Article

Barnett, David (2015) Open access. Contemporary Theatre Review, 25 (1). pp. 123-127. ISSN 1048-6801

Barnett, David (2011) Brechtian theory as practice: the Berliner Ensemble stages Der Messingkauf in 1963. Theatre, Dance and Performance Training, 2 (1). pp. 4-17. ISSN 1944-3927

Barnett, David (2011) Toward a definition of post-Brechtian performance: the example of 'In the Jungle of the Cities' at the Berliner Ensemble, 1971. Modern Drama, 54 (3). pp. 333-356. ISSN 0026-7694

Barnett, David (2010) [Review] Meg Mumford (2009) Bertolt Brecht. Modern Language Review, 105 (3). pp. 914-915. ISSN 0026-7937

Barnett, David (2010) ‘I have to change myself instead of interpreting myself’: Heiner Müller as post-Brechtian director. Contemporary Theatre Review, 20 (1). pp. 6-20. ISSN 1048-6801

Barnett, David (2009) [Review] Denise Varney, ed. (2008) Theatre in the Berlin republic: German drama since reunification. Modern Language Review, 104 (4). pp. 1188-1189. ISSN 0026-7937

Barnett, David (2009) [Review] Dagmar Jaeger (2007) Theater im Medienzeitalter: das postdramatische Theater von Elfriede Jelinek und Heiner Müller. Modern Language Review, 104 (1). pp. 279-280. ISSN 0026-7937

Barnett, David (2008) [Review] Reinhold Grimm (2007) Die Erweiterung des Kontinents: Brechts 'Dreigroschenoper' in Nigeria und in der Türkei. Modern Language Review, 103 (2). pp. 596-597. ISSN 0026-7937

Barnett, David (2008) When is a play not a drama? Two examples of postdramatic theatre texts. New Theatre Quarterly, 24 (1). pp. 14-23. ISSN 0266-464X

Barnett, David (2008) The problems and pleasures of running a theatre in Berlin: the changing role of the Intendant. Contemporary Theatre Review, 18 (1). pp. 80-83. ISSN 1048-6801

Barnett, David, Lehmann, Hans-Thies and Jurs-Munby, Karen (2006) Taking stock and looking forward: Postdramatic theatre (An interview with Hans-Thies Lehmann and Karen Jurs-Munby). pp. 483-489. ISSN 1048-6801

Barnett, David (2006) Resisting the Revolution: Heiner Müller's Hamlet/Machine at the Deutsches Theater, Berlin, March 1990. Theatre Research International, 31 (2). pp. 188-200. ISSN 0307-8833

Barnett, David (2006) Political theatre in a shrinking world: René Pollesch's postdramatic practices on paper and on stage. Contemporary Theatre Review, 16 (1). pp. 31-40. ISSN 1048-6801

Barnett, David (2006) Staging the indeterminate: Brian Friel's Faith Healer as a postdramatic theatre-text. Irish University Review, 36 (2). pp. 374-388. ISSN 0021-1427

Barnett, David (2005) Reading and performing uncertainty: Michael Frayn's Copenhagen and the postdramatic theatre. Theatre Research International, 30 (2). pp. 139-149. ISSN 0307-8833

Barnett, David (2004) The simulation of a reception. Or: Rainer Werner Fassbinder's 'Der Müll, die Stadt und Tod' in Germany, Holland, and Israel. Contemporary Theatre Review, 14 (2). pp. 29-40. ISSN 1026-7166

Barnett, David (2003) 'Da draussen sind Hunderte von solchen wie Sie einer sind'. The triumph of the market and the persistence of dialectics in Urs Widmer's Top Dogs'. Forum Modernes Theater, 18 (2). pp. 153-164. ISSN 0930-5874

Barnett, David (2003) The triumph of the market and the persistence of dialectics in Urs Widmer's 'Top Dogs'. Forum Modernes Theater, 18 (2). pp. 153-165. ISSN 0930-5874

Barnett, David (2002) Heiner Müller as the end of Brechtian dramaturgy. Müller on Brecht in two lesser-known fragments. Theatre Research International, 27 (1). pp. 49-57. ISSN 0307-8833

Barnett, David (2001) Howard Barker: polemic theory and dramatic practice. Nietzsche, metatheatre and the play The Europeans. Modern Drama, 44 (4). pp. 458-75. ISSN 0026-7694

Barnett, David (2001) Documentation and its discontents: the case of Heiner Kipphardt. Forum for Modern Language Studies, 37 (3). pp. 272-285. ISSN 00158518

Barnett, David (2001) Joseph Goebbels: Expressionist dramatist as Nazi minister of culture. New Theatre Quarterly, 17 (2). pp. 161-169. ISSN 0266-464X

