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Bailes, Sara Jane (2014) Art should be experienced in a place that allows staying': hosting as a practice - Glasshouse ArtLifeLab, Brooklyn, NY. In: London Theatre Seminar, Kings College London, 13 November 2014, Senate House, Kings College, Bloomsbury.

Bailes, Sara Jane (2005) Between people - Rufus Norris interviewed by Sara Jane Bailes. PAJ: A Journal of Performance And Art, 27 (3). pp. 62-73. ISSN 1520-281X

Bailes, Sara Jane (2014) Marvyn Gaye Chetwynd and Sara Jane Bailes, in conversation, Nottingham Contemporary. Nottingham Contemporary, Online, Nottingham Contemporary archives, video recording.

Bailes, Sara Jane (2015) Negative space. [Show/Exhibition]

Bailes, Sara Jane (2014) Ohio impromptu: reading Blanchot, hearing Beckett. In: Bailes, Sara Jane and Till, Nicholas (eds.) Beckett and Musicality. Ashgate, Farnham, Surrey, England/Burlington, US, pp. 199-213. ISBN 9781472409638

Bailes, Sara Jane (2010) Performance Theatre and the Poetics of Failure. Routledge Theatre and Performance . Routledge. ISBN 9780415585651

Bailes, Sara Jane (2014) Ten ton truck stuck on a hill: reflecting on a decade or more of failure. In: 7 Invitations. Glasshouse Matters, Brooklyn, New York, pp. 50-61. ISBN 1234567891000

Barnett, David (2013) The Berliner Ensemble: Bertolt Brecht's theories of theatrical collaboration as practice. In: Encountering Ensemble. Methuen, London, pp. 126-141. ISBN 9781408152003

Barnett, David (2014) Brecht in practice: theatre, theory and performance. Methuen Engage . Bloomsbury, London. ISBN 9781408185032

Barnett, David (2006) Bühnenbusiness: mensch, markt und management in drei neuen deutschen theaterstücken. In: Barnett, David, McGowan, Moray and Jürs-Munby, Karen (eds.) Das analoge sträubt sich gegen das digitale: materialitäten des deutschsen theaters in einer welt des virtuellen. Theater der Zeit, pp. 56-70. ISBN 9783934344815

Barnett, David (2006) Das analoge sträubt sich gegen das digitale? Materialitäten des deutschen theaters in einer welt des virtuellen. Research, 37 . Theater der Zeit. ISBN 9783934344815

Barnett, David (2013) Performing dialectics in an age of uncertainty, or why post-Brechtian postdramatic. In: Jürs-Munby, Karen, Carroll, Jerome and Giles, Steve (eds.) Postdramatic theatre and the political: international perspectives on contemporary performance /. Methuen Drama Engage . Bloomsbury, London, pp. 47-66. ISBN 9781408184868

Barnett, David (2005) Reading and performing uncertainty: Michael Frayn's Copenhagen and the postdramatic theatre. Theatre Research International, 30 (2). pp. 139-149. ISSN 0307-8833

Barnett, David (2015) Sampling the Stasi with a GPS device in Berlin. Rimini Protokoll's 50 Aktenkilometer and the recent German past. In: Birgfeld, Johannes, Garde, Ulrike and Mumford, Meg (eds.) Rimini Protokoll Close-Up: Lektüren. Forum für deutschsprachiges Drama und Theater in Geschichte und Gegenwart, 5 . Wehrhahn, Hanover, pp. 94-114. ISBN 9783865254542

Barnett, David (2015) A history of the Berliner Ensemble. Cambridge Studies in Modern Theatre . Cambridge University Press, Cambridge. ISBN 9781107059795

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Fowler, Benjamin (2014) Culture clash: what the Wooster Group revealed about the RSC (and British theatre hegemony) in Troilus & Cressida. Shakespeare Bulletin, 32 (2). pp. 207-233. ISSN 0748-2558

Fowler, Benjamin (2020) Dangerous border crossings: Nicolas Stemann's merchant in Munich. In: Kaplan, M Lindsay (ed.) The merchant of Venice: the state of play. Arden Shakespeare The State of Play . Bloomsbury. ISBN 9781350110229

