A

Alababneh, Bara'ah (2021) The phonaesthetics of Jordanian names. Doctoral thesis (PhD), University of Sussex.

B

Belfrage, Claes and Gammon, Earl (2017) Aesthetic international political economy. Millennium, 45 (2). pp. 223-232. ISSN 0305-8298

D

Deligiorgi, Katerina (2016) Finite agents, sublime feelings: response to Hanauer. Journal of Aesthetics and Art Criticism, 74 (2). pp. 199-202. ISSN 0021-8529

Deligiorgi, Katerina (2014) The pleasures of contra-purposiveness: Kant, the sublime, and being human. Journal of Aesthetics and Art Criticism, 72 (1). pp. 25-35. ISSN 0021-8529

F

Fazi, M Beatrice (2018) Contingent computation: abstraction, experience, and indeterminacy in computational aesthetics. Media Philosophy . Rowman & Littlefield International, Lanham. ISBN 9781786606082

Fazi, M Beatrice (2019) Digital aesthetics: the discrete and the continuous. Theory, Culture & Society, 36 (1). pp. 3-26. ISSN 0263-2764

Fazi, M Beatrice (2016) Incomputable aesthetics: open axioms of contingency. Computational Culture: a journal of software studies, 2016 (5). pp. 1-33. ISSN 2047-2390

Fazi, M Beatrice (2011) Soft computing: forms and limits in computational aesthetics. In: ISEA 2011 Istanbul - The 17th International Symposium on Electronic Art, 14-21 Sep 2011, Istanbul, Turkey.

Fazi, M Beatrice and Fuller, Matthew (2016) Computational aesthetics. In: Paul, Christiane (ed.) A companion to digital art. Wiley Blackwell, Hoboken, NJ, pp. 281-296. ISBN 9781118475201

G

Goatley, Wesley (2019) Critical data aesthetics: towards a critically reflexive practice of data aestheticisation. Doctoral thesis (PhD), University of Sussex.

Grant, Catherine (2013) Deja-viewing. FilmIdee (6). ISSN 2239-6934

Grant, Catherine (2014) The shudder of a cinephiliac idea? Videographic film studies practice as material thinking. ANIKI: Portuguese Journal of the Moving Image, 1 (1). pp. 49-62. ISSN 2183-1750

Grant, Catherine and Keathley, Christian (2014) The use of an illusion: childhood cinephilia, object relations, and videographic film studies. Photogénie. ISSN 2295-5461

H

Highmore, Ben (2018) Aesthetic matters: writing and cultural studies. Cultural Studies, 32 (2). pp. 240-260. ISSN 0950-2386

Highmore, Ben (2017) Out of Birmingham: towards a more peripatetic cultural studies. Cultural Studies Review, 23 (1). pp. 3-17. ISSN 1446-8123

J

James, Liz, Bjornholt, Bente and Soproni, E (2013) Mosaics by numbers. In: Entwistle, Chris and James, Liz (eds.) New light on old glass: recent research on Byzantine glass and mosaics. British Museum research publication (179). British Museum Company Ltd, London. ISBN 9780861591794

K

Kalmbach, Hilary (2015) Blurring boundaries: aesthetics, performance, and the transformation of Islamic leadership. Culture and Religion, 16 (2). pp. 160-174. ISSN 1475-5610

Kyriakou, Angela (2013) How valuable is the notion of artist’s intentions in the interpretation of painting? Masters thesis (MPhil), University of Sussex.

M

Morris, Michael (2020) Art and metaphysics. Aristotelian Society Supplementary Volume, 94 (1). pp. 1-17. ISSN 0309-7013

Morris, Michael (2000) Metaphor and philosophy: an encounter with Derrida. Philosophy, 75 (2). 225 - 244. ISSN 0031-8191

Morris, Michael (2020) Real likenesses: representation in paintings, photographs, and novels. Oxford University Press, Oxford. ISBN 9780198861751

Morris, Michael (2013) Realism and representation: the case of Rembrandt's hat. European Journal of Philosophy, 23 (4). pp. 909-932. ISSN 0966-8373

Morris, Michael (2012) The meaning of music. Monist, 95 (4). pp. 556-586. ISSN 0026-9662

Mroz, Matilda (2013) Temporality and film analysis. Edinburgh University Press. ISBN 9780748685912

Mroz, Matilda (2014) The aesthetics of overflow: Andrei Tarkovsky's Nostalghia (1983) in duration. In: Brown, Christopher and Hirsch, Pam (eds.) The cinema of the swimming pool. New studies in European cinema (17). Peter Lang. ISBN 9783034317832

S

Salazar, Manuela de Mattos (2023) Cosy vibes: cosiness as an atmospheric aesthetic category. Doctoral thesis (PhD), University of Sussex.

