A

Alessandrini Szorenyi, Caterina (2017) Critical analysis of the concept of art in contemporary art texts. Masters thesis (MPhil), University of Sussex.

B

Berry, D M, Dieter, M, Gottlieb, B and Voropai, L (2013) Imaginary museums, computationality & the new aesthetic. In: BWPWAP. Transmediale, Berlin.

Berry, David M, van Dartel, Michel, Dieter, Michael, Kasprzak, Michelle, Muller, Nat, O’Reilly, Rachel and de Vicente, José Luis (2012) New aesthetic, new anxieties. V2 Press, Amsterdam. ISBN 9789080179301

Burbridge, Ben (2018) Knowing me, knowing you. Foam (49). pp. 180-190. ISSN 1570-4874

Burbridge, Ben and Luvera, Anthony (2019) What we don’t talk about when we talk about photography and participation. Photography and Culture, 12 (3). pp. 351-364. ISSN 1751-4517

Butt, Gavin (2014) Welcome to the TV party. In: Burton, Johanna and Ellegood, Anne (eds.) Take it or leave it: institution, image, ideology. Hammer Museum/Delmonico Books-Prestel, Los Angeles, pp. 216-221. ISBN 9783791353425

Butt, Gavin and Rogoff, Irit (2013) Visual cultures as seriousness. Visual cultures as . Sternberg Press, Berlin. ISBN 9783943365399

C

Callaghan, Joanna (2008) A mind's eye. [Video]

D

Devereaux, Emile (2011) Accessing the otherworld through pervasive media. In: Rewire 2011: the Fourth International Conference on the Histories of Media Art, Science and Technology, 28th-30th September 2011, Liverpool John Moores University, Liverpool.

Devereaux, Emile (2015) Media tactics and situated embodiment. In: Third International Seminar: Gender, Sexuality, and Media, "From Personal to Political", 6 November 2015, Universidade Estadual Paulista, Bauru, Brazil.

Devereaux, Emile (2013) Testing vision: transforming bodies and the 'test site'. In: Trans - what? across and beyond (artistic) research Symposium, Sunday 28 July 2013, Berlin, Germany.

Devereaux, Emile (2018) The uncanny and the Loving AI project. In: Transmediale 2018, [Panel] Hard Feelings: A Conversation on Computation and Affect, 3 February 2018, Haus der Kulturen der Welt, Berlin.

Doubt, Emma (2016) Portraits against amnesia: archival recuperation in the work of Hulleah J. Tsinhnahjinnie. World Art, 6 (1). pp. 19-44. ISSN 2150-0894

F

Fazi, M Beatrice (2016) [Review] David M. Berry and Michael Dieter (eds) (2015) Postdigital aesthetics: art, computation and design. Theory, Culture and Society. ISSN 0263-2764

Fazi, M Beatrice and Fuller, Matthew (2016) Computational aesthetics. In: Paul, Christiane (ed.) A companion to digital art. Wiley Blackwell, Hoboken, NJ, pp. 281-296. ISBN 9781118475201

G

Grant, Alistair (2021) A arte da eletrometalurgia: «Uma multitude de objetos simulados e substitutos perfeitos». In: Sousa, Ana and das Neves Afonso, André (eds.) «Tão Uteis Como Os Originaes» A Coleção de Galvanoplastias do MNAA. Museu Nacional de Arte Antiga, Lisboa, pp. 30-53. ISBN 9789729258435

Grant, Catherine (2014) Becoming “Arturo Ripstein”? On collaboration and the “author function” in the transnational film adaptation of El lugar sin límites. Mediático [weblog article, 27 January 2014].

Grant, Catherine (2012) Film and moving image studies: re-born digital? Some participant observations. Frames, 1 (1).

Grant, Catherine (2013) Notes on mirror visions in 'Modesty Blaise'. La Furia Umana (17). ISSN 2255-2812

Grant, Catherine (2014) The shudder of a cinephiliac idea? Videographic film studies practice as material thinking. ANIKI: Portuguese Journal of the Moving Image, 1 (1). pp. 49-62. ISSN 2183-1750

Grant, Catherine and Keathley, Christian (2014) The use of an illusion: childhood cinephilia, object relations, and videographic film studies. Photogénie. ISSN 2295-5461

H

Haynes, Douglas (2015) Absent mindedness about grapes: surrealism and contemporary art. Garage, 15.

Hitchmough, Wendy (2020) The Bloomsbury look. Yale University Press, London. ISBN 9780300244113

J

Jordan, Hannah (2021) Between fact and imagination: tableaux vivants in nineteenth-century Britain. Doctoral thesis (PhD), University of Sussex.

