Robinson, Luke (2020) Midi Z, network aesthetics from below, and the cultural politics of Taiwanese subimperialism. Screen, 61 (1). pp. 98-118. ISSN 0036-9543

Robinson, Luke (2019) Globalizing Ai Weiwei. In: Hallas, Roger (ed.) Documenting the visual arts. Routledge, New York and London, pp. 82-96. ISBN 9781138565999

Robinson, Luke (2018) Kazuhiro Soda's migrant voices. In: Pramaggiore, Maria and Honess Roe, Annabelle (eds.) Vocal projections: voices in documentary. Bloomsbury, London, pp. 203-218. ISBN 9781501331251

Robinson, Luke, Berry, Chris and Song Hwee, Lim (2018) 《軟實力，電影與電影節： 裴開瑞，盧克 羅賓遜，林松輝對談》 [Soft Power, film, and film festivals: Chris Berry, Luke Robinson, and Song Hwee Lim in conversation]. In: Song Hwee, Lim and Chui-yu, Cheung (eds.) 《平行文本：文化研究的思想交鋒》 [Parallel texts: Intellectual debates in cultural studies]. Cultural Studies . Chinese University of Hong Kong Press, Hong Kong, pp. 193-236. ISBN 9789887928508

Robinson, Luke (2017) Non-state agents, quotidian soft power, and the work of the overseas film festival: case studies from London. In: Voci, Paola and Luo, Hui (eds.) Screening China's soft power. Media, culture, and social change in Asia . Routledge, New York, pp. 111-126. ISBN 9781138669895

Berry, Chris and Robinson, Luke, eds. (2017) Chinese film festivals: sites of translation. Framing film festivals . Palgrave Macmillan, New York. ISBN 9781137554802

Robinson, Luke (2017) Sole traders, cultural brokers, and Chinese-language film festivals in the United Kingdom: the London Taiwan cinefest and the Chinese visual festival. In: Berry, Chris and Robinson, Luke (eds.) Chinese film festivals: sites of translation. Framing film festivals . Palgave Macmillan, New York, pp. 193-213. ISBN 9781137554802

Berry, Chris and Robinson, Luke (2017) Introduction. In: Berry, Chris and Robinson, Luke (eds.) Chinese film festivals: sites of translation. Framing film festivals . Palgrave Macmillan, New York, pp. 1-11. ISBN 9781137554802

Robinson, Luke (2017) [Review] 'Saturday, 9th. ‘China’ is coming'. Kazuhiro Soda (2015) Oyster factory (Kaki Kouba). Docalogue.

Robinson, Luke (2016) Wong Kar-Wai. In: Murray, Jeremy A and Nadeau, Kathleen M (eds.) Pop culture in Asia and Oceania. Praeger, Westport, p. 137. ISBN 9781440839900

Robinson, Luke (2016) Zhang Yimou. In: Murray, Jeremy A and Nadeau, Kathleen M (eds.) Pop culture in Asia and Oceania. Praeger, Westport, p. 160. ISBN 9781440839900

Robinson, Luke (2016) Documenting dissent: political documentary in the People’s Republic of China. In: Tzioumakis, Yannis and Molloy, Clare (eds.) The Routledge Companion to Cinema and Politics. Routledge, Abingdon, pp. 458-468. ISBN 9780415717397

Robinson, Luke (2016) Individual, network, assemblage: creating connections on the global film festival circuit. Film Studies, 14 (1). pp. 75-92. ISSN 1469-0314

Robinson, Luke (2015) Chinese documentary as public culture. International Communication of Chinese Culture, 2 (1). pp. 69-75. ISSN 2197-4233

Robinson, Luke (2015) ‘To whom do our bodies belong?’ Being queer in Chinese DV documentary. In: Zhang, Zhen and Zito, Angela (eds.) DV-made China: digital subjects and social transformations after independent film. Critical Interventions . University of Hawai'i Press, Honolulu, pp. 289-315. ISBN 9780824846817

Robinson, Luke and Chio, Jenny (2015) Chinese independent film festivals: archiving the moment. Anthropology News, 56 (3). p. 38. ISSN 1556-3502

Robinson, Luke (2014) La fièvre de l'archive. In: 2014 Festival Shadows: cinéma independent Chinois catalogue. Graphius Group, Belgium, pp. 25-28.

Robinson, Luke (2014) 在中国独立数字纪录片中体现的酷儿主体. 中国传媒报告, 51. 56-60, 80. ISSN 1682-3362

Robinson, Luke (2014) Voice, liveness, digital video: the talking head in contemporary independent Chinese documentary. positions: asia critique, 22 (2). pp. 489-515. ISSN 1067-9847

Robinson, Luke and Chio, Jenny (2013) Making space for independent Chinese documentary: the case of Yunfest 2011. Journal of Chinese Cinemas, 7 (1). pp. 21-40. ISSN 1750-8061

Robinson, Luke (2013) Independent Chinese documentary: from the studio to the street. Palgrave Macmillan, New York and London. ISBN 9780230298293

Robinson, Luke (2012) Alternative archives and individual subjectivities: Ou Ning’s Meishi Street. Senses of Cinema, 63.

Robinson, Luke (2011) Animating the Chinese child consumer: remaking Sparkling red star for the market. Journal of Children and Media, 5 (4). pp. 426-441. ISSN 1748-2798

Robinson, Luke (2010) From 'public' to 'private': Chinese documentary and the logic of Xianchang. In: Berry, Chris, Lu, Xinyu and Rofel, Lisa (eds.) The new Chinese documentary film movement: for the public record. Hong Kong University Press, Hong Kong, pp. 177-194. ISBN 9789888028511

Robinson, Luke (2006) Wong Kar-Wai's sensuous histories. In: Latham, Kevin, Thompson, Stuart and Klein, Jakob (eds.) Consuming China: approaches to cultural change in contemporary China. ConsumAsiaN book series . Routledge, London, pp. 190-207. ISBN 9780700714025