Barnett, David (2000) Dramaturgies of "Sprachkritik": Rainer Werner Fassbinder's "Blut am Hals der Katze" and Peter Handke's "Kaspar". Modern Language Review, 95 (4). pp. 1053-1063. ISSN 0026-7937

Barnett, David (1995) Some notes on the difficulties of operating Heiner Müller's 'Die Hamletmaschine'. German Life And Letters, 48 (1). pp. 75-85. ISSN 0016-8777

Book Section

Barnett, David (2015) Sampling the Stasi with a GPS device in Berlin. Rimini Protokoll's 50 Aktenkilometer and the recent German past. In: Birgfeld, Johannes, Garde, Ulrike and Mumford, Meg (eds.) Rimini Protokoll Close-Up: Lektüren. Forum für deutschsprachiges Drama und Theater in Geschichte und Gegenwart, 5 . Wehrhahn, Hanover, pp. 94-114. ISBN 9783865254542

Barnett, David (2014) Heiner Müller, Die Hamletmaschine. In: Marx, Peter W (ed.) Hamlet-Handbuch: Stoff - Aneignungen - Deutungen. Metzler, Stuttgart, pp. 422-428. ISBN 9783476023520

Barnett, David (2014) Encountering a classic as other in post-Brechtian performance. A radical Fräulein Julie at the Berliner Ensemble in 1975. In: Birkner, Nina, Geier, Andrea and Helduser, Urte (eds.) Spielräume des Anderen. Geschlecht und Alterität im postdramatischen Theater. Transcript, Bielefeld, pp. 111-127. ISBN 9783837618396

Barnett, David (2013) Performing dialectics in an age of uncertainty, or why post-Brechtian postdramatic. In: Jürs-Munby, Karen, Carroll, Jerome and Giles, Steve (eds.) Postdramatic theatre and the political: international perspectives on contemporary performance /. Methuen Drama Engage . Bloomsbury, London, pp. 47-66. ISBN 9781408184868

Barnett, David (2013) The Berliner Ensemble: Bertolt Brecht's theories of theatrical collaboration as practice. In: Encountering Ensemble. Methuen, London, pp. 126-141. ISBN 9781408152003

Barnett, David (2013) Brecht as great Shakespearean: a lifelong connection. In: Morse, Ruth (ed.) Hugo, Pasternak, Brecht, Césaire. Great Shakespeareans (14). Bloomsbury, London, pp. 113-154. ISBN 9781441139467

Barnett, David (2013) Offending the playwright: directors’ theatre and the 'Werktreue' debate. In: Cheesman, Tom (ed.) German text crimes: writers accused, from the 1950s to the 2000s. German Monitor (77). Rodopi, Amsterdam, pp. 75-97. ISBN 9789042036901

Barnett, David (2010) Christoph Marthaler: the musicality, theatricality and politics of postdramatic direction. In: Delgado, Maria M and Rebellato, Dan (eds.) Contemporary European theatre directors. Routledge, London & New York, pp. 185-204. ISBN 9780415462501

Barnett, David (2010) "I've been told ... that the play is far too German": the interplay of institution and dramaturgy in shaping British reactions to German theater. In: Braun, Rebecca and Marven, Lyn (eds.) Cultural impact in the German context: studies in transmission, reception, and influence. Studies in German Literature Linguistics and Culture . Camden House, Rochester, New York, pp. 150-166. ISBN 9781571134301

Barnett, David (2009) Günter Grass as dramatist. In: Taberner, Stuart (ed.) The Cambridge companion to Günter Grass. Cambridge University Press, Cambridge & New York, pp. 180-192. ISBN 9780521700191

Barnett, David (2008) Naturalism, expressionism and Brecht: drama in dialogue with modernity, 1890-1960. In: Williams, Simon and Hamburger, Maik (eds.) A history of German theatre. Cambridge University Press, Cambridge & New York, pp. 198-221. ISBN 9780521175357

Barnett, David (2008) Playwriting in contemporary German theatre: representation and its discontents, 1960–2006. In: Williams, Simon and Hamburger, Maik (eds.) A history of German theatre. Cambridge University Press, Cambridge, pp. 305-331. ISBN 9780521833691

Barnett, David (2008) Zwischen Verbrechern und Krankheit der Jugend [...] hab ich das Regieführen gelernt": Rainer Werner Fassbinder's Debt to Ferdinand Bruckner. In: Moreno, Joaquín, Szymaniak, Gunnar and Winter, Almut (eds.) Ferdinand Bruckner (1891- 1958). Weidler, Berlin, pp. 323-36. ISBN 9783896935328

Barnett, David (2006) Bühnenbusiness: mensch, markt und management in drei neuen deutschen theaterstücken. In: Barnett, David, McGowan, Moray and Jürs-Munby, Karen (eds.) Das analoge sträubt sich gegen das digitale: materialitäten des deutschsen theaters in einer welt des virtuellen. Theater der Zeit, pp. 56-70. ISBN 9783934344815

