Article

Austin, Thomas (2022) Bigger than life, or stranger: Pedro Costa’s Vitalina Varela : Part III. Senses of Cinema, 102. ISSN 1443-4059

Austin, Thomas (2022) Bigger than life, or stranger: Pedro Costa's Vitalina Varela part 2. Senses of Cinema, 101. ISSN 1443-4059

Austin, Thomas (2022) Bigger than life, or stranger: Pedro Costa’s Vitalina Varela. Senses of Cinema (100). ISSN 1443-4059

Austin, Thomas (2021) Sunset (Napszállta) and the politics of the period film. Studies in European Cinema. ISSN 1741-1548

Austin, Thomas (2021) Crime scenes: landscape, memory and atrocity in Jorge Barbi’s El Final, Aquí. Photography and Culture. ISSN 1751-4517

Austin, Thomas (2021) Boy with flag and Black British experience in Akomfrah's Handsworth songs and McQueen's Red, white and blue. Senses of Cinema (98). ISSN 1443-4059

Austin, Thomas (2020) 'Situating a non-conformist auteur' [Review] N. B. Jorge (2020) ReFocus: the films of Pedro Costa: producing and consuming contemporary art cinema. Journal of Science and Technology of the Arts, 12 (2). pp. 116-120. ISSN 1646-9798

Austin, Thomas (2019) Benefaction, processing, exclusion: documentary representations of refugees and migrants in Fortress Europe. Studies in European Cinema, 16 (3). pp. 250-265. ISSN 2040-0594

Austin, Thomas (2019) Unmasked: notes on Joan de la Malla’s ‘The Sad Clown’. Photography and Culture. ISSN 1751-4517

Austin, Thomas (2018) “A democracy of images” John Gianvito in conversation. Senses of Cinema (86). ISSN 1443-4059

Austin, Thomas (2017) In the cells of Fortress Europe: an interview with Marianna Economou, director of The Longest Run. Senses of Cinema, 83.

Austin, Thomas (2016) Interiority, identity and the limits of knowledge in documentary film. Screen, 57 (4). pp. 414-430. ISSN 0036-9543

Austin, Thomas (2016) Temporal vertigo: an interview with John Akomfrah. Senses of Cinema, 79. ISSN 1443-4059

Austin, Thomas (2016) Spectral cinema from a phantom state: film aesthetics and the politics of identity in Divided Heaven and Solo Sunny. Studies in Eastern European Cinema, 7 (3). pp. 274-286. ISSN 2040-350X

Austin, Thomas (2014) Indexicality and inter/textuality: 24 City's aesthetics and the politics of memory. Screen, 55 (2). pp. 256-266. ISSN 0036-9543

Austin, Thomas (2012) The mists of time: control, chaos and irreversibility in The Fog of War. Studies in Documentary Film, 6 (1). pp. 29-42. ISSN 1750-3280

Austin, Thomas (2011) Figures in a landscape: work and beauty in 'Sleep furiously'. New Review of Film and Television Studies, 9 (3). pp. 376-389. ISSN 1740-0309

Austin, Thomas (2011) 'Standard Operating Procedure', 'the mystery of photography' and the politics of pity. Screen, 52 (3). pp. 342-357. ISSN 0036-9543

Austin, Thomas (2010) Damaged bodies in documentary: 'Black Sun' and 'Murderball'. Studies in Documentary Film, 4 (1). pp. 51-64. ISSN 1750-3280

Austin, Thomas (2009) [Review] Janet Wasko (2003) How Hollywood works. Journal in Media Practice, 10 (1). p. 91. ISSN 1468-2753

Austin, Thomas (2006) 'A NEVER-ENDING FLASHBACK': time, space and narrative in Anne McGuire's 'Strain Andromeda The'. New Review of Film and Television Studies, 4 (2). pp. 131-146. ISSN 1740-0309

Austin, Thomas (2005) Seeing, feeling, knowing: a case study of audience perspectives on screen documentary. Participations, 2 (1). ISSN 1749-8716

Austin, Thomas (2000) [Review] Steve Neale and Murray Smith, ed. (1998) Contemporary Hollywood cinema. Scope. ISSN 1465-9166

