A

Armitage, Jack, Magnusson, Thor, Shepardson, Victor and Ulfarsson, Halldor (2022) The proto-langspil: launching an Icelandic NIME research lab with the help of a marginalised instrument. New Interfaces For Musical Expression, New Zealand, 28 June – 1 July 2022. Published in: New Interfaces for Musical Expression proceedings. NIME, New Zealand. ISSN 2220-4806

B

Berry, David and Thorn, Barnaby (2019) Mythologies. [Composition]

Bown, Oliver, Eldridge, Alice and McCormack, Jon (2009) Understanding interaction in contemporary digital music: from instruments to behavioural objects. Organised Sound, 14 (12). pp. 188-196. ISSN 1355-7718

Bright, Danny (2015) Ghosting the periphery. [Show/Exhibition]

Butler, Martin (2013) Oboe Concerto. [Composition]

C

Chevalier, Cécile and Kiefer, Chris (2018) Listening mirrors: prototyping for a hybrid audio augmented reality installation. ICLI 2018. International Conference on Live Interfaces, Porto, Portugal, June 14-16, 2018. Published in: Alberto Gomes, José, Carvalhais, Miguel and Penha, Rui, (eds.) Proceedings: ICLI 2018, 4th International Conference on Live Interfaces. Inspiration, Performance, Emancipation.. 126-132. ISBN 9789897461705

D

Dennis, Flora (2018) Organology and material culture. Journal of the American Musical Instrument Society, 44. pp. 18-25. ISSN ‎0362-3300

E

Eldridge, Alice (2013) Improvising with self-observing systems: a duet for cellist and adaptive delay network. irst Conference on Computation, Communication, Aesthetics and X., Bergamo, Italy, 7-8 June 2013. Published in: Verdicchio, Mario and Carvalhais, Miguel, (eds.) Proceedings of the First Conference on Computation, Communication, Aesthetics and X.. 297-299. Universidade do Porto, Porto, Portugal. ISSN 9789897460173 ISBN 9789897460173

Eldridge, Alice (2015) [Reflection] Inside and outside shape. In: Music and shape. Studies in musical performance as creative practice . Oxford University Press, New York, pp. 165-169. ISBN 9780199351411

Eldridge, Alice (2014) Self-karaoke patterns: an interactive audio-visual system for handsfree live algorithm performance. Second conference on Computation, Communication, Aesthetics and X, Porto, Portugal, 26-27 June 2014. Published in: Carvalhais, Miguel and Verdicchio, Mario, (eds.) Proceedings of the Second Conference on Computation, Communication, Aesthetics and X. 496-499. Universidade do Porto, Porto, Portugal. ISSN 978-989-746-036-4 ISBN 9789897460364

Elliott, Richard (2016) ‘My tongue gets t-t-t-’: words, sense, and vocal presence in Van Morrison's It's too late to stop now. Twentieth-Century Music, 13 (1). pp. 53-76. ISSN 1478-5722

Elliott, Richard (2008) Popular music and/as event: subjectivity, love and fidelity in the aftermath of rock ’n’ roll. Radical Musicology, 3. ISSN 1751-7788

Elliott, Richard (2015) Words from the new world: adventure and memory in Patti Smith’s late voice. In: Chastagner, Claude (ed.) Patti Smith: Outside. Profils américains . Presses Universitaires de la Méditerranée, Montpellier, pp. 113-135. ISBN 9782367811758

Elliott, Richard (2016) Words take the place of meaning: sound, sense and politics in the music of Robert Wyatt. In: Marc, Isabelle and Green, Stuart (eds.) The Singer-Songwriter in Europe: Paradigms, Politics and Place. Routledge, London, pp. 51-64. ISBN 9781472452108

Elliott, Richard (2015) The late voice: time, age and experience in popular music. Bloomsbury Academic, New York. ISBN 9781628921182

F

Ficarra, Evelyn (2010) The Arbitrariness of Language. [Composition]

Ficarra, Evelyn (2008) Fractured marble. [Composition]

Ficarra, Evelyn (2010) Vagues / Fenetres: for string trio and electronic sounds. [Composition]

Ficarra, Evelyn, Hovey, Karrie and Elise, Ficarra (2012) Endangered. [Show/Exhibition]

G

Goh, Vicky, Ganeshan, Balaji, Nathan, Paul, Juttla, Jas, Vinayan, Anup and Miles, Kenneth A. (2011) Assessment of Response to Tyrosine Kinase Inhibitors in Metastatic Renal Cell Cancer: CT Texture as a Predictive Biomarker. Radiology, 261 (1). pp. 165-171. ISSN 0033-8419

H

Haddon, Mimi (2017) Dub is the new black: modes of identification and tendencies of appropriation in late 1970s post-punk. Popular Music, 36 (2). pp. 283-301. ISSN 0261-1430

Hopkins, Tim (2014) Song two - The sleeping-mat ballad. [Composition]

Hopkins, Tim (2019) The tapestry project 2019 - Britain narrates itself. [Show/Exhibition]

Hughes, Ed and Chandler, David (2012) Dark formations. [Composition]

Hughes, Ed and Morris, R (2012) When the flame dies. [Composition]

Hurtado, Enrike, Magnusson, Thor and Rekalde, Josu (2020) Digitizing the txalaparta: computer-based study of a traditional practice. Computer Music Journal, 43 (2-3). pp. 125-141. ISSN 0148-9267

J

Jordanous, Anna and Keller, Bill (2012) What makes musical improvisation creative? Journal of Interdisciplinary Music Studies, 6 (2). pp. 151-175. ISSN 1307-0401

Joseph, Etienne (2019) Living the archive: race, music and place at the Africa Centre (1960-2000). Doctoral thesis (PhD), University of Sussex.