Barnett, David (2005) Resisting easy consumption: the politics of form in selected plays of the Berlin Republic. In: Haas, Birgit (ed.) Macht: Performativität, Performanz und Polittheater seit 1990. Film, Medium, Diskurs (12). Königshausen und Neumann, Würzburg, pp. 167-181. ISBN 9783826030406

Barnett, David (2005) Televisualising racism on stage: Elfriede Jelinek's 'Stecken, Stab und Stangl'. In: Stewart, Janet and Ward, Simon (eds.) Blueprints for no-man's land: connections in contemporary Austrian culture. Peter Lang, pp. 95-110. ISBN 9783039102655

Barnett, David (2004) "Heiner Müller vertonen": Heiner Goebbels and the music of postmodern memory. In: Alter, Nora M and Koepnick, Lutz (eds.) Sound matters: essays on the acoustics of German culture. Berghahn, pp. 217-227. ISBN 9781571814371

Barnett, David (2003) Text as material? The category of 'Performativity' in three postdramatic German theatre-texts. In: Duttlinger, Carolin, Ruprecht, Lucia and Webber, Andrew (eds.) Performance and performativity in German cultural studies. Peter Lang, pp. 137-157. ISBN 9783039101504

Barnett, David (2003) Text as material? The category of ‘performativity’ in three postdramatic German theatre-texts. In: Duttlinger, Carolin, Ruprecht, Lucia and Webber, Andrew (eds.) Performance and performativity in German cultural studies. German linguistic and cultural studies, 14 . Peter Lang, Oxford, UK, pp. 137-157. ISBN 9783039101504

Barnett, David (2000) Access denied: Werner Schwab, the explosion of character and the collapse of the play-within-a-play. In: Williams, Arthur, Parkes, Stuart and Preece, Julian (eds.) German-language literature today: international and popular? Peter Lang, Oxford ; New York, pp. 281-294. ISBN 9783906764887

Barnett, David (2000) Collective dramaturgy: a Marxist challenge to the modern stage, or: Heiner Müller's political theatre of destruction. In: Wallace, Ian, Tate, Dennis and Labroise, Gerd (eds.) Heiner Müller: Probleme und Perspektiven. Rodopi, pp. 45-55. ISBN 9789042015616

Barnett, David (2000) The Holocaust and documentary metadrama: Heinar Kipphardt's Bruder Eichmann. In: Dochartaigh, Pól Ó (ed.) Jews in German literature since 1945: German-Jewish literature? German Monitor . Rodopi, Amsterdam ; Atlanta, pp. 587-598. ISBN 9789042014633

Barnett, David (1998) Tactical realisms: Hochhuth's Wessis in Weimar and Kroetz's ich bin das volk. In: Williams, Arthur, Parks, K Stuart and Preece, Julian (eds.) Whose Story? Continuities in Contemporary German-Language Literature. Peter Lang, pp. 181-195. ISBN 9780820434483

Book

Barnett, David (2015) A history of the Berliner Ensemble. Cambridge Studies in Modern Theatre . Cambridge University Press, Cambridge. ISBN 9781107059795

Barnett, David (2014) Brecht in practice: theatre, theory and performance. Methuen Engage . Bloomsbury, London. ISBN 9781408185032

Barnett, David (2005) Rainer Werner Fassbinder and the German theatre. Cambridge Studies in Modern Theatre . Cambridge University Press, Cambridge. ISBN 9780521855143

Barnett, David (1998) Literature Versus Theatre: Textual Problems and Theatrical Realization in the Later Plays of Heiner Muller. Britische Und Irische Studien Zur Deutschen Sprache Und Literatur, 14 . Peter Lang Publishing. ISBN 9780820442037

Edited Book

Barnett, David (2014) Berliner Ensemble adaptations. World classics, 9 . Bloomsbury, London. ISBN 9781472514387

Barnett, David (2006) Das analoge sträubt sich gegen das digitale? Materialitäten des deutschen theaters in einer welt des virtuellen. Research, 37 . Theater der Zeit. ISBN 9783934344815

Edited Special Journal Issue

Barnett, David, ed. (2008) German theatre: beyond the text. Contemporary Theatre Review, 18 (1). ISSN 1048-6801

Other

Barnett, David (2009) [Book Review] Dramatische Transformationen: Zu gegenwärtigen Schreib- und Aufführungsstrategien im deutschsprachigen Theater, ed. Stefan Tigges (Dramatic transformations: on the present writing and staging strategies in German theatre). Wiley-Blackwell.

Barnett, David (2009) [Review] Dan Friedman (ed.), 'The Cultural Politics of Heiner Müller'. Modern Humanities Research Association.