Items where Subject is "PN1995.9.D6 Documentary films"

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Number of items at this level: 35.

A

Asquith, Daisy (2019) THIS IS NOT US: performance, relationships and shame in documentary filmmaking. Doctoral thesis (PhD), University of Sussex.

B

Butt, Gavin and Walters, Ben (2013) This is not a dream. [Video]

C

Callaghan, Joanna and McQuillan, Martin (2011) I melt the glass with my forehead. [Video]

Chanan, Michael and Salter, Lee (2016) Secret city (2012): a reception diary. In: Tzioumakis, Yannis and Molloy, Claire (eds.) The Routledge companion to cinema and politics. Routledge Media and Cultural Studies Companions . Routledge, Abingdon, pp. 481-490.

Cieplak, Piotr (2009) Memory places. [Video]

K

Kida, Takahiro (2018) Migration, traces and the poetics of delay: exploring filmic forms to represent the Jewish migrational past of Kobe, Japan. Doctoral thesis (PhD), University of Sussex.

L

Lebow, Alisa (2006) Faking what?: Making a mockery of documentary. In: Juhasz, Alexandra and Lerner, Jesse (eds.) F is for phony: fake documentary and truth's undoing. Visible Evidence (17). University of Minnesota Press, Minneapolis, MN, pp. 223-237. ISBN 9780816642502

Lebow, Alisa (2017) Filming revolution. Stanford Digital Project . Stanford University Press, Stanford, California. ISBN 9781503605220 (Accepted)

Lebow, Alisa (2013) First person political. In: Winston, Brian (ed.) The documentary film book. Palgrave Macmillan, Basingstoke, pp. 257-265. ISBN 9781844573417

Lebow, Alisa (2016) Identity slips: the autobiographical register in the work of Chantal Akerman. Film Quarterly, 70 (1). pp. 54-60. ISSN 0015-1386

Lebow, Alisa (2003) Memory once-removed: indirect memory and transitive autobiography in Chantal Akerman's D'Est. Camera Obscura, 18 (1). pp. 34-83. ISSN 0270-5346

Lebow, Alisa (2016) Seeing revolution non-linearly: www.filmingrevolution.org. Visual Anthropology, 29 (3). pp. 278-295. ISSN 0894-9468

Lebow, Alisa (2012) Shooting with intent. In: Ten Brink, Joram and Oppenheimer, Joshua (eds.) Killer images: documentary film, memory and the performance of violence. Wallflower Press, London, pp. 41-63. ISBN 9780231163347

Lebow, Alisa (2008) Worldwide wigs: Kutlug Ataman and the global art documentary. Arab Studies Journal, XV-XVI (2-1). pp. 57-82. ISSN 1083-4753

Lebow, Alisa (2012) The cinema of me: the self and subjectivity in first person documentary. Wallflower Press, New York. ISBN 9780231162142

Lebow, Alisa (2015) The unwar film. In: Juhasz, Alexandra and Lebow, Alisa (eds.) A companion to contemporary documentary film. John Wiley & Sons, Hoboken, New Jersey. ISBN 9780470671641

Lekakis, Eleftheria (2017) Alternative media ecology and anti-austerity documentary: The #greekdocs archive. Journal of Alternative and Community Media, 2 (2017). pp. 28-44.

M

Magness, E Shannon (2013) U know them by their fruit: unfinalizing the ‘extreme other self’ in documentary filmmaking. Doctoral thesis (PhD), University of Sussex.

N

Nelson, Jodi (2015) Digital technologies, social media and emerging, alternative documentary production methodologies. Doctoral thesis (PhD), University of Sussex.

R

Robinson, Luke (2014) 在中国独立数字纪录片中体现的酷儿主体. 中国传媒报告, 51. 56-60, 80. ISSN 1682-3362

Robinson, Luke (2012) Alternative archives and individual subjectivities: Ou Ning’s Meishi Street. Senses of Cinema, 63.

Robinson, Luke (2015) Chinese documentary as public culture. International Communication of Chinese Culture, 2 (1). pp. 69-75. ISSN 2197-4233

Robinson, Luke (2016) Documenting dissent: political documentary in the People’s Republic of China. In: Tzioumakis, Yannis and Molloy, Clare (eds.) The Routledge Companion to Cinema and Politics. Routledge, Abingdon, pp. 458-468. ISBN 9780415717397

Robinson, Luke (2010) From 'public' to 'private': Chinese documentary and the logic of Xianchang. In: Berry, Chris, Lu, Xinyu and Rofel, Lisa (eds.) The new Chinese documentary film movement: for the public record. Hong Kong University Press, Hong Kong, pp. 177-194. ISBN 9789888028511

Robinson, Luke (2013) Independent Chinese documentary: from the studio to the street. Palgrave Macmillan, New York and London. ISBN 9780230298293

Robinson, Luke (2018) Kazuhiro Soda's migrant voices. In: Pramaggiore, Maria and Honess Roe, Annabelle (eds.) Vocal projections: voices in documentary. Bloomsbury, London, pp. 203-218. ISBN 9781501331251

Robinson, Luke (2014) La fièvre de l'archive. In: 2014 Festival Shadows: cinéma independent Chinois catalogue. Graphius Group, Belgium, pp. 25-28.

Robinson, Luke (2015) ‘To whom do our bodies belong?’ Being queer in Chinese DV documentary. In: Zhang, Zhen and Zito, Angela (eds.) DV-made China: digital subjects and social transformations after independent film. Critical Interventions . University of Hawai'i Press, Honolulu, pp. 289-315. ISBN 9780824846817

Robinson, Luke (2014) Voice, liveness, digital video: the talking head in contemporary independent Chinese documentary. positions: asia critique, 22 (2). pp. 489-515. ISSN 1067-9847

Robinson, Luke and Chio, Jenny (2013) Making space for independent Chinese documentary: the case of Yunfest 2011. Journal of Chinese Cinemas, 7 (1). pp. 21-40. ISSN 1750-8061

S

Salter, Lee (2015) The Fourth Estate. [Video]

Sobron, Fernando (2019) Re-evaluating creativity in documentary filmmaking, creative analysis and creative constraints. Doctoral thesis (PhD), University of Sussex.

T

Thynne, Lizzie (2018) Memory, subjectivity and maternal histories in Un'Ora Sola Ti Vorrei (2005), Histoire d'un Secret (2003) and On the Border (2012). In: Arnolde-De Simine, Silke and Leal, Joanne (eds.) Picturing the family: media, narrative, memory. Bloomsbury Academic, London, UK, pp. 41-65. ISBN 9781474283618

Thynne, Lizzie (2014) Voices in Movement. [Video]

Thynne, Lizzie and Hughes, Ed (2018) Brighton: symphony of a city. [Video]

This list was generated on Sat Jul 20 09:54:27 2019 BST.