royal Academy of Arts, London. ISBN 9781905711482

Quilley, Geoffrey (2009) The 'Trattato della Pittura' and Leonardo's Reputation in Eighteenth-Century British Art and Aesthetics. In: Farago, Claire (ed.) Re-reading Leonardo: the "Treatise on Painting" Across Europe, 1550-1900. Ashgate, Farnham, pp. 495-507. ISBN 9780754665328

Quilley, Geoffrey (2007) The lie of the land: slavery and the aesthetics of imperial landscape in eighteenth-century British art. In: Hamilton, Douglas J and Blyth, Robert J (eds.) Representing Slavery: Art, Artefacts and Archives in the Collections of the National Maritime Museum. Lund Humphries, Farnham, pp. 118-135. ISBN 9780853319665

Quilley, Geoffrey (2006) Introduction: British art and the maritime nation. In: Quilley, Geoffrey (ed.) Art for the Nation: The Oil Paintings Collections of the National Maritime Museum. The National Maritime Museum, London, pp. 1-17. ISBN 9780948065767

Quilley, Geoffrey (2006) "A tiresome issue": the artistic heritage of empire and the Ministry of Defence Collection. In: Quilley, Geoffrey (ed.) Art for the Nation: The Oil Paintings Collections of the National Maritime Museum. National Maritime Museum, London, pp. 99-109. ISBN 9780948065767

Quilley, Geoffrey (2006) The Moralization of Shipwreck c.1770-1830. In: George, Hardy S (ed.) Tempests and Romantic Visionaries: Images of Storms in European and American Art. Oklahoma City Museum of Art, Oklahoma City, pp. 11-24. ISBN 9780911919042

Quilley, Geoffrey (2006) The Battle of the Pictures: Painting the History of Trafalgar. In: Cannadine, David (ed.) Trafalgar in history. A battle and its afterlife. Palgrave Macmillan, Basingstoke and New York, pp. 121-138. ISBN 9780230009004

Quilley, Geoffrey (2005) Peindre la lumière du monde: l'art dans les voyages de Cook. In: Changeux, Jean-Pierre (ed.) La lumière au siècle des Lumières et aujourd'hui. Editions Odile Jacob, pp. 263-275. ISBN 9782738116444

Bonehill, John and Quilley, Geoffrey (2005) Introduction. In: Bonehill, John and Quilley, Geoffrey (eds.) Conflicting Visions: War and Visual Culture in Britain and France c.1700-1830. Ashgate Publishing, Aldershot & Burlington, pp. 1-14. ISBN 9780754605751

Quilley, Geoffrey (2005) Questions of loyalty: the representation of the British West Indian colonies during the American Revolutionary War. In: Bonehill, John and Quilley, Geoffrey (eds.) Conflicting Visions: War and Visual Culture in Britain and France c.1700-1830. Ashgate, Aldershot, pp. 115-137. ISBN 9780754605751

Quilley, Geoffrey (2004) William Hodges, artist of empire. In: Quilley, Geoffrey and Bonehill, John (eds.) William Hodges 1744-1797: The Art of Exploration. Yale University Press, New Haven and London, pp. 1-7. ISBN 9780300103762

Quilley, Geoffrey (2004) Hodges and India. In: Quilley, Geoffrey and Bonehill, John (eds.) William Hodges 1744-1797: The Art of Exploration. National Maritime Museum, London, pp. 137-186. ISBN 9780300103762

Quilley, Geoffrey (2004) Representing Britishness: Hodges's British subjects. In: Quilley, Geoffrey and Bonehill, John (eds.) William Hodges 1744-1797: The Art of Exploration. Yale University Press, New Haven and London, pp. 187-202. ISBN 9780300103762

Quilley, Geoffrey and Kriz, Kay Dian (2003) Introduction: visual culture and the Atlantic world, 1660-1830. In: Quilley, Geoffrey and Kriz, Kay Dian (eds.) An economy of colour: Visual culture and the North Atlantic world, 1660¿1830. Manchester University Press, pp. 1-12. ISBN 9780719060069

Quilley, Geoffrey (2003) Pastoral plantations: the British slave trade and the representation of colonial landscape in the late eighteenth century. In: Quilley, Geoffrey and Kriz, Kay Dian (eds.) An economy of colour: Visual culture and the Atlantic world, 1660-1830. Critical Perspectives in Art History . Manchester University Press, Manchester, pp. 106-128. ISBN 9780719060069

Quilley, Geoffrey (2003) Signs of Commerce: the East India Company and the Patronage of Eighteenth-Century British Art. In: Bowen, H V, Lincoln, Margarette and Rigby, Nigel (eds.) The Worlds of the East India Company. Boydell and Brewer, New York and Woodbridge, pp. 183-199. ISBN 9780851158778

Quilley, Geoffrey (2002) Past the Post: Modernism and Post Modernism in the Art of the Singh Twins. In: Singh, Amrit Kaur and Singh, Rabindra Kaur (eds.) Past-Modern: Paintings by the Singh Twins. Southampton Institute Millais Gallery, Southampton, pp. 13-20. ISBN 9781874011699

Quilley, Geoffrey (2000) Duty and mutiny: the aesthetics of loyalty and the representation of the British sailor c.1789-1800. In: Shaw, Philip (ed.) Romantic War: Studies in Culture and Conflict, 1789-1815. The Nineteenth Century Series . Ashgate, Farnham, pp. 80-109. ISBN 9781840142662

Quilley, Geoffrey (1998) 'All ocean is her own': the image of the sea and the identity of the maritime nation in eighteenth-century British art. In: Cubbitt, Geoffrey (ed.) Imagining Nations. York Studies in Cultural History . Manchester University Press, Manchester, pp. 132-152. ISBN 9780719054600

Quilley, Geoffrey (1996) The sphere of contemplation: The imagery of global navigation in eighteenth-century England. In: Smethurst, Colin (ed.) Romantic Geographies: Proceedings of the September 1994 Glasgow Colloquium. University of Glasgow, Glasgow, pp. 55-64. ISBN 9780852614662

Conference or Workshop Item

Quilley, Geoffrey (2018) Piadas de negro: Escravidão e imprensa Satírica. In: Histórias da escravidão [Histories of Slavery], 28-29 October 2016, Museu de Arte de São Paolo.

Book

Quilley, Geoff (2020) British art and the East India Company. The Worlds of the East India Company . Boydell and Brewer, Woodbridge, Suffolk. ISBN 9781783275106

Quilley, Geoffrey (2011) Empire to Nation: Art, History, and the Visualization of Maritime Britain, 1768-1829. Paul Mellon Centre for Studies in British Art . Yale University Press, New Haven and London. ISBN 9780300175684

Quilley, Geoffrey (2006) Art for the Nation: The Oil Paintings Collections of the National Maritime Museum. National Maratime Museum, London. ISBN 9780948065767

Edited Book

Quilley, Geoffrey and Boneham, John, eds. (2005) Conflicting Visions: War and Visual Culture in Britain and France c. 1700-1830. Ashgate, Aldershot. ISBN 9780754605751

Quilley, Geoffrey and Bonehill, John, eds. (2004) William Hodges 1744-1797: The Art of Exploration. Yale University Press, New Haven and London. ISBN 9780300103762

Quilley, Geoffrey and Kriz, Kay Dian, eds. (2003) An economy of colour: Visual culture and the Atlantic World, 1660-1830. Critical Perspectives in Art History . Manchester University Press, Manchester and New York. ISBN 9780719060069