Items where Subject is "PN2000 Dramatic representation. The Theater"

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Article

Bailes, Sara Jane (2005) Between people - Rufus Norris interviewed by Sara Jane Bailes. PAJ: A Journal of Performance And Art, 27 (3). pp. 62-73. ISSN 1520-281X

Barnett, David (2005) Reading and performing uncertainty: Michael Frayn's Copenhagen and the postdramatic theatre. Theatre Research International, 30 (2). pp. 139-149. ISSN 0307-8833

Fowler, Benjamin (2014) Culture clash: what the Wooster Group revealed about the RSC (and British theatre hegemony) in Troilus & Cressida. Shakespeare Bulletin, 32 (2). pp. 207-233. ISSN 0748-2558

Fowler, Benjamin (2016) 'Draining the English Channel': The European Revolution in three kingdoms & three keynotes (by Simon Stephens, David Lan & Edward Bond). Contemporary Theatre Review, 26 (3). pp. 328-336. ISSN 1048-6801

Fowler, Benjamin (2013) Hamlet performed at Schaubühne am Lehniner Platz. Shakespeare Bulletin, 31 (4). pp. 737-745. ISSN 0748-2558

Freeman, Sandra (1994) Le thetre en France. Moderna Sprak Modern Languages Teachers' Association of Sweden, LXXXXV. 60 - 66. ISSN 0026-8577

Hadfield, Andrew (2009) War and nation in the theatre of Shakespeare and his contemporaries. Literature and History, 18 (1). pp. 85-86. ISSN 0306-1973

Healy, Tom (1995) The national theatre: drama and sectarianism in early modern England. Neuphilologische Mitteilungen. pp. 238-259. ISSN 0028-3754

Masterson, John (2011) "We are all at sea": performing The Tempest in Last Summer. Shakespeare in Southern Africa, 23. pp. 43-54. ISSN 1011-582X

McEvoy, William (2008) Theatre and performance. Year's Work in Critical and Cultural Theory, 16 (1). pp. 196-214. ISSN 1077-4254

Moroncini, Ambra (2012) Reviewed work(s): The Perfect Genre: Drama and Painting in Renaissance Italy. By Kristin Phillips-Court. Modern Language Review, 107 (2). pp. 632-634. ISSN 0026-7937

Peck, Lisa (2017) Katie Mitchell: feminist director as pedagogue. Stanislavski Studies, 5 (2). pp. 233-246. ISSN 2056-7790

Piazza, Roberta (1999) Dramatic discourse approached from a conversational analysis perspective: Catherine Hayes's Skirmishes and other contemporary plays. Journal of Pragmatics, 31 (8). pp. 1001-1023. ISSN 0378-2166

Price, Jason (2013) BLINK Margate: urban renewal, place and performance. Contemporary Theatre Review, 23 (3). pp. 411-420. ISSN 1048-6801

Price, Jason (2012) The San Francisco Mime Troupe Digital Archive: an introduction. San Francisco Mime Troupe Digital Archive.

Stanger, Arabella (2014) The choreography of space: towards a socio-aesthetics of dance. New Theatre Quarterly, 30 (1). pp. 72-90. ISSN 0266-464X

Book Section

Bailes, Sara Jane (2014) Ohio impromptu: reading Blanchot, hearing Beckett. In: Bailes, Sara Jane and Till, Nicholas (eds.) Beckett and Musicality. Ashgate, Farnham, Surrey, England/Burlington, US, pp. 199-213. ISBN 9781472409638

Bailes, Sara Jane (2014) Ten ton truck stuck on a hill: reflecting on a decade or more of failure. In: 7 Invitations. Glasshouse Matters, Brooklyn, New York, pp. 50-61. ISBN 1234567891000

Barnett, David (2013) The Berliner Ensemble: Bertolt Brecht's theories of theatrical collaboration as practice. In: Encountering Ensemble. Methuen, London, pp. 126-141. ISBN 9781408152003

