C

Clarke, Meaghan (2015) The art press at the fin de siècle: women, collecting, and connoisseurship. Visual Resources, 31 (1-2). pp. 15-30. ISSN 0197-3762

G

Grant, Alistair (2022) From Alexandria to Hyde, via Bovillæ and Rome, London and Birmingham: a biography of an electrotype of The Apotheosis of Homer. The Journal of the Antique Metalware Society, 26. pp. 42-61. ISSN 1359-124X

Grant, Alistair (2021) A arte da eletrometalurgia: «Uma multitude de objetos simulados e substitutos perfeitos». In: Sousa, Ana and das Neves Afonso, André (eds.) «Tão Uteis Como Os Originaes» A Coleção de Galvanoplastias do MNAA. Museu Nacional de Arte Antiga, Lisboa, pp. 30-53. ISBN 9789729258435

Grant, Alistair and Patterson, Angus (2018) The museum and the factory: the V&A, Elkington and the electrical revolution. V&A 19th-Century Series, 2 . Lund Humphries, London. ISBN 9781848222915

H

Hitchmough, Wendy (2020) The Bloomsbury look. Yale University Press, London. ISBN 9780300244113

L

Loske, Alexandra (2019) The female influence on George IV's taste and collecting habits. In: Heard, Kate and Jones, Kathryn (eds.) George IV: Art & Spectacle. Royal Collection Trust, London, pp. 152-159. ISBN 9781900741607

M

Mellor, David (2014) Second World War. In: Stephens, Chris and Stonard, John-Paul (eds.) Kenneth Clark: Looking for Civilisation. Tate Publishing, London, UK. ISBN 9781849762601

T

Tilles, Rebecca (2019) George and Florence Blumenthal: a collecting partnership in The gilded cage, 1858-1941. Doctoral thesis (PhD), University of Sussex.