A

Abberley, Will, Zuroski, Emma, Timpano, Nathan, Stone, Robert, Miranda, Kyrie, Granata, Silvia, Barron, Michelle, Gaudiosi, Massimilano, Cohen, Margaret, Castellanos, Michaela and Bushnell, Kelly (2018) Underwater worlds: submerged visions in science and culture. Cambridge Scholars Publishing. ISBN 9781527513938

B

Bailes, Sara Jane (2015) Negative space. [Show/Exhibition]

Bright, Danny (2017) Conjuring the sonic ghosts of industrial and post-industrial spaces. In: Heaney, Gwen (ed.) The post-industrial landscape as site for creative practice: material memory. Cambridge Scholars Publishing, Newcastle-upon-Tyne, UK, pp. 45-52. ISBN 9781443899376

Burbridge, Ben (2019) Scientific photography and the modern art museum. In: Heiferman, Marvin (ed.) Seeing Science: How Photography Reveals the Universe. Aperture, New York, pp. 14-20. ISBN 9781597114479

Burbridge, Ben (2014) Ultras. In: Close, Ronnie (ed.) Ultras. QUAD Arts, Derby, pp. 1-3.

Butt, Gavin (2014) Welcome to the TV party. In: Burton, Johanna and Ellegood, Anne (eds.) Take it or leave it: institution, image, ideology. Hammer Museum/Delmonico Books-Prestel, Los Angeles, pp. 216-221. ISBN 9783791353425

Butt, Gavin and Rogoff, Irit (2013) Visual cultures as seriousness. Visual cultures as . Sternberg Press, Berlin. ISBN 9783943365399

C

Chevalier, Cecile (2014) Perceptual simulations in painting with code. In: Live Coding And The Body Symposium, 4-6 July 2014, Creativity Zone, University of Sussex.

Chevalier, Cecile (2020) Wonder bodies, computational prosthesis, and automated creativity: what is expressing who? In: Communication and Cultural Studies Association Conference (MeCCSA), 8-10 January 2020, Brighton, UK.

Chevalier, Cecile (2014) iRemembr: materialising memories. In: Things to Remember: Materializing Memories in Art and Culture, 5-6 June 2014, Nijmegen, The Netherlands.

Chevalier, Cecile and Duff, Andrew (2016) 200.104.200.2 (sound art installation & instrument). [Artefact]

Chevalier, Cecile and Duff, Andrew (2015) 200.104.200.2 Installation art. In: DRHA || Digital Research in the Humanities and Arts, 10-13 September 2015, Dublin, Ireland.

Chevalier, Cecile and Duff, Andrew (2017) 200.104.200.2 installation art @DesInc. [Show/Exhibition]

Chevalier, Cecile and Duff, Andrew (2017) 200.104.200.2 installation art @NIME. [Show/Exhibition]

Chevalier, Cecile and Duff, Andrew (2016) 200.104.200.2 installation art @Sussex Humanities Lab. [Show/Exhibition]

Chevalier, Cecile and Kiefer, Chris (2018) Listening Mirrors 1.0 (sound art installation & instrument). [Artefact]

Chevalier, Cecile and Kiefer, Chris (2018) Towards new modes of collective musical expression through audio augmented reality. New Interfaces for Musical Expression, Virginia Tech, Virginia, USA, June 3 - 6, 2018. Published in: Proceedings of the International Conference on New Interfaces for Musical Expression. Association for Computing Machinery ISSN 2220-4806

Chevalier, Cecile and Kiefer, Chris (2020) What does augmented reality mean as a medium of expression for computational artists? Leonardo, 53 (3). pp. 263-267. ISSN 0024-094X

Chevalier, Cécile (2012) Rendezvous: a collaboration between art, research and communities. In: Biggs, Simon (ed.) Remediating the social. Electronic Literature as a Model for Creativity and Innovation in Practice, University of Bergen, Department of Linguistic, Literary and Aesthetic Studies PO Box 7805, 5020 Bergen, Norway, pp. 116-121. ISBN 9788299908900

Chinnery, Joshua (2014) Giuseppe Castiglione and emperor YongZheng hunting a tiger in painting. In: Wu, Weishan (ed.) Research of Chinese Fine Arts. Southeast University Press. ISBN 9787564150761

D

De Jong, Wilma (2014) The light and the air: paintings by Tom Benjamin. [Video]

De Mille, Charlotte (2012) Death in Venice: a gothic opera? In: Cleaver, Laura and Lepine, Ayla (eds.) Gothic and is legacies: four centuries of tradition and innovation in art and architecture. Cambridge Scholars Publishing, pp. 94-114. ISBN 9781443837408

Devereaux, Emile (2013) To whom it may concern: Nam June Paik's wobbulator and playful identity. Leonardo Electronic Almanac, 19 (5). pp. 22-35. ISSN 1071-4391

Doubt, Emma (2018) Portraiture, material culture and photography in the Cherokee Nation's "first family", 1843-1907. Doctoral thesis (PhD), University of Sussex.

