C

Chinnery, Joshua (2014) Giuseppe Castiglione and emperor YongZheng hunting a tiger in painting. In: Wu, Weishan (ed.) Research of Chinese Fine Arts. Southeast University Press. ISBN 9787564150761

Clarke, Meaghan (2012) Sex and the city: the metropolitan new woman. In: Bonett, Helena, Holt, Ysanne and Mundy, Jennifer (eds.) The Camden Town Group in context. The Tate.

D

De Mille, Charlotte (2013) Art history, immanently. In: De Mille, Charlotte and Mullarkey, John (eds.) Bergson and the art of immanence. Edinburgh University Press. ISBN 9780748670222

G

Gong, Joshua (2014) Oriental rococo: three Chinese courtly reversed oil paintings on mirror. In: Peng, Lu (ed.) The Dimension of Civilisation. China Youth Publishing Group, pp. 155-166. ISBN 9787515326863

Grant, Alistair (2016) Electrotype replicas. In: Prettlejohn, Elizabeth and Trippi, Peter (eds.) Lawrence Alma-Tadema: at home in antiquity. Prestel Verlag, Munich, pp. 114-115. ISBN 978379135528

H

Healy, Margaret (1997) Bronzino's London 'Allegory' and the art of syphilis. Oxford Art Journal, 20 (1). pp. 3-11. ISSN 0142-6540

K

Kyriakou, Angela (2013) How valuable is the notion of artist’s intentions in the interpretation of painting? Masters thesis (MPhil), University of Sussex.

L

Lecznar, Matthew (2018) Weathering the storm: Ben Enwonwu’s Biafrascapes and the crisis in the Nigerian postcolony. Tate Papers, 30. ISSN 1753-9854

Loske, Alexandra (2010) Mary Gartside: A female colour theorist in Georgian England. Journal of Art History and Museum Studies, 14. pp. 17-30. ISSN 2041-1987

Loske, Alexandra (2016) Turner, Goethe et les théoriciens de la couleur [Turner, Goethe and colour theorists]. In: Turner et la couleur. Catalogues d'exposition . Hazan, Paris, pp. 143-147. ISBN 978-2754109413

M

Marshall, Francis (2017) RB Kitaj and the idea of Europe. Doctoral thesis (PhD), University of Sussex.

O

O'Connell, Micheal (2020) Interview with Motion Sickness. Phoenix Art Space, Brighton, East Sussex, UK.

P

Pawlik, Joanna (2018) Of marriage, mothers and pets in the art of Gertrude Abercrombie and Dorothea Tanning. In: Mileaf, Janine and Rossen, Susan (eds.) A home for Surrealism. University of Chicago Press, Chicago, USA. ISBN 9781891925498

Price, Jason (2017) Strangers to happiness: the depiction of clowns in the work of Georges Rouault. In: International Federation for Theatre Research Annual Conference, 10-14 July 2017, Sao Paulo, Brazil, 10-14 July 2017, Sao Paulo, Brazil.

Q

Quilley, Geoffrey (2016) Placing the sea in eighteenth-century British art. In: Spreading Canvas: Eighteenth-Century British Marine Painting. Yale University Press, New Haven CT. ISBN 9780300221572

S

Searle, Rebecca K (2011) Art, propaganda and the experience of aerial warfare in Britain during the Second World War. Doctoral thesis (DPhil), University of Sussex.

Smith, Lindsay (2013) Pre-Raphaelitism: poetry and painting. Writers and their work . Northcote House, Tavistock. ISBN 9780746308066

Stevens, Bethan (2010) Remembering lost paintings: Vanessa Bell’s the nursery. Memory Studies, 3 (3). pp. 242-252. ISSN 1750-6980

Stevens, Bethan (2011) Vernet’s dance hall: Walter Sickert / Daily mirror. The Noble Folios . Sylph Editions. ISBN 9780956509246

W

Wolf, Hope, with the De La Warr Pavilion, and Camden Arts Centre, (2018) A tale of mother's bones: Grace Pailthorpe, Reuben Mednikoff, and the birth of psychorealism. [Show/Exhibition]

Wood, Marcus (2015) Slavery and syncretic performance in the noite do tambores silenciosos: or how batuque, and the calunga dance around with the memory of slavery. Journal of American Studies and British Association for American Studies, 49 (2). pp. 383-403. ISSN 0021-8758

Wood, Marcus (2014) Slavery and the Romantic sketch: Jean Baptiste Debret’s visual poetics of trauma. Journal of Historical Geography, 43. pp. 39-48. ISSN 0305-7488