Items for Haddon, Mimi

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Number of items: 8.

Article

Haddon, Mimi (2021) Matrices of ‘Love and theft’: Joan Baez imitates Bob Dylan. Twentieth-Century Music. pp. 1-31. ISSN 1478-5730

Haddon, Mimi (2019) Warp’s music videos: affective communities, genre, and gender in electronic/dance music’s visual aesthetic. Journal of British Cinema and Television, 16 (4). pp. 571-590. ISSN 1743-4521

Haddon, Mimi (2019) Not playing properly: amateurism as generic choice in three postpunk case studies: the Slits, Lora Logic, and the Raincoats. Women and Music, 23 (1). pp. 159-183. ISSN 1090-7505

Haddon, Mimi (2017) Dub is the new black: modes of identification and tendencies of appropriation in late 1970s post-punk. Popular Music, 36 (2). pp. 283-301. ISSN 0261-1430

Book Section

Haddon, Mimi (2015) Paul Anka sings 'Smells like teen spirit'. In: Turner, Katherine L (ed.) This is the sound of irony: music, politics and popular culture. Ashgate popular and folk music series . Ashgate, pp. 159-172. ISBN 9781472442598

Haddon, Mimi (2015) Sanctuaries for social outsiders: a queer archive of feelings in songs by the Smiths. In: Haworth, Catherine and Colton, Lisa (eds.) Gender, age and musical creativity. Ashgate, pp. 155-170. ISBN 9781472430854

Book

Haddon, Mimi (2020) What is post-punk?: Genre and identity in avant-garde popular music, 1977-82. Michigan Publishing, University of Michigan Press, Michigan. ISBN 9780472131822

Edited Special Journal Issue

Hughes, Ed, Ficarra, Evelyn and Haddon, Mimi, eds. (2020) Composing the historical. REFRAME.

This list was generated on Fri Nov 26 15:00:28 2021 GMT.