K

Kaur, Raminder and Dave-Mukherji, Parul (2014) Arts and aesthetics in a globalising world. ASA Monographs, 51 . Bloomsbury, London. ISBN 9781472519306

Krutnik, Frank and Loock, Kathleen (2018) Exploring film seriality: an introduction. Film Studies, 17 (1). pp. 1-15. ISSN 1469-0314

L

Loske, Alexandra (2012) Enlightened Romanticism: Mary Gartside’s colour theory in the age of Moses Harris, Goethe and George Field. In: Progress in Colour Studies Conference 2012, 10-13th July, University of Glasgow.

Loske, Alexandra (2016) La théorie des couleurs à l'époque de Turner [Colour theory in Turner’s time]. In: Turner et la couleur. Hazan, Paris, pp. 44-49. ISBN 9782754109413

Loske, Alexandra (2019) Tate: colour: a visual history. Octopus Publishing Group Ltd, London. ISBN 9781781573990

M

Mroz, Matilda (2017) Film in full gallop: aesthetics and the equine in Poland’s epic cinema. In: Ostrowska, Dorota, Pitasso, Francesco and Varga, Zsuzsanna (eds.) Popular cinemas in East Central Europe: film cultures and histories. I B Tauris, pp. 173-183.

Mroz, Matilda (2016) Framing loss and figuring grief in Pawel Pawlikowski’s Ida. Screening the Past (41). pp. 1-13. ISSN 1328-9756

O

O'Connell, Micheal (2014) ABCEUM, which included work Mailroom, at Brighton Photo Biennial. [Show/Exhibition]

O'Connell, Micheal (2012) Boundary Work II: creative practice between art and science. [Show/Exhibition]

O'Connell, Micheal (2011) Contra-Invention, in group show From Here On, at Les Rencontres Internationales de la Photographie d'Arles. [Show/Exhibition]

O'Connell, Micheal (2013) Contra-invention, in group show From Here On, at Arts Santa Mónica, Barcelona. [Show/Exhibition]

O'Connell, Micheal (2016) Delivering a Paper (and other works) at #LowTechLabLondon2016. [Show/Exhibition]

O'Connell, Micheal (2021) Digital Stalinism. In: Borlenghi, Patricia (ed.) Now This - Reflections on our Arts and Cultures. Patrician Press, Manningtree, Essex, pp. 52-61. ISBN 9781838059804

O'Connell, Micheal (2020) Interview with Motion Sickness. Phoenix Art Space, Brighton, East Sussex, UK.

O'Connell, Micheál (2020) Artists are only a law unto themselves. In: Finchett-Maddock, Lucy and Lekakis, Eleftheria (eds.) Art, law, power: perspectives on legality and resistance in contemporary aesthetics. Counterpress Limited, Oxford, pp. 16-33. ISBN 9781910761076

O'Connell, Micheál (2008) Feed Lack Loop, at Lighthouse and in Second Life. [Show/Exhibition]

O'Connell, Micheál (2006) Rearing, at Whitechapel Gallery. [Show/Exhibition]

P

Pawlik, Joanna (2015) 'The comic book conditions of Chicago surrealism'. In: Parkinson, Gavin (ed.) Surrealism, Science Fiction and Comics. Liverpool University Press, Liverpool. ISBN 9781781381434

R

Rycroft, Simon (2016) John Latham’s cosmos and mid-century representation. Visual Culture in Britain, 17 (1). pp. 99-119. ISSN 1471-4787

S

Schibille, Nadine (2013) Light as an aesthetic constituent in the architecture of Hagia Sophia in Constantinople. In: Mondini, D. and Ivanovici, V (eds.) Manipulating light in premodern times / Manipolare la luce in epoca premoderna. ISA, Istituto di storia e teoria dell'arte e dell'architettura / Accademia di architettura, Università della Svizzera Italiana . Mendrisio Academy Press / SilvanaEditoriale Cinisello Balsamo, Milano. ISBN 9788836627219

Stevens, Bethan (2014) Spekphrasis: writing about lost works of art. Critical Quarterly, 55 (4). pp. 54-64. ISSN 0011-1562

Stevens, Bethan (2012) The Virgil woodcuts out of scale: Blake’s gigantic, masculine pastoral. In: Bruder, Helen P and Connolly, Tristanne J (eds.) Blake, Gender, Culture. The Body, Gender and Culture, 10 . Pickering and Chatto, London, pp. 145-164. ISBN 9781848933040

Stock, Kathleen (2012) Pornography and imagining about oneself. In: Maes, Hans and Levinson, Jerrold (eds.) Art and pornography: philosophical essays. Oxford University Press, Oxford, pp. 116-136. ISBN 9780199609581

Sutherland, Keston (2013) Disimpaction degree zero. In: Gygax, Raphael and Munder, Heike (eds.) Apologies : Stephen G. Rhodes. Migros Museum für Gegenwartskunst : JRP Ringier, Zurich, pp. 31-43. ISBN 9783037643150

Sutherland, Zoë Dominique (2013) A phenomenology of conceptual art. Doctoral thesis (PhD), University of Sussex.