Schibille, Nadine (2013) Light as an aesthetic constituent in the architecture of Hagia Sophia in Constantinople. In: Mondini, D. and Ivanovici, V (eds.) Manipulating light in premodern times / Manipolare la luce in epoca premoderna. ISA, Istituto di storia e teoria dell'arte e dell'architettura / Accademia di architettura, Università della Svizzera Italiana . Mendrisio Academy Press / SilvanaEditoriale Cinisello Balsamo, Milano. ISBN 9788836627219

Stock, Kathleen (2016) Aesthetics. In: Pritchard, Duncan (ed.) What is this thing called philosophy? Routledge, pp. 81-109. ISBN 9780415839778

Stock, Kathleen (2006) Fiction and psychological insight. In: Kieran, Matthew and Lopes, Dominic (eds.) Knowing art: essays in aesthetics and epistemology. Philosophical studies series, 107 . Springer, Dordrecht, The Netherlands, pp. 51-66. ISBN 9781402052644

Stock, Kathleen (2017) Fiction, testimony, belief and history. In: Sullivan-Bisset, Ema, Bradley, Helen and Noordhof, Paul (eds.) Art and belief. Mind Association Occasional Series . Oxford University Press, Oxford. ISBN 9780198805403

Stock, Kathleen (2016) Free indirect style and imagining from the inside. In: Dodd, Julian (ed.) Art, mind and narrative: themes from the work of Peter Goldie. Mind association occasional series . Oxford University Press, Oxford, pp. 103-120. ISBN 9780198769736

Stock, Kathleen (2017) Imaginative resistance and empathy. In: Maibom, Heidi (ed.) Routledge Handbook of the Philosophy of Empathy. Routledge Handbooks in Philosophy . Routledge, Oxford. ISBN 9781138855441

Stock, Kathleen (2019) Knowledge from fiction and the challenge from luck. Grazer Philosophische Studien, 96 (3). pp. 476-496. ISSN 0165-9227

Stock, Kathleen (2017) Only imagine: fiction, interpretation and imagination. Oxford University Press, Oxford. ISBN 9780198798347

Stock, Kathleen (2014) Physiological evidence and the paradox of fiction. In: Currie, Gregory, Kieran, Matthew, Meskin, Aaron and Robson, Jonathon (eds.) Aesthetics and the Sciences of Mind. Oxford University Press, Oxford, pp. 205-226. ISBN 9780199669639

Stock, Kathleen (2012) Pornography and imagining about oneself. In: Maes, Hans and Levinson, Jerrold (eds.) Art and pornography: philosophical essays. Oxford University Press, Oxford, pp. 116-136. ISBN 9780199609581

Stock, Kathleen (2019) Reply by Kathleen Stock. The British Journal of Aesthetics, 59 (2). pp. 219-225. ISSN 0007-0904

Stock, Kathleen (2007) Sartre, Wittgenstein and learning from imagination. In: Goldie, Peter and Schellekens, Elisabeth (eds.) Philosophy and Conceptual Art. Oxford University Press, Oxford, UK, pp. 171-194. ISBN 978-0-19-928555-6

Sutherland, Keston (2016) Instincts on Trump university. The Third Rail (9). ISSN 2331-7566

V

Ventrella, Francesco (2019) Encountering the Niobe’s Children: Vernon Lee’s queer formalism and the empathy of sculpture. In: Funke, Jana and Grove, Jen (eds.) Sculpture, sexuality and history: encounters in literature, culture and the arts from the Eighteenth Century to the present. Genders and Sexualities in History . Palgrave MacMillan, Cham, pp. 195-219. ISBN 9783319958392

Ventrella, Francesco (2011) Enthusiasm. Parallax, 17 (2). pp. 1-7. ISSN 1353-4645

Ventrella, Francesco Seeing double with Vernon Lee and Clementina Anstruther-Thomson: collaboration and the psychological turn in art history. In: Claass, Victor, Cugy, Pascale, Foucher Zarmanian, