B

Bailes, Sara Jane (2014) Art should be experienced in a place that allows staying': hosting as a practice - Glasshouse ArtLifeLab, Brooklyn, NY. In: London Theatre Seminar, Kings College London, 13 November 2014, Senate House, Kings College, Bloomsbury.

Bailes, Sara Jane (2014) Marvyn Gaye Chetwynd and Sara Jane Bailes, in conversation, Nottingham Contemporary. Nottingham Contemporary, Online, Nottingham Contemporary archives, video recording.

Bailes, Sara Jane (2015) Negative space. [Show/Exhibition]

Bailes, Sara Jane (2014) Ohio impromptu: reading Blanchot, hearing Beckett. In: Bailes, Sara Jane and Till, Nicholas (eds.) Beckett and Musicality. Ashgate, Farnham, Surrey, England/Burlington, US, pp. 199-213. ISBN 9781472409638

Bailes, Sara Jane (2014) Ten ton truck stuck on a hill: reflecting on a decade or more of failure. In: 7 Invitations. Glasshouse Matters, Brooklyn, New York, pp. 50-61. ISBN 1234567891000

Barnett, David (2015) Sampling the Stasi with a GPS device in Berlin. Rimini Protokoll's 50 Aktenkilometer and the recent German past. In: Birgfeld, Johannes, Garde, Ulrike and Mumford, Meg (eds.) Rimini Protokoll Close-Up: Lektüren. Forum für deutschsprachiges Drama und Theater in Geschichte und Gegenwart, 5 . Wehrhahn, Hanover, pp. 94-114. ISBN 9783865254542

Butt, Gavin (2012) The common turn in performance. Contemporary Theatre Review, 22 (1). pp. 46-61. ISSN 1048-6801

Butt, Gavin, Heathfield, Adrian and Keidan, Lois (2013) Performance matters archive. Live Art Development Agency, London.

Butt, Gavin, Heathfield, Adrian and Keidan, Lois (2014) Performance matters: Gavin Butt, Lois Keidan and Adrian Heathfield in conversation. Contemporary Theatre Review, 24 (1). pp. 102-114. ISSN 1048-6801

Butt, Gavin and Rogoff, Irit (2013) Visual cultures as seriousness. Visual cultures as . Sternberg Press, Berlin. ISBN 9783943365399

Butt, Gavin and Walters, Ben (2013) This is not a dream. [Video]

C

Corrieri, Augusto (2011) Describing exhaustion: Lone Twin's Ghost Dance and the job of the performer. In: Lavery, Carl and Williams, David (eds.) Good luck everybody: Lone Twin, journeys, performances, conversations. Performance Research Books. ISBN 9781906499020

Corrieri, Augusto (2017) Fake magic. [Performance]

Corrieri, Augusto (2012) Giving up the world for an image. International Journal of Screendance, 2. pp. 78-80. ISSN 2154-6878

Corrieri, Augusto (2016) In place of a show: what happens inside theatres when nothing is happening. Bloomsbury Methuen Drama, London, UK. ISBN 9781474256728

Corrieri, Augusto (2017) Real disquiet. In: Heathfield, Adrian (ed.) Real magic: the work of Forced Entertainment. Phaidon. (Accepted)

Corrieri, Augusto (2011) Watching people in the light: Jérôme Bel and the classical theatre. In: Finburgh, Claire and Lavery, Carl (eds.) Contemporary French theatre and performance. Performance Interventions . Palgrave Macmillan, pp. 213-223. ISBN 9781349368501

Corrieri, Augusto (2016) An autobiography of hands: on training in sleight of hand magic. Theatre, Dance and Performance Training, 7 (2). pp. 283-296. ISSN 1944-3927

Corrieri, Augusto (2018) A conjuring act in the form of an interview : writing as/about practice, 1st Edition. In: Hilevaara, Katja and Orley, Emily (eds.) The Creative Critic. Routledge, London, pp. 88-94. ISBN 9781138674820

Corrieri, Augusto (2017) 'The impossible magic show'. In: Sack, Daniel (ed.) Imagined theatres: writing for a theoretical stage. Routledge, New York, p. 116. ISBN 9781138122048

Corrieri, Augusto (2017) 'The night everything happened'. In: Sack, Daniel (ed.) Imagined theatres: writing for a theoretical stage. Routledge, New York, p. 144. ISBN 9781138122048

Corrieri, Augusto (2015) A packed theater. Cabinet: A Quarterly of Arts and Culture (56). pp. 24-29.

Corrieri, Augusto (2017) The rock, the butterfly, the moon, and the cloud: notes on dramaturgy in an ecological age. In: Georgelou, Konstantina, Theodoridou, Danae and Protopapa, Efrosini (eds.) The Practice of Dramaturgy: Working on Actions in Performance. Valiz, Amsterdam. ISBN 9789492095183

D

Droth, Barbara Elektra (2014) Live art, life art: a critical-visual study of three women performance artists and their documentation. Doctoral thesis (PhD), University of Sussex.

F

Fowler, Benjamin (2014) Culture clash: what the Wooster Group revealed about the RSC (and British theatre hegemony) in Troilus & Cressida. Shakespeare Bulletin, 32 (2). pp. 207-233. ISSN 0748-2558

P

Price, Jason (2016) Fusing the serious and the ridiculous: an interview with Brown Council (Sydney, Australia). Contemporary Theatre Review, 26 (4). pp. 506-512. ISSN 1048-6801

Price, Jason (2016) Popular forms and the new sensibility: the mingling of high and low culture in postmodern performance. In: Theatre and the Popular, 11-13 March 2016, University of Iceland.

W

Westling, Carina E I (2017) The making of postdigital experiential space: Punchdrunk Company 2011-2014. Doctoral thesis (PhD), University of Sussex.