A

Aslett, Judy (2021) Not talking in riddles: to what extent can the making and use of factual documentary change understanding and attitudes towards Female Genital Mutilation in The Gambia? Doctoral thesis (PhD), University of Sussex.

Asquith, Daisy (2019) THIS IS NOT US: performance, relationships and shame in documentary filmmaking. Doctoral thesis (PhD), University of Sussex.

B

Behnoosh, Amandi (2021) British-Iranians at home in the UK. Doctoral thesis (PhD), University of Sussex.

Butt, Gavin and Walters, Ben (2013) This is not a dream. [Video]

C

Callaghan, Joanna and McQuillan, Martin (2011) I melt the glass with my forehead. [Video]

Chanan, Michael and Salter, Lee (2016) Secret city (2012): a reception diary. In: Tzioumakis, Yannis and Molloy, Claire (eds.) The Routledge companion to cinema and politics. Routledge Media and Cultural Studies Companions . Routledge, Abingdon, pp. 481-490.

Cieplak, Piotr (2009) Memory places. [Video]

K

Kida, Takahiro (2018) Migration, traces and the poetics of delay: exploring filmic forms to represent the Jewish migrational past of Kobe, Japan. Doctoral thesis (PhD), University of Sussex.

L

Lebow, Alisa (2006) Faking what?: Making a mockery of documentary. In: Juhasz, Alexandra and Lerner, Jesse (eds.) F is for phony: fake documentary and truth's undoing. Visible Evidence (17). University of Minnesota Press, Minneapolis, MN, pp. 223-237. ISBN 9780816642502

Lebow, Alisa (2018) Filming revolution. Stanford Digital Project . Stanford University Press, Stanford, California. ISBN 9781503605220

Lebow, Alisa (2013) First person political. In: Winston, Brian (ed.) The documentary film book. Palgrave Macmillan, Basingstoke, pp. 257-265. ISBN 9781844573417

Lebow, Alisa (2016) Identity slips: the autobiographical register in the work of Chantal Akerman. Film Quarterly, 70 (1). pp. 54-60. ISSN 0015-1386

Lebow, Alisa (2003) Memory once-removed: indirect memory and transitive autobiography in Chantal Akerman's D'Est. Camera Obscura, 18 (1). pp. 34-83. ISSN 0270-5346

Lebow, Alisa (2016) Seeing revolution non-linearly: www.filmingrevolution.org. Visual Anthropology, 29 (3). pp. 278-295. ISSN 0894-9468

Lebow, Alisa (2012) Shooting with intent. In: Ten Brink, Joram and Oppenheimer, Joshua (eds.) Killer images: documentary film, memory and the performance of violence. Wallflower Press, London, pp. 41-63. ISBN 9780231163347

Lebow, Alisa (2008) Worldwide wigs: Kutlug Ataman and the global art documentary. Arab Studies Journal, XV-XVI (2-1). pp. 57-82. ISSN 1083-4753

Lebow, Alisa (2012) The cinema of me: the self and subjectivity in first person documentary. Wallflower Press, New York. ISBN 9780231162142

Lebow, Alisa (2015) The unwar film. In: Juhasz, Alexandra and Lebow, Alisa (eds.) A companion to contemporary documentary film. John Wiley & Sons, Hoboken, New Jersey. ISBN 9780470671641

Lekakis, Eleftheria (2017) Alternative media ecology and anti-austerity documentary: The #greekdocs archive. Journal of Alternative and Community Media, 2 (2017). pp. 28-44.

M

Magness, E Shannon (2013) U know them by their fruit: unfinalizing the ‘extreme other self’ in documentary filmmaking. Doctoral thesis (PhD), University of Sussex.

N

Nelson, Jodi (2015) Digital technologies, social media and emerging, alternative documentary production methodologies. Doctoral thesis (PhD), University of Sussex.

O

Oliveira, Carolina (2020) Brazil in progress: talking about my generation. Using a first person documentary to analyse Brazilian large-scale social movements. Doctoral thesis (PhD), University of Sussex.

R

Robinson, Luke (2014) 在中国独立数字纪录片中体现的酷儿主体. 中国传媒报告, 51. 56-60, 80. ISSN 1682-3362

Robinson, Luke (2012) Alternative archives and individual subjectivities: Ou Ning’s Meishi Street. Senses of Cinema, 63.

Robinson, Luke (2015) Chinese documentary as public culture. International Communication of Chinese Culture, 2 (1). pp. 69-75. ISSN 2197-4233

Robinson, Luke (2016) Documenting dissent: political documentary in the People’s Republic of China. In: Tzioumakis, Yannis and Molloy, Clare (eds.) The Routledge Companion to Cinema and Politics. Routledge, Abingdon, pp. 458-468. ISBN 9780415717397

Robinson, Luke (2010) From 'public' to 'private': Chinese documentary and the logic of Xianchang. In: Berry, Chris, Lu, Xinyu and Rofel, Lisa (eds.) The new Chinese documentary film movement: for the public record. Hong Kong University Press, Hong Kong, pp. 177-194. ISBN 9789888028511

Robinson, Luke (2019) Globalizing Ai Weiwei. In: Hallas, Roger (ed.) Documenting the visual arts. Routledge, New York and London, pp. 82-96. ISBN 9781138565999

Robinson, Luke (2013) Independent Chinese documentary: from the studio to the street. Palgrave Macmillan, New York and London. ISBN 9780230298293

Robinson, Luke (2018) Kazuhiro Soda's migrant voices. In: Pramaggiore, Maria and Honess Roe, Annabelle (eds.) Vocal projections: voices in documentary. Bloomsbury, London, pp. 203-218. ISBN 9781501331251

Robinson, Luke (2014) La fièvre de l'archive. In: 2014 Festival Shadows: cinéma independent Chinois catalogue. Graphius Group, Belgium, pp. 25-28.

Robinson, Luke (2015) ‘To whom do our bodies belong?’ Being queer in Chinese DV documentary. In: Zhang, Zhen and Zito, Angela (eds.) DV-made China: digital subjects and social transformations after independent film. Critical Interventions . University of Hawai'i Press, Honolulu, pp. 289-315. ISBN 9780824846817

Robinson, Luke (2014) Voice, liveness, digital video: the talking head in contemporary independent Chinese documentary. positions: asia critique, 22 (2). pp. 489-515. ISSN 1067-9847

Robinson, Luke and Chio, Jenny (2013) Making space for independent Chinese documentary: the case of Yunfest 2011. Journal of Chinese Cinemas, 7 (1). pp. 21-40. ISSN 1750-8061

S

Salter, Lee (2015) The Fourth Estate. [Video]

Sobron, Fernando (2019) Re-evaluating creativity in documentary filmmaking, creative analysis and creative constraints. Doctoral thesis (PhD), University of Sussex.

Stacey, Joy (2023) After the last stitch: Palestinian dresses and anticolonial feminist filmmaking. Doctoral thesis (PhD), University of Sussex.

T

Thynne, Lizzie (2018) Memory, subjectivity and maternal histories in Un'Ora Sola Ti Vorrei (2005), Histoire d'un Secret (2003) and On the Border (2012). In: Arnolde-De Simine, Silke and Leal, Joanne (eds.) Picturing the family: media, narrative, memory. Routledge, London, UK, pp. 41-65. ISBN 9781474283601

Thynne, Lizzie (2014) Voices in Movement. [Video]

Thynne, Lizzie and Hughes, Ed (2018) Brighton: symphony of a city. [Video]