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Corrieri, Augusto (2019) Play to delete. [Performance]

Corrieri, Augusto (2019) Thoughts are borne of places (or: one imago covers another). [Performance]

Corrieri, Augusto (2019) ‘What Is This...’: introducing magic and theatre. Platform: Journal of Theatre and Performing Arts, 12 (2). pp. 12-17. ISSN 1751-0171

Corrieri, Augusto (2019) The greatest magic show ever right before your very eyes: an installation for a Blackpool B&B. [Artefact]

F

Fowler, Benjamin (2020) Dangerous border crossings: Nicolas Stemann's merchant in Munich. In: Kaplan, M Lindsay (ed.) The merchant of Venice: the state of play. Arden Shakespeare The State of Play . Bloomsbury. ISBN 9781350110229

Fowler, Benjamin (2020) Re-scripting realism: Katie Mitchell and Thomas Ostermeier at the Schaubühne. In: Boenisch, Peter M (ed.) The Schaubühne under Thomas Ostermeier: Reinventing Directors' Theatre. Methuen Drama Engage . Methuen. ISBN 9781350165793

M

McEvoy, William (2020) The coup de théâtre and the enchanting object of performance. Studies in Theatre and Performance. pp. 1-21. ISSN 1468-2761

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Price, Jason (2020) Minnie Cunningham at the Old Bedford. Theatre Research International, 45 (2). pp. 124-142. ISSN 0307-8833

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Stanger, Arabella (2012) Merce Cunningham's ensemble space and the Black Mountain principle of community. The Journal of Black Mountain College Studies, 3.