C

Clarke, Darren (2013) The politics of partnership: Vanessa Bell and Duncan Grant, 1912-1961. Doctoral thesis (PhD), University of Sussex.

D

Doubt, Emma (2016) Portraits against amnesia: archival recuperation in the work of Hulleah J. Tsinhnahjinnie. World Art, 6 (1). pp. 19-44. ISSN 2150-0894

G

Gill, Laura Fox (2020) Milton’s Christ and passive power in Melville and Turner. In: Ludlow, Elizabeth (ed.) The Figure of Christ in the Long Nineteenth Century. Palgrave Studies in Nineteenth-Century Writing and Culture . Palgrave Macmillan, pp. 69-82. ISBN 9783030400811

Gill, Laura Fox (2017) Peripheral vision: the Miltonic in Victorian painting, poetry, and prose, 1825–1901. Doctoral thesis (PhD), University of Sussex.

Gong, Joshua (2012) Julian Opie’s art expression in the 3D era. Art Panorama. p. 59. ISSN 1002-2953

Grant, Alistair (2016) A British history of German silver: Part 1 - The discovery of nickel and development of nickel alloys, 1754-1823. The Journal of the Antique Metalware Society, 23. pp. 58-79. ISSN 1359-124X

Grant, Alistair and Patterson, Angus (2018) The museum and the factory: the V&A, Elkington and the electrical revolution. V&A 19th-Century Series, 2 . Lund Humphries, London. ISBN 9781848222915

H

Hitchmough, Wendy (2020) The Bloomsbury look. Yale University Press, London. ISBN 9780300244113

J

Jordan, Hannah (2021) Between fact and imagination: tableaux vivants in nineteenth-century Britain. Doctoral thesis (PhD), University of Sussex.

K

Krell, Mary Agnes (2019) (Un)certain ghosts: rephotography and historical images. In: Hall, Nick and Ellis, John (eds.) Hands on media history: a new methodology in the humanities and social sciences. Routledge, London. ISBN 9781138577497

O

O'Connell, Micheál (2020) Artists are only a law unto themselves. In: Finchett-Maddock, Lucy and Lekakis, Eleftheria (eds.) Art, law, power: perspectives on legality and resistance in contemporary aesthetics. Counterpress Limited, Oxford, pp. 16-33. ISBN 9781910761076

P

Pawlik, Joanna (2016) Cartooning the marvelous: word and image in Chicago surrealism. In: Gander, Catherine and Garland, Sarah (eds.) Mixed messages: American correspondences in visual and verbal practices. Manchester University Press, Manchester, pp. 67-84. ISBN 9781784991500

Pawlik, Joanna (2017) Locating transnationalism: circle magazine and California modernism in the 1940s. In: Stubbs, Tara and Haynes, Doug (eds.) Navigating the transnational in modern American literature and culture. Routledge Transnational Perspectives on American Literature . Routledge, London, pp. 162-184. ISBN 9781138903890

Pawlik, Joanna (2018) Re-membering surrealism in Charles Henri Ford’s Poem posters (1964–5). Art History, 41 (1). pp. 154-191. ISSN 0141-6790

Price, Jason (2019) Georges Rouault’s (Un)popular clown paintings. Early Popular Visual Culture, 16 (3). pp. 254-266. ISSN 1746-0654

Price, Jason (2015) The popular and the avant-garde: performance, incorporation and resistance. In: University of Central Lancashire Theatre and Performance Conference, 19-20 June 2015, Preston, UK.

R

Rees, Deborah Jane (2021) Narratives of isolation: space, place, and the solitary girl child in late nineteenth-century art and literature. Doctoral thesis (PhD), University of Sussex.

S

Sakoda, Maho (2016) George Eliot and Pre-Raphaelitism: literature, painting, sculpture and photography. Doctoral thesis (PhD), University of Sussex.

Stevens, Bethan Kathleen (2012) Lost works of art: a critical and creative study of reception and restitution. Doctoral thesis (PhD), University of Sussex.

T

Tsouti-Schillinger, Assimina Nena (2011) Thematics in the art of Robert Morris. Doctoral thesis (DPhil), University of Sussex.

V

Ventrella, Francesco (2015) Carla Lonzi e la disfatta della critica d’arte: registrazione, scrittura e risonanza. Studi Culturali, 12 (1). pp. 83-100. ISSN 1824-369X

Ventrella, Francesco (2010) L’iscrizione del gesto nel visibile. Note sulla coreografia della storia. In: De Cecco, Emanuela (ed.) Arte-mondo: storia dell'arte, storie dell'arte. Postmedia, Milan, pp. 140-157. ISBN 9788874900527

W

Wee, Cecilia Liang May (2012) Rationales of documentation in British Live Art since the 1990s: the pragmatic, memorial and holistic. Doctoral thesis (DPhil), University of Sussex.