A

Anderson, Tracy (2013) The lives and afterlives of Charlotte, Lady Canning (1817–1861): gender, commemoration, and narratives of loss. South Asian Studies, 29 (1). pp. 31-49. ISSN 0266-6030

Archive of Modern Conflict, (2015) A guide for the protection of the public in peacetime: not for the general public. Archive of Modern Conflict, London.

B

Behrendt, Frauke (2010) Mobile sound: media art in hybrid spaces. Doctoral thesis (DPhil), University of Sussex.

Burbridge, Ben (2015) Paradise lost: exhibitionism and the work of Nan Goldin. Either/And.

Burbridge, Benedict (2014) Disobedient objects. V&A Magazine (34). pp. 44-55. ISSN 9771465829024

Butt, Gavin, Heathfield, Adrian and Keidan, Lois (2013) Performance matters archive. Live Art Development Agency, London.

Butt, Gavin, Heathfield, Adrian and Keidan, Lois (2014) Performance matters: Gavin Butt, Lois Keidan and Adrian Heathfield in conversation. Contemporary Theatre Review, 24 (1). pp. 102-114. ISSN 1048-6801

Butt, Gavin and Rogoff, Irit (2013) Visual cultures as seriousness. Visual cultures as . Sternberg Press, Berlin. ISBN 9783943365399

C

Callaghan, Joanna (2012) DO NOT READ THIS. [Video]

Callaghan, Joanna (2014) Love in the post: from Plato to Derrida. [Video]

Callaghan, Joanna and McQuillan, Martin (2014) Love in the post: from Plato to Derrida: the screenplay and commentary. Rowman and Littlefield International, London. ISBN 9781783480050

Cieplak, Piotr (2018) History, trauma and remembering in Kivu Ruhorahoza’s Grey Matter (2011). Journal of African Cultural Studies, 30 (2). pp. 163-177. ISSN 1369-6815

Clarke, Meaghan (2012) Sex and the city: the metropolitan new woman. In: Bonett, Helena, Holt, Ysanne and Mundy, Jennifer (eds.) The Camden Town Group in context. The Tate.

Clarke, Meaghan (2015) The art press at the fin de siècle: women, collecting, and connoisseurship. Visual Resources, 31 (1-2). pp. 15-30. ISSN 0197-3762

D

De Mille, Charlotte (2013) Art history, immanently. In: De Mille, Charlotte and Mullarkey, John (eds.) Bergson and the art of immanence. Edinburgh University Press. ISBN 9780748670222

De Mille, Charlotte (2012) Death in Venice: a gothic opera? In: Cleaver, Laura and Lepine, Ayla (eds.) Gothic and is legacies: four centuries of tradition and innovation in art and architecture. Cambridge Scholars Publishing, pp. 94-114. ISBN 9781443837408

Devereaux, Emile (2015) From LEGIT to LawDigital. In: UnBox PopUp, 25 June 2015, Institute for Contemporary Arts, London.

Devereaux, Emile (2013) LEGIT: media for open governance at the Southbank Centre. [Show/Exhibition]

Doubt, Emma (2016) Portraits against amnesia: archival recuperation in the work of Hulleah J. Tsinhnahjinnie. World Art, 6 (1). pp. 19-44. ISSN 2150-0894

E

Eade, Jane (2010) The sacred and the profane: sight and spiritual vision in the arts of the Baroque 1650-1700. Doctoral thesis (DPhil), University of Sussex.

F

Friend, Melanie (2013) The Home Front [Impressions Gallery, Bradford]. [Show/Exhibition]

H

Highmore, Ben (2021) 'Making a scene' [Review] Thomas Crow (2020) The Hidden Mod in Modern Art: London: 1957–1969 – Searching for the Young Soul Rebels. Lisa Tickner (2020) London’s New Scene: Art and Culture in the 1960s. Oxford Art Journal, 44 (1). pp. 164-169. ISSN 0142-6540

Hughes, Ed and Zuza, Aitor Antepara (2007) Battleship Potemkin: a contemporary score. [Video]

K

Kim, Jeongsuk (2013) Literature, visual culture and domestic spheres, 1799-1870. Doctoral thesis (PhD), University of Sussex.

