B

Burbridge, Benedict (2016) Photography in the age of communicative capitalism. In: Public, private, secret. International Centre for Photography, New York.

C

Callaghan, Joanna and Kerrigan, Susan (2016) Filmmakers' research perspectives: an overview of Australian and UK filmmaking research. ASPERA Screen Production Research: The Big Questions, The University of Canberra, Bruce, ACT, Australia, 5 - 7 July 2016. Published in: Kerrigan, Susan, Dooley, Kath and Frankham, Bettina, (eds.) Refereed Proceedings: Australian Screen Production Education and Research Association Annual Conference 2016. 2016 1-16. Australian Screen Production Education and Research Association, Australia. ISBN 9780994336538

D

Devereaux, Emile (2008) Foreign skin in Sebastian Lifshitz's Wild side. In: Society of Cinema & Media Studies Conference: Architecture of the Moving Image, March 6-9, 2008, Loews, Philadelphia, Pennsylvania.

Devereaux, Emile and Vamos, Igor (2014) Barbie Liberation Organisation at the Victoria and Albert Museum. [Show/Exhibition]

de Jong, Wilma (2012) From wallpaper to interactivity: use of archive footage in documentary filmmaking. journalism and mass communication, 2 (3). pp. 464-477. ISSN 2160-6579

F

Ficarra, Evelyn (2020) Sounding time: explorations of audio time-lapse and temporal layering in interdisciplinary collaboration. Leonardo Music Journal, 30. pp. 18-25. ISSN 0961-1215

G

Galt, Rosalind (2012) Jolie laide: Fassbinder, anti-semitism, and the Jewish image. In: Peucker, Brigitte (ed.) A companion to Rainer Werner Fassbinder. Wiley-Blackwell Companions to Film Directors . Wiley-Blackwell, Chichester, pp. 485-501. ISBN 9781405191630

Galt, Rosalind (2011) On L'avventura and the picturesque. In: Rascaroli, Laura and Rhodes, John David (eds.) Antonioni: Centenary Essays. Palgrave Macmillan, New York, pp. 134-153. ISBN 978-1-84457-384-4

Grant, Catherine (2012) Bonus Tracks: The making of 'Touching the film object' and 'Skipping ROPE (through Hitchcock’s joins)'. University of St. Andrews, Film Studies.

Grant, Catherine (2013) Deja viewing?: videographic experiments in intertextual film studies. Mediascape : UCLA's Journal of Cinema and Media Studies. ISSN 1558-478X

Grant, Catherine (2014) The shudder of a cinephiliac idea? Videographic film studies practice as material thinking. ANIKI: Portuguese Journal of the Moving Image, 1 (1). pp. 49-62. ISSN 2183-1750

L

Lebow, Alisa (2022) Effects of the real: a conversation with Karim Aïnouz. Film Quarterly, 76 (1). ISSN 0015-1386

S

Smith, Frances (2012) “Before I race I get my eyeliner straight and do my hair:” postfeminism and Victoria Pendleton. Feminist Media Studies, 12 (4). pp. 608-611. ISSN 1468-0777

Smith, Frances (2016) Femininity, ageing and performativity in the work of Amy Heckerling. Alphaville, 1 (10). p. 3. ISSN 2009-4078

Smith, Frances (2012) Gender and class performativity at the prom. Networking Knowledge, 5 (1). pp. 23-39. ISSN 1755-9944

Smith, Frances (2014) 'Time of my life?': the afterlife of 'Dirty Dancing' in the contemporary romantic comedy. The Soundtrack, 7 (2). pp. 67-78. ISSN 1751-4193

T

Thornham, Sue (2015) On 'Visual pleasure and narrative cinema'. Feminist Media Studies, 15 (5). pp. 881-884. ISSN 1468-0777

Tierney, Dolores (2013) Ugly Betty's Latina Body: Race, Ethnicity, Class and Gender in Contemporary US Television. Film, Fashion and Consumption, 2 (1). pp. 7-24. ISSN 2044-2823