Barnett, David (2006) Bühnenbusiness: mensch, markt und management in drei neuen deutschen theaterstücken. In: Barnett, David, McGowan, Moray and Jürs-Munby, Karen (eds.) Das analoge sträubt sich gegen das digitale: materialitäten des deutschsen theaters in einer welt des virtuellen. Theater der Zeit, pp. 56-70. ISBN 9783934344815

Barnett, David (2013) Performing dialectics in an age of uncertainty, or why post-Brechtian postdramatic. In: Jürs-Munby, Karen, Carroll, Jerome and Giles, Steve (eds.) Postdramatic theatre and the political: international perspectives on contemporary performance /. Methuen Drama Engage . Bloomsbury, London, pp. 47-66. ISBN 9781408184868

Barnett, David (2015) Sampling the Stasi with a GPS device in Berlin. Rimini Protokoll's 50 Aktenkilometer and the recent German past. In: Birgfeld, Johannes, Garde, Ulrike and Mumford, Meg (eds.) Rimini Protokoll Close-Up: Lektüren. Forum für deutschsprachiges Drama und Theater in Geschichte und Gegenwart, 5 . Wehrhahn, Hanover, pp. 94-114. ISBN 9783865254542

Fowler, Benjamin (2017) (Re)mediating the modernist novel: Katie Mitchell's live cinema work. In: Reilly, Kara (ed.) Contemporary approaches to adaptation. Palgrave Macmillan, Basingstoke, pp. 97-119. ISBN 9781137597823

Sinfield, Alan (2007) Interview with Enric Monforte. In: Aragay, Mirela, Klein, Hildegard, Monforte, Enric and Zozaya, Pilar (eds.) British theatre of the 1990s: interviews with directors, playwrights, critics and academics. Palgrave Macmillan, pp. 186-199. ISBN 9780230005099

Stanger, Arabella Ballet gone wrong: Michael Clark’s classical deviations. In: Jensen, Jill Nunes and Farrugia-Kriel, Kathrina (eds.) The Oxford Handbook of Contemporary Ballet. Oxford University Press, Oxford. (Accepted)

Stanger, Arabella (2018) Choreographing epic: ocean as epic timespace in Homer, Joyce, and Cunningham. In: Macintosh, Fiona and McConnell, Justine (eds.) Epic performances from the Middle Ages into the Twenty-First Century. Oxford University Press, Oxford. ISBN 9780198804215

Stanger, Arabella (2017) Dramaturgy and sabotage. In: Georgelou, Konstantina, Protopapa, Efrosini and Therodoridou, Danae (eds.) The practice of dramaturgy: working on actions in performance. Antennae (23). Valiz, Amsterdam. ISBN 9789492095183

Stanger, Arabella (2010) Striking a balance: the Apolline and Dionysiac in contemporary classical choreography. In: Macintosh, Fiona (ed.) The ancient dancer in the modern world: responses to Greek and Roman dance. Oxford University Press, Oxford. ISBN 9780199548101

Vincent, Hannah (1992) The burrow. In: Shaffer, Elinor S (ed.) Comparative criticism. Cambridge University Press, Cambridge, pp. 191-213. ISBN 0521431042

Watts, Cedric (1991) The sexual politics of 'Romeo and Juliet'. In: Cookson, Linda and Loughrey, Bryan (eds.) 'Romeo and Juliet', William Shakespeare. Critical Essays . Longman, pp. 9-18. ISBN 9780582075771

Conference or Workshop Item

Bailes, Sara Jane (2014) Art should be experienced in a place that allows staying': hosting as a practice - Glasshouse ArtLifeLab, Brooklyn, NY. In: London Theatre Seminar, Kings College London, 13 November 2014, Senate House, Kings College, Bloomsbury.

Price, Jason (2010) Pedagogical popular theatre: practice as research into the efficacy of socio-political practices of the twentieth and twenty-first centuries. In: Theorizing the Popular, Liverpool Hope University, Liverpool, UK.

