A

Alexander, Geraldine Therese (2015) The people in the pictures: episodes from Fay Godwin’s archive, 1970 – 2005. Doctoral thesis (PhD), University of Sussex.

Austin, Thomas (2021) Crime scenes: landscape, memory and atrocity in Jorge Barbi’s El Final, Aquí. Photography and Culture. ISSN 1751-4517

Austin, Thomas (2019) Unmasked: notes on Joan de la Malla’s ‘The Sad Clown’. Photography and Culture. ISSN 1751-4517

B

Bream, Sally (2016) Unveiling climate change at Pevensey Levels: a photographic documentation of a landscape in the temperate climate of Southern England. Doctoral thesis (PhD), University of Sussex.

Burbridge, Ben (2018) Knowing me, knowing you. Foam (49). pp. 180-190. ISSN 1570-4874

Burbridge, Ben (2015) Paradise lost: exhibitionism and the work of Nan Goldin. Either/And.

Burbridge, Ben (2014) Ultras. In: Close, Ronnie (ed.) Ultras. QUAD Arts, Derby, pp. 1-3.

Burbridge, Benedict (2009) Profile: Peter Kennard. Grafik (179). pp. 38-47. ISSN 9771479753032

C

Compton, Alice (2016) Waste of a nation: photography, abjection and crisis in Thatcher’s Britain. Doctoral thesis (PhD), University of Sussex.

D

Doubt, Emma (2016) Portraits against amnesia: archival recuperation in the work of Hulleah J. Tsinhnahjinnie. World Art, 6 (1). pp. 19-44. ISSN 2150-0894

F

Ficarra, Evelyn (2020) Sounding time: explorations of audio time-lapse and temporal layering in interdisciplinary collaboration. Leonardo Music Journal, 30. pp. 18-25. ISSN 0961-1215

Field, Claudia Louise (2015) Focusing the lens: the role of travel and photography in the personal and working lives of Vanessa Bell and Duncan Grant. Doctoral thesis (PhD), University of Sussex.

M

Mai, Katia (2013) Paintings of the future: photography in the digital age with particular reference to Andreas Gursky, Jeff Wall and their contemporaries. Doctoral thesis (PhD), University of Sussex.

Mellor, David (2014) On Omaha beach. In: Baker, Simon, Malvian, Shoair, Mellor, David, Bullock, Megan and Bolitho, Simon (eds.) Conflict, Time, Photography. Tate Publishing, London, UK, pp. 218-229. ISBN 9781849763202

Mellor, David (2015) Secrets and apocalyptic light. In: Beyond Vision: Photography, Art and Science Symposium, 12 September 2015, London, UK.

Mellor, David (2015) Viewing Airstrip One: Anglo-American exchanges in wartime. In: 'In the same boat': the Anglo-American visual imagination in wartime, 1941-45, 8-9 May 2016, Mellon Centre, Yale, New Haven, USA.

Morris, Michael (2020) Real likenesses: representation in paintings, photographs, and novels. Oxford University Press, Oxford. ISBN 9780198861751

Mullins, Charlotte (2013) The world on a plate: the impact of photography on travel imagery and its dissemination in Britain, 1839-1888. Doctoral thesis (PhD), University of Sussex.

O

O'Connell, Micheal (2014) ABCEUM, which included work Mailroom, at Brighton Photo Biennial. [Show/Exhibition]

O'Connell, Micheal (2012) Boundary Work II: creative practice between art and science. [Show/Exhibition]

O'Connell, Micheal (2011) Contra-Invention, in group show From Here On, at Les Rencontres Internationales de la Photographie d'Arles. [Show/Exhibition]

O'Connell, Micheal (2013) Contra-invention, in group show From Here On, at Arts Santa Mónica, Barcelona. [Show/Exhibition]

O'Connell, Micheal (2015) Poetic misuse of technology, functional systems and the contemporary supply chain. Published in: Bentkowska-Kafel, A, (ed.) Proceedings of the 30th Conference of Computers and the History of Art (CHArt); King’s College London; 17 October 2015. CHArt ISSN 1473-2157

O'Connell, Micheál (2020) Artists are only a law unto themselves. In: Finchett-Maddock, Lucy and Lekakis, Eleftheria (eds.) Art, law, power: perspectives on legality and resistance in contemporary aesthetics. Counterpress Limited, Oxford, pp. 16-33. ISBN 9781910761076

O'Connell, Micheál (2008) Feed Lack Loop, at Lighthouse and in Second Life. [Show/Exhibition]

S

Smith, Lindsay (2015) Lewis Carroll: photography on the move. Reaktion Books Ltd, London. ISBN 9781780235196

W

Williams, Sarah (2010) Depth of field: aspects of photography and film in the selected work of Michael Ondaatje. Doctoral thesis (DPhil), University of Sussex.