Krutnik, Frank (2017) “An Autopsy on Capitalism” (38 min. video lecture), “Down and Down” (9 min. video essay) and “The Telephone is a Dangerous Object” (10.30 min. video essay), Force of Evil blu-ray. [Video]

Krutnik, Frank (2015) "The Fruits of Labour" (33 min. video lecture), "The Homecoming" (12 mins video essay), "Delicious Gold" (8 min. video essay) and "Rica" (11 min. video essay), Thieves Highway: A Film by Jules Dassin. [Video]

Krutnik, Frank (2016) Gene Wilder’s genius was in portraying the deluded straight man. The Conversation. ISSN 2201-5639

Krutnik, Frank (2019) [Review] Jans B. Wager (2017) Jazz and cocktails: rethinking race and the sound of film noir. Film Studies, 20 (1). pp. 54-56. ISSN 1469-0314

Krutnik, Frank (2016) “Small Boy, Tough Guy” (29 min. video lecture), "Selected Scene Analysis" (9 min. video essay), The Blue Dahlia blu ray. [Video]

Krutnik, Frank and Loock, Kathleen (2018) Exploring film seriality: an introduction. Film Studies, 17 (1). pp. 1-15. ISSN 1469-0314

L

Lebow, Alisa (2008) Worldwide wigs: Kutlug Ataman and the global art documentary. Arab Studies Journal, XV-XVI (2-1). pp. 57-82. ISSN 1083-4753

Loske, Alexandra (2010) Mary Gartside: A female colour theorist in Georgian England. Journal of Art History and Museum Studies, 14. pp. 17-30. ISSN 2041-1987

Loske, Alexandra (2014) Picking from the rainbow: on editing languages of colour. In: Zank, Aprilia (ed.) Poets in person: at the Glassblower. Indigo Dreams Publishing, London, pp. 71-79. ISBN 9781909357419

Loske, Alexandra (2014) [Review] Carol Mavor (2013) Blue mythologies: reflections on a colour / John Harvey (2013) The story of black. Visual Studies, 29 (2). pp. 217-220. ISSN 1472-586X

Loske, Alexandra and Massey, Robert (2018) Moon: Art, Science, Culture. Octopus, London. ISBN 9781781575710

M

Magnusson, Thor (2000) Video in transit. NU: the Nordic art review, 2 (5). ISSN 1404-207X

Mellor, David (2014) Second World War. In: Stephens, Chris and Stonard, John-Paul (eds.) Kenneth Clark: Looking for Civilisation. Tate Publishing, London, UK. ISBN 9781849762601

Mellor, David (2015) Viewing Airstrip One: Anglo-American exchanges in wartime. In: 'In the same boat': the Anglo-American visual imagination in wartime, 1941-45, 8-9 May 2016, Mellon Centre, Yale, New Haven, USA.

Mellor, David (2015) Warfare/welfare and the coasts of Britain. In: Lauson, Cliff and Rugoff, Ralph (eds.) History is Now: 7 Artists Take on Britain. Hayward Publishing, UK, pp. 40-44. ISBN 9781853323270

Morris, Michael (2020) Real likenesses: representation in paintings, photographs, and novels. Oxford University Press, Oxford. ISBN 9780198861751

N

Nasrawy, May (2021) “Living on the margins” Understanding wellbeing through the everyday lived experiences of young Arabs/Palestinians in Jerusalem: an exploration of the role of extracurricular art activities in supporting wellbeing. Doctoral thesis (PhD), University of Sussex.

O

O'Connell, Micheal (2020) Interview with Motion Sickness. Phoenix Art Space, Brighton, East Sussex, UK.

O'Connell, Micheal (2017) Navigating 2017. [Show/Exhibition]

O'Connell, Micheal (2015) Poetic misuse of technology, functional systems and the contemporary supply chain. Published in: Bentkowska-Kafel, A, (ed.) Proceedings of the 30th Conference of Computers and the History of Art (CHArt); King’s College London; 17 October 2015. CHArt ISSN 1473-2157

O'Connell, Micheál (2020) Artists are only a law unto themselves. In: Finchett-Maddock, Lucy and Lekakis, Eleftheria (eds.) Art, law, power: perspectives on legality and resistance in contemporary aesthetics. Counterpress Limited, Oxford, pp. 16-33. ISBN 9781910761076

O'Riordan, Kate (2008) Human cloning in film: horror, ambivalence, hope. Science as Culture, 17 (2). pp. 145-162. ISSN 0950-5431

P

Pawlik, Joanna (2018) Re-membering surrealism in Charles Henri Ford’s Poem posters (1964–5). Art History, 41 (1). pp. 154-191. ISSN 0141-6790

Pawlik, Joanna (2011) Ted Joans' surrealist history lesson. International Journal of Francophone Studies, 14 (1-2). pp. 221-239. ISSN 1368-2679

Price, Jason (2017) Strangers to happiness: the depiction of clowns in the work of Georges Rouault. In: International Federation for Theatre Research Annual Conference, 10-14 July 2017, Sao Paulo, Brazil, 10-14 July 2017, Sao Paulo, Brazil.

