A

Austin, Thomas (2017) In the cells of Fortress Europe: an interview with Marianna Economou, director of The Longest Run. Senses of Cinema, 83.

Austin, Thomas (2014) Indexicality and inter/textuality: 24 City's aesthetics and the politics of memory. Screen, 55 (2). pp. 256-266. ISSN 0036-9543

Austin, Thomas (2016) Interiority, identity and the limits of knowledge in documentary film. Screen, 57 (4). pp. 414-430. ISSN 0036-9543

Austin, Thomas (2016) Spectral cinema from a phantom state: film aesthetics and the politics of identity in Divided Heaven and Solo Sunny. Studies in Eastern European Cinema, 7 (3). pp. 274-286. ISSN 2040-350X

Austin, Thomas (2016) Temporal vertigo: an interview with John Akomfrah. Senses of Cinema, 79. ISSN 1443-4059

Austin, Thomas (2018) “A democracy of images” John Gianvito in conversation. Senses of Cinema (86). ISSN 1443-4059

B

Berkvens, Linda (2011) No crinoline-covered lady: stardom, agency, and the career of Barbara Stanwyck. Doctoral thesis (DPhil), University of Sussex.

Billingham, Jimmy Patrick (2011) The act of viewing: indeterminacy and interpretation in narrative film. Doctoral thesis (DPhil), University of Sussex.

Boswall, Karen (2022) Speak my sister web documentary. A contemporary, decolonial, feminist and multi-modal collaborative response to José Cardoso’s Mozambican musical film Sing My Brother – Help Me to Sing (1981). Doctoral thesis (PhD), University of Sussex.

Brown, Christopher (2018) Coccolith. [Video]

Brown, Christopher (2017) “Even If You Have Nothing, You Should Keep Filming”: An Interview with Cheng Yu-Chieh on 'Wawa No Cidal' (2015). Senses of Cinema (82). ISSN 1443-4059

Brown, Christopher (2012) Homosexuality in 'Dog Day Afternoon' (1975): televisual surfaces and a 'natural' man. Film Criticism, 37 (1). pp. 35-54. ISSN 0163-5069

Brown, Christopher (2020) Installed in chalk: mapping screen performance in 'Coccolith' (2018). Performance Matters, 6 (1). pp. 86-104. ISSN 2369-2537

Brown, Christopher (2017) Performance enhancement: identity, surface aesthetics, and the direction of actors in 'Yang Yang' 陽陽 (Cheng Yu-Chieh, 2009). Asian Cinema, 28 (1). pp. 23-37. ISSN 1059-440X

Brown, Christopher (2015) Remission. [Video]

Brown, Christopher (2015) Soap. [Video]

Brown, Christopher (2019) “This film is blessed by the gods”: talking with Mag Hsu, director of 'Dear Ex' (Netflix, 2018). Bright Lights Film Journal. ISSN 0147-4049

Brown, Christopher (2014) The pools of 'The Swimmer' (1968): exurbia, topography, decay. In: Brown, Christopher and Hirsch, Pam (eds.) The cinema of the swimming pool. New Studies in European Cinema . Peter Lang, pp. 89-100. ISBN 9783035398076

Brown, Christopher and Knight-Hill, Andrew (2018) Stories of a ruined space: filmic and sonic approaches to practice-as-research. Media Practice and Education, 19 (3). pp. 313-325. ISSN 2574-1136

Brown, Christopher R (2012) Mad about the boy? Hollywood stardom and masculinity subverted in 'The Swimmer'. Quarterly Review of Film and Video, 29 (4). pp. 356-364. ISSN 1050-9208

Butt, Gavin (2013) Living the dream in women in revolt. In: Davis, Glyn and Needham, Gary (eds.) Warhol in ten takes. BFI Publishing, London, pp. 180-194. ISBN 9781844574025

C

Callaghan, Joanna (2014) Love in the post: from Plato to Derrida. [Video]

Callaghan, Joanna (2018) Ontological narratives. Doctoral thesis (PhD), University of Sussex.

