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From a music industry to sound industries
Commodification has been an inherent aspect of music for many centuries. The aggregation of the diverse commodification practices could be described as an "industry," but this is an industry that has always been in a state of transition. New technologies, media formats, and practices appear regularly, requiring swift responses by the incumbent music industry. This essay will explore aspects of the technological context in which contemporary musicians have been thrown, describe practices that are already happening on the ground, and perhaps anticipate a little what may come our way in terms of near-future practices of musicians, distributors, and listeners.
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Publication status
- Published
Publisher
Research Institute in Art, Design and Society (i2ADS)Volume
2Page range
71-78Pages
248.0Book title
Mono #2: cochlear poetics: writings on music and sound artsPlace of publication
PortoISBN
9789899874503Department affiliated with
- Music Publications
Full text available
- No
Peer reviewed?
- Yes
Editors
Miguel Carvalhais, Pedro TudelaLegacy Posted Date
2013-11-18Usage metrics
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