Q

Quilley, Geoff (2020) British art and the East India Company. The Worlds of the East India Company . Boydell and Brewer, Woodbridge, Suffolk. ISBN 9781783275106

Quilley, Geoff (2016) Siting the circum-Atlantic: Nelson in a bottle in Trafalgar Square. In: Bernier, Celeste-Marie and Durkin, Hannah (eds.) Visualising slavery: art across the African Diaspora. Liverpool Studies in International Slavery (9). Liverpool University Press, Liverpool, pp. 155-167. ISBN 9781781382677

Quilley, Geoffrey (2014) Art history and double consciousness: visual culture and eighteenth-century maritime Britain. Eighteenth-Century Studies, 48 (1). pp. 21-35. ISSN 0013-2586

Quilley, Geoffrey (2019) Empire and tourism in British India c.1780-1825: the artistic travels of William Hodges and Charles Ramus Forrest. In: Castro, Maria Joao (ed.) Empire and tourism.: an anthology of essays. ArTravel . Centro de Humanidades, Universidade Nova de Lisboa, Lisbon, pp. 125-140. ISBN 9789899971929

Quilley, Geoffrey (2014) Introduction: mapping the art of travel and exploration. Journal of Historical Geography, 43. pp. 2-8. ISSN 0305-7488

Quilley, Geoffrey (2018) Piadas de negro: Escravidão e imprensa Satírica. In: Histórias da escravidão [Histories of Slavery], 28-29 October 2016, Museu de Arte de São Paolo.

Quilley, Geoffrey (2016) Placing the sea in eighteenth-century British art. In: Spreading Canvas: Eighteenth-Century British Marine Painting. Yale University Press, New Haven CT. ISBN 9780300221572

Quilley, Geoffrey (2016) Reenacting Cook’s Voyages in Nineteenth-Century Visual Culture. SEL Studies in English Literature, 56 (4). pp. 845-869. ISSN 0039-3657

R

Reid, Katie and Graham, James (2017) Introduction to the symposium: Ivan Vladislavić, writing visual culture, and the globalization of a South African 'artworld'. Journal of Commonwealth Literature, 52 (1). pp. 3-10. ISSN 0021-9894

S

Searle, Rebecca K (2011) Art, propaganda and the experience of aerial warfare in Britain during the Second World War. Doctoral thesis (DPhil), University of Sussex.

T

Thynne, Lizzie (2018) Memory, subjectivity and maternal histories in Un'Ora Sola Ti Vorrei (2005), Histoire d'un Secret (2003) and On the Border (2012). In: Arnolde-De Simine, Silke and Leal, Joanne (eds.) Picturing the family: media, narrative, memory. Routledge, London, UK, pp. 41-65. ISBN 9781474283601

Tsouti-Schillinger, Assimina Nena (2011) Thematics in the art of Robert Morris. Doctoral thesis (DPhil), University of Sussex.

V

Ventrella, Francesco (2016) Disowning culture: double notes on Carla Lonzi and Angela Marzullo. In: Marzullo, Angela (ed.) Homeschooling. Nero, Rome, pp. 8-11. ISBN 9788897503866

Ventrella, Francesco (2010) L’iscrizione del gesto nel visibile. Note sulla coreografia della storia. In: De Cecco, Emanuela (ed.) Arte-mondo: storia dell'arte, storie dell'arte. Postmedia, Milan, pp. 140-157. ISBN 9788874900527

Ventrella, Francesco (2019) Writing under pressure: Maud Cruttwell and the old master monograph. 19: Interdisciplinary Studies in the Long Nineteenth Century (28). pp. 1-27. ISSN 1755-1560

Ventrella, Francesco (2012) The health and safety of the fine arts: austerity, politeness, and litigation culture. Journal of European Popular Culture, 3 (1). pp. 61-76. ISSN ISSN-20406134

W

Withers, D-M (2019) Wounding poppies: hyper-commemoration and aesthetic interventions. Critical Military Studies. ISSN 2333-7486

Wolf, Hope (2015) [Review] Hope Wolf (July 2015) Remembering the First World War. Women: A Cultural Review, 26 (1-2). pp. 159-162. ISSN 0957-4042

Wolf, Hope (2017) The making of Sussex Modernism. In: [Catalogue] Sussex Modernism: retreat and rebellion. Two Temple Place, London, 08-55. ISBN 9780957062863

Wolf, Hope, with the De La Warr Pavilion, and Camden Arts Centre, (2018) A tale of mother's bones: Grace Pailthorpe, Reuben Mednikoff, and the birth of psychorealism. [Show/Exhibition]

Wood, Marcus (2014) Brazilian and North American slavery propagandas: some thoughts on difference. In: Castronovo, Russ and Auerbach, Jonathan (eds.) The Oxford Handbook to Propaganda Studies. Oxford University Press Handbooks . Oxford University Press, New York and London, pp. 28-49. ISBN 9780199764419

Wood, Marcus (2014) Slavery and the Romantic sketch: Jean Baptiste Debret’s visual poetics of trauma. Journal of Historical Geography, 43. pp. 39-48. ISSN 0305-7488

Woolford, Kirk and Guedes, Carlos (2008) Echo locations. In: SIGGRAPH '08 ACM SIGGRAPH 2008 talks. ACM, New York. ISBN 9781605583433

Ö

Özpinar, Ceren (2016) Turkiye'de sanat tarihi yazimi. Tarih Vakfi Yurt Yayinlari.