F

Ficarra, Evelyn (2020) Sounding time: explorations of audio time-lapse and temporal layering in interdisciplinary collaboration. Leonardo Music Journal, 30. pp. 18-25. ISSN 0961-1215

Fotopoulou, Aristea and O'Riordan, Kate (2014) Queer feminist media praxis: an introduction. Ada: A Journal of Gender, New Media, and Technology,, 5. ISSN 2325-0496

G

Grant, Alistair (2016) Electrotype replicas. In: Prettlejohn, Elizabeth and Trippi, Peter (eds.) Lawrence Alma-Tadema: at home in antiquity. Prestel Verlag, Munich, pp. 114-115. ISBN 978379135528

Grant, Alistair (2014) Elkington & Co. and the rapture of travel, 1841-1961. The Journal of the Antique Metalware Society, 22. pp. 2-31. ISSN 1359-124X

Grant, Alistair (2022) From Alexandria to Hyde, via Bovillæ and Rome, London and Birmingham: a biography of an electrotype of The Apotheosis of Homer. The Journal of the Antique Metalware Society, 26. pp. 42-61. ISSN 1359-124X

H

Healy, Margaret (1997) Bronzino's London 'Allegory' and the art of syphilis. Oxford Art Journal, 20 (1). pp. 3-11. ISSN 0142-6540

Highmore, Ben (2013) Brutalist wallpaper and the independent group. Journal of Visual Culture, 12 (2). pp. 205-221. ISSN 1470-4129

Highmore, Ben (2018) Everything is evidence. In: Nimmerfall, Karina (ed.) Indirect Interviews with Women. Edition Camera Austria, Graz, Vienna, pp. 151-156. ISBN 9783902911438

Hitchmough, Wendy (2005) Arts and crafts gardens. V&A Publications, London. ISBN 9781851774487

Hitchmough, Wendy (1994) The homestead. Phaidon Press, London. ISBN 9780714831534

Hopkins, Tim (2019) The tapestry project 2019 - Britain narrates itself. [Show/Exhibition]

J

James, Liz (2017) Matters of materiality in Byzantium: the Archangel Gabriel in Hagia Sophia, Constantinople. Konsthistorisk tidskrift/Journal of Art History, 86 (3). pp. 145-157. ISSN 0023-3609

James, Liz (2013) "The world turned upside down": art and subversion in Byzantium. In: Angelov, Dimiter and Saxby, Michael (eds.) Power and subversion in Byzantium: papers from the 43rd Spring Symposium of Byzantine Studies, Birmingham, March 2010. Publications of the Society for the Promotion of Byzantine Studies (17). Ashgate, UK, pp. 105-120. ISBN 9781472412287

James, Liz, Leigh, G J and Schibille, Nadine (2013) Gold glass tesserae said to be from the Roman villa site at Southwick, West Sussex. The Antiquaries Journal, 93. pp. 93-107. ISSN 1758-5309

K

Krutnik, Frank (2019) [Review] Jans B. Wager (2017) Jazz and cocktails: rethinking race and the sound of film noir. Film Studies, 20 (1). pp. 54-56. ISSN 1469-0314

L

Lebeau, Vicky (2014) Mirror images: D W Winnicott in the visual field. In: Piotrowska, Agnieszka (ed.) Embodied encounters: new approaches to psychoanalysis and cinema. Taylor and Francis, London. ISBN 9781138795259

Lebow, Alisa (2008) Worldwide wigs: Kutlug Ataman and the global art documentary. Arab Studies Journal, XV-XVI (2-1). pp. 57-82. ISSN 1083-4753

Lecznar, Matthew (2018) Weathering the storm: Ben Enwonwu’s Biafrascapes and the crisis in the Nigerian postcolony. Tate Papers, 30. ISSN 1753-9854

Loske, Alexandra (2014) Inspiration, appropriation, creation: sources of Chinoiserie imagery, colour schemes and designs in the Royal Pavilion, Brighton (1802 – 1823). In: The Dimension of Civilisation. Museum of Contemporary Art, Yinchuan, Yinchuan, China, pp. 323-359. ISBN 9787515326863

Loske, Alexandra (2016) La théorie des couleurs à l'époque de Turner [Colour theory in Turner’s time]. In: Turner et la couleur. Hazan, Paris, pp. 44-49. ISBN 9782754109413

M

Magnusson, Thor (2003) Lunarly visible. In: Mir, Alexandra and Kelsey, John (eds.) Corporate mentality. Lukas & Sternberg, New York. ISBN 9780971119314

Magnusson, Thor, Kiefer, Chris and Duffy, Sam (2016) Proceedings of the 2016 International Conference on Live Interfaces. Live Interfaces, 3 . Emute Lab + REFRAME Books, Brighton. ISBN 9780993199684

Mellor, David (2009) 'Rents in the fabric of reality: contexts for Sophie Ristelhueber'. In: Sophie Ristelhueber : operations. Thames and Hudson, London, pp. 212-231. ISBN 9780500093498

Morris, Michael (2020) Real likenesses: representation in paintings, photographs, and novels. Oxford University Press, Oxford. ISBN 9780198861751

O

O'Connell, Micheal (2021) Digital Stalinism. In: Borlenghi, Patricia (ed.) Now This - Reflections on our Arts and Cultures. Patrician Press, Manningtree, Essex, pp. 52-61. ISBN 9781838059804

O'Connell, Micheal (2020) Interview with Motion Sickness. Phoenix Art Space, Brighton, East Sussex, UK.

