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Nature and the non-human in Andrea Arnold's Wuthering Heights

journal contribution
posted on 2023-06-09, 04:01 authored by Michael LawrenceMichael Lawrence
This article examines the representation of the natural environment and its non-human inhabitants in Andrea Arnold's 2011 film version of Emily Brontë’s Wuthering Heights. Arnold's ‘post-heritage’ adaptation, I argue, offers a post-humanist distribution of attention that, in its expansive interest in flora and fauna, exceeds the perspectives of its human protagonists, challenges popular ideas about the novel and subverts the conventions of mainstream narrative cinema. The film's intensely ecological and environmental orientation functions not only to divide our attention across human and non-human realms but also to counter nostalgic and ultimately ideological idealisations of ‘white’ and ‘English’ natural landscapes and rural lifestyles. Such idealisations have been extrapolated from Brontë’s novel, have informed earlier film adaptations and continue to have a material impact on the geographical region popularly known as ‘Brontë country’.

History

Publication status

  • Published

Journal

Journal of British Cinema and Television

ISSN

1743-4521

Publisher

Edinburgh University Press

Issue

1

Volume

13

Page range

177-194

Department affiliated with

  • Media and Film Publications

Full text available

  • No

Peer reviewed?

  • Yes

Legacy Posted Date

2016-11-14

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