B

Bailes, Sara Jane (2014) Ten ton truck stuck on a hill: reflecting on a decade or more of failure. In: 7 Invitations. Glasshouse Matters, Brooklyn, New York, pp. 50-61. ISBN 1234567891000

Butt, Gavin, Heathfield, Adrian and Keidan, Lois (2013) Performance matters archive. Live Art Development Agency, London.

Butt, Gavin, Heathfield, Adrian and Keidan, Lois (2014) Performance matters: Gavin Butt, Lois Keidan and Adrian Heathfield in conversation. Contemporary Theatre Review, 24 (1). pp. 102-114. ISSN 1048-6801

F

Fowler, Benjamin (2016) 'Draining the English Channel': The European Revolution in three kingdoms & three keynotes (by Simon Stephens, David Lan & Edward Bond). Contemporary Theatre Review, 26 (3). pp. 328-336. ISSN 1048-6801

Fraser, Duncan (2016) Lording Barry: dramatist, pirate - and dramatis persona? ANQ: A Quarterly Journal of Short Articles, Notes and Reviews, 28 (2). pp. 74-78. ISSN 0895-769X

Fraser, Robert Duncan (2013) Ram alley, or Merry tricks (Lording Barry, 1611): a critical edition. Doctoral thesis (PhD), University of Sussex.

H

Hadfield, Andrew (2016) Bad faith in All’s Well That Ends Well. Palgrave Communications, 2 (16051). pp. 1-7. ISSN 2055-1045

Harper, Lana Marie (2018) The development of early English playhouses, 1560-1670. Doctoral thesis (PhD), University of Sussex.

K

Kirk, Maria (2016) Performing consumption and consuming performance: a 17th century play collection. Doctoral thesis (PhD), University of Sussex.

M

Masood, Hafiz Abid (2012) From Cyrus to Abbas: staging Persia in Early Modern England. Doctoral thesis (DPhil), University of Sussex.

P

Potter, Charlotte (2022) Unfixed virginity: metaphor and defloration in early modern drama. Doctoral thesis (PhD), University of Sussex.

Price, Jason (2012) Artificial limitations: the representation problem and theatre for social change. In: Association for Theatre in Higher Education Conference, 2-5 August 2012, Washington DC.

Price, Jason (2016) Fusing the serious and the ridiculous: an interview with Brown Council (Sydney, Australia). Contemporary Theatre Review, 26 (4). pp. 506-512. ISSN 1048-6801

Price, Jason (2013) Objects of humour: the puppet as comic performer. Comedy Studies, 4 (1). pp. 35-46. ISSN 2040-610X

Q

Quinn, Paul (2014) [Review] Gillian Woods (2013) Shakespeare's unreformed fictions. English, 63 (240). pp. 85-86. ISSN 0013-8215

S

Shakespeare, William (2013) Richard II [edited by Cedric Watts]. Wordsworth Classics' Shakespeare Series . Wordsworth, Ware, Hertfordshire. ISBN 9781840227208

Stanger, Arabella (2016) Heterotopia as choreography: Foucault’s sailing vessel. Performance Research, 21 (3). pp. 65-73. ISSN 1352-8165

V

Vincent, Hannah (2014) Come to grief. [Audio]

W

Watts, Cedric (2014) The Connell guide to Shakespeare's second tetralogy. Connell Guides . Connell, Chippenham. ISBN 978190776298

Watts, Cedric (2015) 'He's dead but he won't lie down!' Posthumous characterisation: the symbiosis of ghost and man, of spirit and flesh. Around the Globe (60). pp. 44-45. ISSN 1366-2317

Watts, Cedric (2016) "Not there a pissing-while". Around the Globe (62). pp. 44-45. ISSN 1366-2317

Watts, Cedric (2014) Shakespeare puzzles. PublishNation, London. ISBN 9781291664102

Watts, Cedric (2015) Shakespeare's 'Julius Caesar': a critical introduction. PublishNation, London. ISBN 9781326402372

Watts, Cedric (2014) Shakespeare, surrealist? Around the Globe (58). pp. 38-39. ISSN 1366-2317

Watts, Cedric (2018) Shakespeare: a hand. PublishNation, London. ISBN 9780244077297

Watts, Cedric (2015) The trouble with time. Around the Globe (59). pp. 36-38. ISSN 1366-2317