Callaghan, Joanna and McQuillan, Martin (2014) Love in the post: from Plato to Derrida: the screenplay and commentary. Rowman and Littlefield International, London. ISBN 9781783480050

Callaghan, Joanna and Thomas, Lubi (2008) 'Artists vs Hollywood' moving image exhibition (2008-2009). [Show/Exhibition]

Chard, Holly (2014) Mainstream maverick? John Hughes and new Hollywood cinema. Doctoral thesis (PhD), University of Sussex.

Cieplak, Piotr (2017) Film review: Concerning violence - nine scenes from the anti-imperialistic self-defense (2014). Genocide Studies and Prevention: An International Journal, 11 (1). pp. 126-128. ISSN 1911-0359

Cieplak, Piotr (2015) Memory cards. [Video]

D

Dadgarnia, Alireza (2017) Film as home: accented film practice and the materiality of displaced lived experience. Doctoral thesis (PhD), University of Sussex.

E

Elliott, Richard (2014) The choreography of longing: songs, screens and space in Carlos Saura’s 'Fados'. Quaderns de Cine, 9. pp. 71-78. ISSN 1888-4571

Ertür, Başak and Lebow, Alisa (2014) Coup de genre: the trials and tribulations of Bülent Ersoy. Theory & Event, 17 (1). ISSN 1092-311X

Etkind, Alexander, Finnin, Rory, Blacker, Uilleam, Fedor, Julie, Lewis, Simon, Mälksoo, Maria and Mroz, Matilda (2012) Remembering Katyn. Polity Press. ISBN 9780745676128

Eve, Martin Paul (2010) 'The time that remains: Elia Suleiman and the London Palestinian Film Festival 2010' [Review] Elia Suleiman (2009) The time that remains. Excursions, 1 (1). pp. 146-151. ISSN 2044-4095

F

Farhoumand, J C (2012) Barflies, tramps, heroes and whores: Charles Bukowski and the cinema. Masters thesis (MPhil), University of Sussex.

Farrimond, Katherine (2011) Bad girls in crisis: the new teenage femme fatale. In: Waters, Melanie (ed.) Women on screen: feminism and femininity in visual culture. Palgrave Macmillan, pp. 77-89. ISBN 9780230229655

Farrimond, Katherine (2017) Glamour, nostalgia and film memory: contemporary popular culture and the femme fatale. Women's Film and Television History Network [weblog article, 11 November 2017].

Farrimond, Katherine (2018) Karyn Kusama. Cut-Throat Women: A Database Of Women Who Make Horror [Weblog article, 27 November 2018].

Farrimond, Katherine (2010) “Mom! you look so thin!”: constructions of femininity across the space-time continuum. In: Ní Fhlainn, Sorcha (ed.) The worlds of Back to the future: critical essays on the films. McFarland, pp. 157-173. ISBN 0786457651

Farrimond, Katherine (2013) Postfeminist noir: brutality and retro aesthetics in The Black Dahlia. Film & History: An Interdisciplinary Journal, 43 (2). pp. 34-49. ISSN 0360-3695

Farrimond, Katherine (2012) ‘Stay still so we can see who you are’: anxiety and bisexual activity in the contemporary femme fatale film. Journal of Bisexuality, 12 (1). pp. 138-154. ISSN 1529-9716

Farrimond, Katherine (2017) The contemporary femme fatale: gender, genre and American cinema. Routledge Advances in Film Studies . Routledge. ISBN 9781138670662

Farrimond, Katherine (2013) The slut that wasn’t: virginity, (post)feminism and representation in Easy A. In: Gwynne, Joel and Müller, Nadine (eds.) Postfeminism and contemporary Hollywood cinema. Palgrave Macmillan, pp. 44-59. ISBN 9781137306838

Foster, Ludovic (2016) Narratives of tomboy identity in fiction and film: exploring a hidden history. Doctoral thesis (PhD), University of Sussex.

G

Galt, Rosalind (2011) On L'avventura and the picturesque. In: Rascaroli, Laura and Rhodes, John David (eds.) Antonioni: Centenary Essays. Palgrave Macmillan, New York, pp. 134-153. ISBN 978-1-84457-384-4

Galt, Rosalind (2013) The prettiness of Italian cinema. In: Bayman, Louis and Rigoletto, Sergio (eds.) Popular Italian cinema. Palgrave Macmillan, Houndmills. ISBN 9780230300163

H

Hubbard, Frances Rosina (2014) Screendance: corporeal ties between dance, film, and audience. Doctoral thesis (PhD), University of Sussex.

