Article

Stanger, Arabella (2019) Bodily wreckage, economic salvage and the middle passage: in Sondra Perry’s Typhoon coming On. Performance Research, 24 (5). pp. 11-20. ISSN 1352-8165

Stanger, Arabella (2016) Heterotopia as choreography: Foucault’s sailing vessel. Performance Research, 21 (3). pp. 65-73. ISSN 1352-8165

Stanger, Arabella (2014) The choreography of space: towards a socio-aesthetics of dance. New Theatre Quarterly, 30 (1). pp. 72-90. ISSN 0266-464X

Stanger, Arabella (2012) Merce Cunningham's ensemble space and the Black Mountain principle of community. The Journal of Black Mountain College Studies, 3.

Book Section

Stanger, Arabella (2021) Ballet gone wrong: Michael Clark’s classical deviations. In: Farrugia-Kriel, Kathrina and Jensen, Jill Nunes (eds.) The Oxford handbook of contemporary ballet. Oxford University Press, Oxford. ISBN 9780190871499

Stanger, Arabella (2018) Choreographing epic: ocean as epic timespace in Homer, Joyce, and Cunningham. In: Macintosh, Fiona and McConnell, Justine (eds.) Epic performances from the Middle Ages into the Twenty-First Century. Oxford University Press, Oxford. ISBN 9780198804215

Stanger, Arabella (2017) Dramaturgy and sabotage. In: Georgelou, Konstantina, Protopapa, Efrosini and Therodoridou, Danae (eds.) The practice of dramaturgy: working on actions in performance. Antennae (23). Valiz, Amsterdam. ISBN 9789492095183

Stanger, Arabella (2010) Striking a balance: the Apolline and Dionysiac in contemporary classical choreography. In: Macintosh, Fiona (ed.) The ancient dancer in the modern world: responses to Greek and Roman dance. Oxford University Press, Oxford. ISBN 9780199548101