K

Kane, Daniel (2017) "Do you have a band?" Poetry and punk rock in New York City. Columbia University Press, New York. ISBN 9780231162968

M

Magnusson, Thor (2011) Confessions of a live coder. International Computer Music Conference, University of Huddersfield, UK, 31 July - 5 August 2011. Published in: Proceedings of the International Computer Music Conference 2011. 609-616. Michigan Publishing ISSN 2223-3881

Magnusson, Thor (2009) Epistemic tools: the phenomenology of digital musical instruments. Doctoral thesis (DPhil), University of Sussex.

Magnusson, Thor (2014) From a music industry to sound industries. In: Carvalhais, Miguel and Tudela, Pedro (eds.) Mono #2: cochlear poetics: writings on music and sound arts. Research Institute in Art, Design and Society (i2ADS), Porto, pp. 71-78. ISBN 9789899874503

Magnusson, Thor (2017) Interfacing sound: visual representation of sound in musical software instruments. In: Bovermann, T, de Campo, A, Egermann, H, Hardjowirogo, S I and Weinzierl, S (eds.) Musical instruments in the 21st century: identities, configurations, practices. Springer, pp. 153-166. ISBN 9789811029509

Magnusson, Thor (2019) Sonic writing: technologies of material, symbolic, and signal inscriptions. Bloomsbury Academic, New York. ISBN 9781501313851

Magnusson, Thor and Hurtado, Enrike (2017) The acoustic, the digital and the body: a survey on musical instruments. In: Jensenius, Alexander and Lyons, Michael (eds.) A NIME Reader: Fifteen Years of New Interfaces for Musical Expression. Current Research in Systematic Musicology (3). Springer, Cham, pp. 317-333. ISBN 9783319472133

Magnusson, Thor, Kiefer, Chris and Duffy, Sam (2016) Proceedings of the 2016 International Conference on Live Interfaces. Live Interfaces, 3 . Emute Lab + REFRAME Books, Brighton. ISBN 9780993199684

Magnusson, Thor, Kiefer, Chris and Ulfarsson, Halldor (2022) Reflexions upon feedback: a study of feedback musicianship terminology. New Interfaces for Musical Expression, New Zealand, 28 June – 1 July 2022. Published in: New Interfaces for Musical Expression proceedings. NIME, New Zealand. ISSN 2220-4806

McCormack, Jonathan, Eldridge, Alice, Dorin, Alan and McIlwain, Peter (2011) Generative algorithms for making music: emergence, evolution, and ecosystems. In: Dean, Roger T (ed.) The Oxford Handbook of Computer Music. Oxford Handbooks . Oxford University Press, Oxford. ISBN 9780199792030

N

Norman, Sally-Jane (2013) Contexts of/as resistance. Contemporary Music Review, 32 (2-3). pp. 275-288. ISSN 0749-4467

Norman, Sally-Jane (2014) Grappling with movement models: performing arts and slippery contexts. In: MOCO '14: Proceedings of the 2014 International Workshop on Movement and Computing. ACM, New York, NY, USA, pp. 136-141. ISBN 9781450328142

P

Polimeneas-Liontiris, Thanos, Eldridge, Alice, Kiefer, Chris and Magnusson, Thor (2018) The ensemble as expanded interface sympoetic performance in the Brain Dead Ensemble. ICLI 2018. International Conference on Live Interfaces, Porto, Portugal, June 14-16, 2018. Published in: Gomes, José Alberto, Carvalhais, Miguel and Penha, Rui, (eds.) Proceedings: ICLI 2018, 4th International Conference on Live Interfaces. Inspiration, Performance, Emancipation.. 117-125. Universidade do Porto, Porto. ISBN 9789897461705

S

Surprenant, Celine (2014) Beckett's Proust, Schopenhauer, and the musical art of pastiche. In: Bailes, Sara and Till, Nicholas (eds.) Beckett and musicality. Ashgate, Farnham, Surrey, UK, pp. 27-45. ISBN 9781472409638

T

Till, Nicholas (2012) Hearing voices: transcriptions for the phonogram of a schizophrenic: music-theatre for performer and audio-visual media. In: Rebstock, Matthias and Roesner, David (eds.) Composed theatre: aesthetics, practices, processes. Intellect Books, Bristol and Chicago, pp. 185-199. ISBN 9781841504568

Till, Nicholas (2011) [Review] Michael Freyhan (2009) The authentic Magic Flute libretto: Mozart's autograph or the first full-score edition? Music and Letters, 92 (3). pp. 484-486. ISSN 1477-4631

Till, Nicholas (2013) Stefano Gervasoni's Pas si: staging a music theatre work based on a text by Samuel Beckett. Contemporary Theatre Review, 23 (2). pp. 220-232. ISSN 1048-6801

Till, Nicholas (2013) A new glimmer of light: opera, metaphysics and mimesis. In: Symonds, Dominic and Karantonis, Pamela (eds.) The legacy of opera: reading music theatre as experience and performance. Themes in theatre (7). Rodopi, Amsterdam, pp. 39-64. ISBN 9789042036918

V

Ververis, A and Marshall, N (2015) Taking part: singers perceptions of two ethnic community choirs. Problems in Music Pedagogy, 14 (1). pp. 67-78. ISSN 1691-2721

W

Withers, D-M (2019) Diabolic marks, organs and relations: exiting symbolic misery. Angelaki, 24 (5). pp. 88-103. ISSN 0969-725X

Withers, D-M (2018) ‘Neither pure love nor imitating capitalism’: Euro WILD and the invention of women’s music distribution in Europe, 1980-1982. Feminist Review, 120 (1). pp. 85-100. ISSN 0141-7789