J

Jones, James (2018) “Enter the dream-house”: evaluating the role of English cinemas in public emotion, spatial appropriation, and notions of modernity, c.1930-1960. Doctoral thesis (PhD), University of Sussex.

K

Koutsourakis, Angelos (2011) 'A film should be like a stone in your shoe': a Brechtian reading of Lars von Trier. Doctoral thesis (DPhil), University of Sussex.

Krutnik, Frank (2014) Booklet containing writing on the film "Brute Force" (Jules Dassin, 1947). Arrow Films, London.

Krutnik, Frank (2015) Foolish wisdom? Chaplin and duality. In: Jourdren, Morgane and Loizeau, Pierre-Marie (eds.) La Figure de Charlot et ses avatars. Presses universitaires de Rennes, Rennes, pp. 123-140. ISBN 9782753539617

Krutnik, Frank (2014) Frank Krutnik on The Killers. Arrow Films, London.

Krutnik, Frank (2013) Spirited vulgarity: Frank Tashlin as comic auteur. Studies in American Humor, 3 (27). pp. 201-215. ISSN 0095-280X

L

Lacey, Kate (2015) Listening in/To Germany, Pale Mother. The Cine-Files, 8. ISSN 2156-9096

Lan, Kuo-Wei (2012) Technofetishism of posthuman bodies: representations of cyborgs, ghosts, and monsters in contemporary Japanese science fiction film and animation. Doctoral thesis (PhD), University of Sussex.

Lawrence, Michael (2015) ‘Bombed into stardom!’: Roddy McDowall, ‘British evacuee star’ in Hollywood. Journal of British Cinema and Television, 12 (1). pp. 45-62. ISSN 1743-4521

Lawrence, Michael (2015) ‘Practically infinite manipulability’: domestic dogs, canine performance and digital cinema. Screen, 56 (1). pp. 115-120. ISSN 0036-9543

Lawrence, Michael (2014) Sabu. British Film Institute / Palgrave Macmillan, Basingstoke. ISBN 9781844575190

Lawrence, Michael (2012) 'Yes sir, that’s my baby’: infancy and performance in Heartburn, or the business with the banana. Screen, 53 (4). pp. 465-470. ISSN 0036-9543

Lebeau, Vicky (2015) Sanity, madness and the family, family life: an urgent retrospective. In: Sanity, madness and the family, family life: an urgent retrospective, 24 April 2015, Birkbeck University of London.

Lebeau, Vicky (2017) ‘A bath, a toilet and a field’: dreaming and deprivation in Lynne Ramsay’s Ratcatcher. In: Donald, Stephanie Hemelryk, Wilson, Emma and Wright, Sarah (eds.) Childhood and nation in contemporary world cinema : borders and encounters. Bloomsbury, New York, pp. 15-31. ISBN 9781501318580

Lebow, Alisa (2018) Filming revolution. Stanford Digital Project . Stanford University Press, Stanford, California. ISBN 9781503605220

Lebow, Alisa (2014) Filming revolution: approaches to programming the Arab Spring. In: Iordanova, Dina and Van de Peer, Stefanie (eds.) Film festivals and the Middle East. Film festival yearbook (6). St Andrews Film Studies, St Andrews, pp. 61-73. ISBN 9781908437112

Lebow, Alisa (2013) First person political. In: Winston, Brian (ed.) The documentary film book. Palgrave Macmillan, Basingstoke, pp. 257-265. ISBN 9781844573417

Lebow, Alisa (2003) Memory once-removed: indirect memory and transitive autobiography in Chantal Akerman's D'Est. Camera Obscura, 18 (1). pp. 34-83. ISSN 0270-5346

Lebow, Alisa (2016) Seeing revolution non-linearly: www.filmingrevolution.org. Visual Anthropology, 29 (3). pp. 278-295. ISSN 0894-9468