Fowler, Benjamin (2016) 'Draining the English Channel': The European Revolution in three kingdoms & three keynotes (by Simon Stephens, David Lan & Edward Bond). Contemporary Theatre Review, 26 (3). pp. 328-336. ISSN 1048-6801

Fowler, Benjamin (2013) Hamlet performed at Schaubühne am Lehniner Platz. Shakespeare Bulletin, 31 (4). pp. 737-745. ISSN 0748-2558

Fowler, Benjamin (2017) (Re)mediating the modernist novel: Katie Mitchell's live cinema work. In: Reilly, Kara (ed.) Contemporary approaches to adaptation. Palgrave Macmillan, Basingstoke, pp. 97-119. ISBN 9781137597823

Fowler, Benjamin (2020) Re-scripting realism: Katie Mitchell and Thomas Ostermeier at the Schaubühne. In: Boenisch, Peter M (ed.) The Schaubühne under Thomas Ostermeier: Reinventing Directors' Theatre. Methuen Drama Engage . Methuen. ISBN 9781350165793

Fowler, Benjamin (2020) The meaning of peeling paint (notes on a Mitchell mise-en-scène). Contemporary Theatre Review, 30 (2). pp. 151-167. ISSN 1048-6801

Fowler, Benjamin and Eales, Alex (2017) Immersive worlds: Designing Katie Mitchell's theatre | Alex Eales in conversation with Benjamin Fowler. [Video]

Freeman, Sandra (1994) Le thetre en France. Moderna Sprak Modern Languages Teachers' Association of Sweden, LXXXXV. 60 - 66. ISSN 0026-8577

Frendo, Mario (2013) Musicality and the act of theatre: developing musicalised dramaturgies for theatre performance. Doctoral thesis (PhD), University of Sussex.

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Hadfield, Andrew (2009) War and nation in the theatre of Shakespeare and his contemporaries. Literature & History, 18 (1). pp. 85-86. ISSN 0306-1973

Healy, Tom (1995) The national theatre: drama and sectarianism in early modern England. Neuphilologische Mitteilungen. pp. 238-259. ISSN 0028-3754

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Ilter, Seda (2013) Mediatised dramaturgy: formal, critical and performative responses to mediatisation in British and Irish plays since the 1990s. Doctoral thesis (PhD), University of Sussex.

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Kazzazi, Seyedeh Anahit (2017) Performing science: new physics and contemporary British and American science plays. Doctoral thesis (PhD), University of Sussex.

Koutsourakis, Angelos (2011) 'A film should be like a stone in your shoe': a Brechtian reading of Lars von Trier. Doctoral thesis (DPhil), University of Sussex.

L

Li, Wenjie (2022) Viscous matter: emotion, agency, and resistance in contemporary performance. Doctoral thesis (PhD), University of Sussex.

M

Masood, Hafiz Abid (2012) From Cyrus to Abbas: staging Persia in Early Modern England. Doctoral thesis (DPhil), University of Sussex.

Masterson, John (2011) "We are all at sea": performing The Tempest in Last Summer. Shakespeare in Southern Africa, 23. pp. 43-54. ISSN 1011-582X

McEvoy, William (2008) Theatre and performance. Year's Work in Critical and Cultural Theory, 16 (1). pp. 196-214. ISSN 1077-4254

Moroncini, Ambra (2012) Reviewed work(s): The Perfect Genre: Drama and Painting in Renaissance Italy. By Kristin Phillips-Court. Modern Language Review, 107 (2). pp. 632-634. ISSN 0026-7937

Mundrawala, Asma (2010) Shifting terrains: the depoliticisation of political theatre in Pakistan. Doctoral thesis (DPhil), University of Sussex.

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Peck, Lisa (2017) Katie Mitchell: feminist director as pedagogue. Stanislavski Studies, 5 (2). pp. 233-246. ISSN 2056-7790

Peck, Lisa (2017) Women practitioners and the development of pedagogy in theatre­‐making (1970­‐2016). Doctoral thesis (PhD), University of Sussex.