Austin, Thomas (1999) 'Gone with the wind' plus fangs: the assembly, marketing and reception of Bram Stoker's 'Dracula'. Framework, 41. pp. 37-53. ISSN 0306-7661

Book Section

Austin, Thomas (2020) Miserable journeys, symbolic rescues: refugees and migrants in the cinema of Fortress Europe. In: Austin, Thomas and Koutsourakis, Angelos (eds.) Cinema of crisis: film and contemporary Europe. Edinburgh University Press, Edinburgh. ISBN 9781474448505

Austin, Thomas (2018) Introduction. In: Austin, Thomas (ed.) The films of Aki Kaurismaki: ludic engagements. Bloomsbury Academic., New York. ISBN 9781501325380

Austin, Thomas (2018) Temporality in Kaurismaki: anachronism, alluision, tableau. In: Austin, Thomas (ed.) The films of Aki Kaurismaki: ludic engagements. Bloomsbury Academic, New York, pp. 17-39. ISBN 9781501325410

de Jong, Wilma and Austin, Thomas (2008) You want to know that, this is real, this is what happened: an interview with John Smithson. In: Austin, Thomas and de Jong, Wilma (eds.) Rethinking documentary: new perspectives, new practices. Open University Press. ISBN 9780335221912

Austin, Thomas (2008) '...to leave the confinements of his humanness': Authorial voice, death and constructions of nature in Werner Herzog's 'Grizzly Man'. In: Austin, Thomas and de Jong, Wilma (eds.) Rethinking documentary: new perspectives, new practices. Open University Press, Maidenhead, pp. 51-66. ISBN 9780335221912

Austin, Thomas (2007) 'Gone with the wind plus fangs': genre, taste and distinction in the assembly, marketing and reception of Bram Stoker's Dracula. In: Grainge, P, Jancovich, M and Monteith, S (eds.) Film histories: an introduction and reader. Edinburgh University Press, Edinburgh. ISBN 9780748619061

Austin, Thomas (2003) Men in suits: costume, performance and masculinity in the Batman films. In: Austin, Thomas and Barker, M (eds.) Contemporary Hollywood Stardom. Arnold, London, pp. 135-150. ISBN 9780340809372

Austin, Thomas (2002) 'Gone with the wind plus fangs': genre, taste and distinction in the assembly, marketing and reception of Bram Stoker's Dracula. In: Neale, S (ed.) Genre and contemporary Hollywood. British Film Institute, London. ISBN 9780851708874

Barker, Martin and Austin, Thomas (2000) A Very Deep Impact. In: From Antz to Titanic: reinventing film analysis. Pluto Press, 155 - 173. ISBN 9780745315799

Austin, Thomas (1999) Desperate to see it: straight men watching Basic Instinct. In: Stokes, M and Maltby, R (eds.) Identifying Hollywood's audiences. British Film Institute, London, 149 - 163. ISBN 9780851707389

Austin, Thomas (1999) Gendered (dis)pleasures: 'Basic Instinct' and female viewers. In: Journal of Popular British Cinema. Flick Books, pp. 4-22. ISBN 9781862360174

Book

Austin, Thomas (2007) Watching the world: screen documentary and audiences. Manchester University Press, Manchester. ISBN 9780719076893

Austin, Thomas (2002) Hollywood, hype and audiences: selling and watching popular film in the 1990s. Manchester University Press, Manchester ; New York. ISBN 9780719057755

Austin, Thomas (2000) From Antz to Titanic: reinventing film analysis. Pluto Press, London. ISBN 9780745315843

Edited Book

Austin, Thomas, ed. (2018) The films of Aki Kaurismäki: ludic engagements. Bloomsbury Academic, New York. ISBN 9781501325410

Austin, Thomas and de Jong, Wilma, eds. (2008) Rethinking Documentary : new perspectives,new practices. Open University Press. ISBN 9780335221912

Austin, Thomas and de Jong, Wilma, eds. (2008) Rethinking documentary: new perspectives and practices. Open University Press, Buckingham. ISBN 9780335221912

Austin, Thomas and Barker, M, eds. (2003) Contemporary Hollywood Stardom. Arnold. ISBN 9780340809372