Lebow, Alisa (2012) Shooting with intent. In: Ten Brink, Joram and Oppenheimer, Joshua (eds.) Killer images: documentary film, memory and the performance of violence. Wallflower Press, London, pp. 41-63. ISBN 9780231163347

Lebow, Alisa (2007) Stratigic sentimentality: nostalgia and the work of Eleanor Antin. Camera Obscura, 22 (3). pp. 128-167. ISSN 0270-5346

Lebow, Alisa (2008) Worldwide wigs: Kutlug Ataman and the global art documentary. Arab Studies Journal, XV-XVI (2-1). pp. 57-82. ISSN 1083-4753

Lebow, Alisa (2012) The cinema of me: the self and subjectivity in first person documentary. Wallflower Press, New York. ISBN 9780231162142

Lebow, Alisa (2015) The unwar film. In: Juhasz, Alexandra and Lebow, Alisa (eds.) A companion to contemporary documentary film. John Wiley & Sons, Hoboken, New Jersey. ISBN 9780470671641

M

Marcus, Laura (2005) The Great War in twentieth-century cinema. In: Sherry, Vincent (ed.) The Cambridge companion to the literature of the first world war. Cambridge Companions to Literature . Cambridge University Press, pp. 280-301. ISBN 9780521528979

Marcus, Laura (2007) The tenth muse: writing about cinema in the modernist period. Oxford University Press. ISBN 9780199230273

McHugh, Ian Paul (2012) Liminal subjectivities in contemporary film and literature. Doctoral thesis (DPhil), University of Sussex.

Mroz, Matilda (2016) Displacement, suffering and mourning: post-war landscapes in contemporary Polish cinema. In: Brouwer, Sander (ed.) Contested Interpretations of the Past in Polish, Russian and Ukrainian Film: Screen as Battlefield. Studies in Slavic Literature and Politics (60). Brill. ISBN 9789004311725

Mroz, Matilda (2016) Editorial: special issue on the body. Studies in Eastern European Cinema, 7 (2). ISSN 2040-350X

Mroz, Matilda (2017) Film in full gallop: aesthetics and the equine in Poland’s epic cinema. In: Ostrowska, Dorota, Pitasso, Francesco and Varga, Zsuzsanna (eds.) Popular cinemas in East Central Europe: film cultures and histories. I B Tauris, pp. 173-183.

Mroz, Matilda (2007) Fracturing the marble façade: visceral excavation in Andrzej Wajda’s Man of Marble. Senses of Cinema, 43. ISSN 1443-4059

Mroz, Matilda (2016) Framing loss and figuring grief in Pawel Pawlikowski’s Ida. Screening the Past (41). pp. 1-13. ISSN 1328-9756

Mroz, Matilda (2015) Performing evolution: immersion, unfolding, and Lucille Hadzihalilovic’s Innocence. In: de Luca, Tiago and Jorge, Nuno (eds.) Slow Cinema. Traditions in World Cinema . Edinburgh University Press. ISBN 9780748696048

Mroz, Matilda (2013) Re-imagining the neighbour: Polish-Jewish relations in contemporary Polish visual culture. In: Bangert, Axel, Gordon, Robert and Saxton, Libby (eds.) Holocaust Intersections: Genocide and Visual Culture at the New Millennium. Moving Image (4). Legenda. ISBN 9781907975028

Mroz, Matilda (2010) Restless bodies, buried texts: Sikorski, the General, and the archive. Studies in Eastern European Cinema, 1 (2). pp. 153-165. ISSN 2040-350X

Mroz, Matilda (2013) Temporality and film analysis. Edinburgh University Press. ISBN 9780748685912

Mroz, Matilda (2009) Walkover (Jerzy Skolimowski). Senses of Cinema, 51. ISSN 1443-4059

Mroz, Matilda (2014) The aesthetics of overflow: Andrei Tarkovsky's Nostalghia (1983) in duration. In: Brown, Christopher and Hirsch, Pam (eds.) The cinema of the swimming pool. New studies in European cinema (17). Peter Lang. ISBN 9783034317832

Mroz, Matilda (2014) The monument and the sewer: memory and death in Wajda’s Kanal (1957). Historical Journal of Film, Radio and Television, 34 (4). pp. 528-545. ISSN 0143-9685

Mussell, Simon Paul (2011) Constellations of Adornian theory and film: readings of Adorno with Tarkovsky and Haneke. Doctoral thesis (DPhil), University of Sussex.