Pedlingham, Graeme G (2011) The (un)scene of memory: energetic theory and representation in theatre and film. Doctoral thesis (DPhil), University of Sussex.

Piazza, Roberta (1999) Dramatic discourse approached from a conversational analysis perspective: Catherine Hayes's Skirmishes and other contemporary plays. Journal of Pragmatics, 31 (8). pp. 1001-1023. ISSN 0378-2166

Price, Jason (2013) BLINK Margate: urban renewal, place and performance. Contemporary Theatre Review, 23 (3). pp. 411-420. ISSN 1048-6801

Price, Jason (2016) Modern popular theatre. Theatre and Performance Practices . Palgrave Macmillan, London. ISBN 9780230368941

Price, Jason (2010) Pedagogical popular theatre: practice as research into the efficacy of socio-political practices of the twentieth and twenty-first centuries. In: Theorizing the Popular, Liverpool Hope University, Liverpool, UK.

Price, Jason (2016) Popular forms and the new sensibility: the mingling of high and low culture in postmodern performance. In: Theatre and the Popular, 11-13 March 2016, University of Iceland.

Price, Jason (2012) The San Francisco Mime Troupe digital archive: an introduction. San Francisco Mime Troupe Digital Archive.

Price, Jason (2010) Social and professional networking for the applied theatre practitioner. In: Association of Theatre in Higher Education, Los Angeles, California, USA.

Price, Jason (2014) Spectacles of difference: queer popular theatre in the 1970s. In: Queer Cultures Seminar at Cambridge University, 19 November 2014, Cambridge.

Price, Jason (2012) ‘You’ll never walk alone with giants’: evaluating trends in contemporary large-scale outdoor performance making. In: Theatre and Performance Research Association (TaPRA), 5-7 September 2012, University of Kent, Canterbury.

Price, Jason (2012) The global and the popular: the making and unmaking of popular performance forms, 1750-present. In: Performances of the Popular (Pop Moves), October 13th 2012, University of Chichester, Chichester UK.

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Sinfield, Alan (2007) Interview with Enric Monforte. In: Aragay, Mirela, Klein, Hildegard, Monforte, Enric and Zozaya, Pilar (eds.) British theatre of the 1990s: interviews with directors, playwrights, critics and academics. Palgrave Macmillan, pp. 186-199. ISBN 9780230005099

Stanger, Arabella (2021) Ballet gone wrong: Michael Clark’s classical deviations. In: Farrugia-Kriel, Kathrina and Jensen, Jill Nunes (eds.) The Oxford handbook of contemporary ballet. Oxford University Press, Oxford. ISBN 9780190871499

Stanger, Arabella (2018) Choreographing epic: ocean as epic timespace in Homer, Joyce, and Cunningham. In: Macintosh, Fiona and McConnell, Justine (eds.) Epic performances from the Middle Ages into the Twenty-First Century. Oxford University Press, Oxford. ISBN 9780198804215

Stanger, Arabella (2017) Dramaturgy and sabotage. In: Georgelou, Konstantina, Protopapa, Efrosini and Therodoridou, Danae (eds.) The practice of dramaturgy: working on actions in performance. Antennae (23). Valiz, Amsterdam. ISBN 9789492095183

Stanger, Arabella (2010) Striking a balance: the Apolline and Dionysiac in contemporary classical choreography. In: Macintosh, Fiona (ed.) The ancient dancer in the modern world: responses to Greek and Roman dance. Oxford University Press, Oxford. ISBN 9780199548101

Stanger, Arabella (2014) The choreography of space: towards a socio-aesthetics of dance. New Theatre Quarterly, 30 (1). pp. 72-90. ISSN 0266-464X

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Vincent, Hannah (1992) The burrow. In: Shaffer, Elinor S (ed.) Comparative criticism. Cambridge University Press, Cambridge, pp. 191-213. ISBN 0521431042

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Watts, Cedric (1991) The sexual politics of 'Romeo and Juliet'. In: Cookson, Linda and Loughrey, Bryan (eds.) 'Romeo and Juliet', William Shakespeare. Critical Essays . Longman, pp. 9-18. ISBN 9780582075771