O'Connell, Micheal (2017) Navigating 2017. [Show/Exhibition]

O'Connell, Micheal (2015) Poetic misuse of technology, functional systems and the contemporary supply chain. Published in: Bentkowska-Kafel, A, (ed.) Proceedings of the 30th Conference of Computers and the History of Art (CHArt); King’s College London; 17 October 2015. CHArt ISSN 1473-2157

O'Connell, Micheál (2020) Artists are only a law unto themselves. In: Finchett-Maddock, Lucy and Lekakis, Eleftheria (eds.) Art, law, power: perspectives on legality and resistance in contemporary aesthetics. Counterpress Limited, Oxford, pp. 16-33. ISBN 9781910761076

Ozpinar, Ceren (2015) Istanbul modern. In: Ferlenga, Alberto and Guarneri, Cristiano (eds.) Istanbul ritratti di città. LetteraVentidue, pp. 106-107. ISBN 9788862421478

Ozpinar, Ceren (2015) La biennale di Istanbul. In: Ferlenga, Alberto and Guarneri, Cristiano (eds.) Istanbul ritratti di città. LetteraVentidue, pp. 96-97. ISBN 9788862421478

P

Price, Jason (2018) Popular performance and the omnivore: the shifting cultural terrain. In: IFTR 2018: University of Arts, Belgrade, Serbia IFTR 2018 International Federation for Theatre Research World Congress, 9-13 July 2018, Belgrade, Serbia.

R

Rhodes, John David (2012) Belabored: the work of style. Framework, 53 (1). pp. 47-64. ISSN 0306-7661

Richmond, Una Maira MacDonald (2023) ‘No second sex in art’: the Women’s International Art Club, 1950-1978. Doctoral thesis (PhD), University of Sussex.

S

Sargentson, Carolyn (2008) Working at home in eighteenth-century France: writing desks in the interiors of the Hotel Choiseul. In: Bennett, Shelley and Sargentson, Carolyn (eds.) French art of the eighteenth century at the Huntington. Yale Univeristy Press. ISBN 9780300135947

Smith, Lindsay (2015) Lewis Carroll: photography on the move. Reaktion Books Ltd, London. ISBN 9781780235196

Stevens, Bethan (2016) India-proofs of wood-engravings by the Brothers Dalziel. British Museum, London.

Stevens, Bethan (2018) Printmakers in the Dalziel Archive. Printmaking Today, 27 (105). ISSN 0960-9253

Stevens, Bethan (2019) Wood engraving as ghostwriting: the Dalziel Brothers, losing one's name, and other hazards of the trade. Textual Practice, 33 (4). pp. 645-677. ISSN 0950-236X

V

Ventrella, Francesco (2019) Befriending Botticelli: psychology, connoisseurship and identity at the fin de siècle. In: Debenedetti, Ana and Elam, Caroline (eds.) Botticelli: past and present. UCL Press, pp. 116-147. ISBN 9781787354616

Ventrella, Francesco (2016) [Review] Seeing and reading modernist art historiography. Art History, 39 (1). pp. 160-166. ISSN 0141-6790

Ventrella, Francesco Seeing double with Vernon Lee and Clementina Anstruther-Thomson: collaboration and the psychological turn in art history. In: Claass, Victor, Cugy, Pascale, Foucher Zarmanian, Charlotte and Martin, François René (eds.) Penser, travailler, écrire à deux. les couples d'historiennes et d'historien de l'art. Editions de la Sorbonne, Paris. (Accepted)

Ventrella, Francesco (2012) The health and safety of the fine arts: austerity, politeness, and litigation culture. Journal of European Popular Culture, 3 (1). pp. 61-76. ISSN ISSN-20406134

W

Wolf, Hope (2017) Sussex modernism: retreat and rebellion. [Show/Exhibition]

Wolf, Hope (2019) A tale of mother's bones: Grace Pailthorpe, Reuben Mednikoff and the birth of Psychorealism. In: A tale of mother's bones: Grace Pailthorpe, Reuben Mednikoff and the birth of Psychorealism. Camden Arts Centre and the De La Warr Pavilion, pp. 8-41. ISBN 9781907208867

Wolf, Hope, with the De La Warr Pavilion, and Camden Arts Centre, (2018) A tale of mother's bones: Grace Pailthorpe, Reuben Mednikoff, and the birth of psychorealism. [Show/Exhibition]

Woolford, Kirk and Guedes, Carlos (2008) Echo locations. [Show/Exhibition]