O

O'Connell, Grainne Marie Teresa (2014) A comparative analysis of HIV/AIDS, transnationalism, sexuality, gender and ethnicity in selected Anglophone Caribbean and South African literature and film. Doctoral thesis (PhD), University of Sussex.

P

Pedlingham, Graeme G (2011) The (un)scene of memory: energetic theory and representation in theatre and film. Doctoral thesis (DPhil), University of Sussex.

R

Reynolds, Kevin Patrick (2011) That justice be seen: the American prosecution's use of film at the Nuremberg International Military Tribunal. Doctoral thesis (DPhil), University of Sussex.

Roberts, Ben (2006) Cinema as mnemotechnics. Angelaki, 11 (1). pp. 55-63. ISSN 0969-725X

Roberts, Ben (2016) An ‘exemplary contemporary technical object’: thinking cinema between Hansen and Stiegler. New Formations, 88 (Autumn). pp. 88-104. ISSN 0950-2378

Robinson, Lucy (2019) Thoughts on Pride: no coal dug. Open Library of Humanities, 5 (1). pp. 1-16. ISSN 2056-6700

Robinson, Luke (2011) Animating the Chinese child consumer: remaking Sparkling red star for the market. Journal of Children and Media, 5 (4). pp. 426-441. ISSN 1748-2798

Robinson, Luke (2020) Midi Z, network aesthetics from below, and the cultural politics of Taiwanese subimperialism. Screen, 61 (1). pp. 98-118. ISSN 0036-9543

Robinson, Luke (2017) Non-state agents, quotidian soft power, and the work of the overseas film festival: case studies from London. In: Voci, Paola and Luo, Hui (eds.) Screening China's soft power. Media, culture, and social change in Asia . Routledge, New York, pp. 111-126. ISBN 9781138669895

S

Slack, Neil Graham (2010) A cinema of white masculine crisis: race and gender in contemporary British film. Doctoral thesis (DPhil), University of Sussex.

Smith, Adrian (2016) ‘The girl the whole world is waiting to see more of!’ Isabel Sarli, and the failed attempt to launch a new star in 1960s Britain. Intensities: The Journal of Cult Media (8). pp. 94-99.

Smith, Frances (2020) Catastrophe: transatlantic love in East London. In: Brickman, Barbara Jane, Jermyn, Deborah and Trost, Theodore Louis (eds.) Love across the Atlantic: UK-US romance in popular media. Edinburgh University Press, Edinburgh. ISBN 9781474452076

Smith, Frances (2016) Don't you forget about me: Molly Ringwald, nostalgia and teen girl stardom. In: Lobalzo-Wright, Julie and Bolton, Lucy (eds.) Lasting Screen Stars: Images that Fade and Personas that Endure. Palgrave Macmillan, pp. 231-244. ISBN 9781137407320

Smith, Frances (2017) Melissa McCarthy: gender, class and body politics in contemporary Hollywood comedy. In: Women Do Genre in Film and Television. Routledge Research in Cultural and Media Studies, 1 . Routledge, pp. 164-178. ISBN 9781138695801

Smith, Frances (2017) Rethinking the Hollywood teen movie. Edinburgh University Press. ISBN 9781474413091

Smith, Frances (2018) Smoke gets in your eyes: re-reading gender in the "nostalgia film". Quarterly Review of Film and Video, 35 (5). pp. 463-487. ISSN 1050-9208

Smith, Frances (2019) Vanishing pregnancies to flying cars: examining changing reactions to the carnival in Grease. In: Gruner, Oliver and Kramer, Peter (eds.) Grease is the word. Anthem Press, London. ISBN 9781785271106

T

Thynne, Lizzie (2018) Memory, subjectivity and maternal histories in Un'Ora Sola Ti Vorrei (2005), Histoire d'un Secret (2003) and On the Border (2012). In: Arnolde-De Simine, Silke and Leal, Joanne (eds.) Picturing the family: media, narrative, memory. Routledge, London, UK, pp. 41-65. ISBN 9781474283601