V

Ventrella, Francesco (2015) Art and aesthetics. In: Whatmore, Richard and Young, Brian (eds.) A companion to intellectual history. Wiley Blackwell, Oxford, pp. 358-376. ISBN 9781118294802

Ventrella, Francesco (2015) Carla Lonzi e la disfatta della critica d’arte: registrazione, scrittura e risonanza. Studi Culturali, 12 (1). pp. 83-100. ISSN 1824-369X

Ventrella, Francesco (2012) Den Körper der Schwere choreographieren/Choreographing the body of weight. In: Schmidt, Eva and Rüttinger, Ines (eds.) Lieber Aby Warburg, Was tun mit Bildern? Vom Umgang mit fotografischen Material. Museum für Gegenwartskunst Siegen/Keherer Verlag, Berlin, pp. 77-87. ISBN 3868283676

Ventrella, Francesco (2016) Disowning culture: double notes on Carla Lonzi and Angela Marzullo. In: Marzullo, Angela (ed.) Homeschooling. Nero, Rome, pp. 8-11. ISBN 9788897503866

Ventrella, Francesco (2019) Encountering the Niobe’s Children: Vernon Lee’s queer formalism and the empathy of sculpture. In: Funke, Jana and Grove, Jen (eds.) Sculpture, sexuality and history: encounters in literature, culture and the arts from the Eighteenth Century to the present. Genders and Sexualities in History . Palgrave MacMillan, Cham, pp. 195-219. ISBN 9783319958392

Ventrella, Francesco (2018) Feminine inscriptions in the morellian method: Constance Jocelyn Ffoulkes and the translation of connoisseurship. In: Costa, Maria Teresa and Hönes, Hans-Christian (eds.) Migrating histories of art: self-translations of a discipline. Studien aus dem Warburg-Haus, 19 . De Gruyter, pp. 37-58. ISBN 9783110491258

Ventrella, Francesco (2016) Gesturing politics: affective pedagogies and the ethics of enthusiasm. In: Marinella Senatore: The School of Narrative Dance. Nero/MAXXI, Rome, pp. 23-55. ISBN 9788897503699

Ventrella, Francesco (2010) L’iscrizione del gesto nel visibile. Note sulla coreografia della storia. In: De Cecco, Emanuela (ed.) Arte-mondo: storia dell'arte, storie dell'arte. Postmedia, Milan, pp. 140-157. ISBN 9788874900527

Ventrella, Francesco (2016) [Review] Seeing and reading modernist art historiography. Art History, 39 (1). pp. 160-166. ISSN 0141-6790

Ventrella, Francesco (2015) Visual turn. In: Wright, James (ed.) International encyclopedia of the social & behavioral sciences, second edition. Elsevier, Oxford, pp. 207-213. ISBN 9780080970868

Ventrella, Francesco (2019) Writing under pressure: Maud Cruttwell and the old master monograph. 19: Interdisciplinary Studies in the Long Nineteenth Century (28). pp. 1-27. ISSN 1755-1560

Ventrella, Francesco (2018) The deliverance of language. In: Spong, Sriwhana (ed.) H. Govett-Brewster Art Gallery, New Plymouth, pp. 35-43. ISBN 9780908848980

W

Wee, Cecilia Liang May (2012) Rationales of documentation in British Live Art since the 1990s: the pragmatic, memorial and holistic. Doctoral thesis (DPhil), University of Sussex.

Wheeler, Bella (2018) Non-prescribed spaces, creativity and narrative formation: a systems-based examination of a community art group exploring food poverty. Ethnography and Education, 13 (3). pp. 359-376. ISSN 1745-7823

Woolford, Kirk (2013) New photography: a perverse confusion between the live and the real. Leonardo Electronic Almanac, 19 (3). pp. 88-107. ISSN 1071-4391

Ö

Özpinar, Ceren (2016) Turkiye'de sanat tarihi yazimi. Tarih Vakfi Yurt Yayinlari.