Price, Jason (2016) Popular forms and the new sensibility: the mingling of high and low culture in postmodern performance. In: Theatre and the Popular, 11-13 March 2016, University of Iceland.

Price, Jason (2010) Social and professional networking for the applied theatre practitioner. In: Association of Theatre in Higher Education, Los Angeles, California, USA.

Price, Jason (2014) Spectacles of difference: queer popular theatre in the 1970s. In: Queer Cultures Seminar at Cambridge University, 19 November 2014, Cambridge.

Price, Jason (2012) ‘You’ll never walk alone with giants’: evaluating trends in contemporary large-scale outdoor performance making. In: Theatre and Performance Research Association (TaPRA), 5-7 September 2012, University of Kent, Canterbury.

Price, Jason (2012) The global and the popular: the making and unmaking of popular performance forms, 1750-present. In: Performances of the Popular (Pop Moves), October 13th 2012, University of Chichester, Chichester UK.

Book

Bailes, Sara Jane (2010) Performance Theatre and the Poetics of Failure. Routledge Theatre and Performance . Routledge. ISBN 9780415585651

Barnett, David (2014) Brecht in practice: theatre, theory and performance. Methuen Engage . Bloomsbury, London. ISBN 9781408185032

Barnett, David (2015) A history of the Berliner Ensemble. Cambridge Studies in Modern Theatre . Cambridge University Press, Cambridge. ISBN 9781107059795

Price, Jason (2016) Modern popular theatre. Theatre and Performance Practices . Palgrave Macmillan, London. ISBN 9780230368958

Edited Book

Bailes, Sara Jane and Till, Nicholas, eds. (2014) Beckett and musicality. Ashgate, Farnham, Surrey, England/Burlington, US. ISBN 9781472409638

Barnett, David (2006) Das analoge sträubt sich gegen das digitale? Materialitäten des deutschen theaters in einer welt des virtuellen. Research, 37 . Theater der Zeit. ISBN 9783934344815

Edited Special Journal Issue

Barnett, David, ed. (2008) German theatre: beyond the text. Contemporary Theatre Review, 18 (1). ISSN 1048-6801

Thesis

Frendo, Mario (2013) Musicality and the act of theatre: developing musicalised dramaturgies for theatre performance. Doctoral thesis (PhD), University of Sussex.

Ilter, Seda (2013) Mediatised dramaturgy: formal, critical and performative responses to mediatisation in British and Irish plays since the 1990s. Doctoral thesis (PhD), University of Sussex.

Kazzazi, Seyedeh Anahit (2017) Performing science: new physics and contemporary British and American science plays. Doctoral thesis (PhD), University of Sussex.

Koutsourakis, Angelos (2011) 'A film should be like a stone in your shoe': a Brechtian reading of Lars von Trier. Doctoral thesis (DPhil), University of Sussex.

Masood, Hafiz Abid (2012) From Cyrus to Abbas: staging Persia in Early Modern England. Doctoral thesis (DPhil), University of Sussex.

Mundrawala, Asma (2010) Shifting terrains: the depoliticisation of political theatre in Pakistan. Doctoral thesis (DPhil), University of Sussex.

Peck, Lisa (2017) Women practitioners and the development of pedagogy in theatre­‐making (1970­‐2016). Doctoral thesis (PhD), University of Sussex.

Pedlingham, Graeme G (2011) The (un)scene of memory: energetic theory and representation in theatre and film. Doctoral thesis (DPhil), University of Sussex.

Show/Exhibition

Bailes, Sara Jane (2015) Negative space. [Show/Exhibition]

Video

Fowler, Benjamin and Eales, Alex (2017) Immersive worlds: Designing Katie Mitchell's theatre | Alex Eales in conversation with Benjamin Fowler. [Video]

Other

Bailes, Sara Jane (2014) Marvyn Gaye Chetwynd and Sara Jane Bailes, in conversation, Nottingham Contemporary. Nottingham Contemporary, Online, Nottingham Contemporary archives, video recording.

This list was generated on Fri Sep 20 04:01:32 2019 BST.