Thynne, Lizzie (2019) Unravelling family fictions: stories we tell, daughter rite and my life without me. In: Marchevska, Elena and Walkerdine, Valerie (eds.) The Maternal in creative work: intergenerational discussions on motherhood and art. Routledge, London. ISBN 9780815381693

Thynne, Lizzie (2014) Voices in Movement. [Video]

Thynne, Lizzie and Hughes, Ed (2018) Brighton: symphony of a city. [Video]

Tierney, Dolores (2017) Transnational filmmaking in South America. In: Stone, Rob, Marlow Mann, Alex and Dennison, Stephanie (eds.) Routledge companion to world cinema. Routledge Media and Cultural Studies Companions . Routledge, London and New York, pp. 97-110. ISBN 9781138918801

V

Verano, Frank (2016) D.A. Pennebaker and the politics and aesthetics of mature-period direct cinema. Doctoral thesis (PhD), University of Sussex.

W

Walden, Victoria Grace (2014) Animation: textural difference and the materiality of Holocaust memory. Animation Studies Online Journal, 9. ISSN 1930-1928

Walden, Victoria Grace (2016) Studying Hammer horror. Studying film . Columbia University Press. ISBN 9781906733322

Walden, Victoria Grace (2016) Transcultural engagement with Polish memory of the Holocaust while watching Leszek Wosiewicz's Kornblumenblau. Holocaust Studies: A Journal of Culture and History, 22 (2-3). pp. 256-273. ISSN 1750-4902

Ward, Glenn (2011) Journeys into perversion: vision, desire and economies of transgression in the films of Jess Franco. Doctoral thesis (DPhil), University of Sussex.

Webb, Lawrence (2019) Made in New York: film production, the city government, and public protest in the Koch era. In: Andersson, Johan and Webb, Lawrence (eds.) The city in American cinema: film and postindustrial culture. International Library of the Moving Image . Bloomsbury, London, pp. 83-124. ISBN 9781788313186

Webb, Lawrence (2015) New Hollywood in the rust belt: urban decline and downtown renaissance in 'The King of Marvin Gardens' and 'Rocky'. Cinema Journal, 54 (4). pp. 100-125. ISSN 0009-7101

Webb, Lawrence (2018) New York City and cinema. Oxford Bibliographies in Cinema and Media Studies.

Webb, Lawrence (2014) Remapping 'The Conversation': urban design and industrial reflexivity in seventies San Francisco. Post45. ISSN 2168-8206

Webb, Lawrence (2019) The auteur renaissance, 1968-1979. In: Gleich, Joshua and Webb, Lawrence (eds.) Hollywood on location: an industry history. Rutgers University Press, pp. 124-154. ISBN 9780813586250

Webb, Lawrence (2014) The cinema of urban crisis: seventies film and the reinvention of the city. Amsterdam University Press. ISBN 9789089646378

Webb, Lawrence and Andersson, Johan (2019) American cinema and urban change: industry, genre, and politics from Nixon to Trump. In: Andersson, Johan and Webb, Lawrence (eds.) The city in American cinema: film and postindustrial culture. International Library of the Moving Image . Bloomsbury, London, pp. 1-39. ISBN 9781788313186

Webb, Lawrence and Andersson, Johan (2016) Decentring the cinematic city: film and media in the digital age. In: Webb, Lawrence and Andersson, Johan (eds.) Global Cinematic Cities: New Landscapes of Film and Media. Wallflower Press, New York, pp. 1-16. ISBN 9780231177474

Webb, Lawrence and Gleich, Joshua (2019) Introduction. In: Webb, Lawrence and Gleich, Joshua (eds.) Hollywood on location: an industry history. Rutgers University Press, pp. 1-15. ISBN 9780813586250

Wright, Neelam Sidhar (2010) Bollywood eclipsed : the postmodern aesthetics, scholarly appeal, and remaking of contemporary popular Indian cinema. Doctoral thesis (DPhil), University of Sussex.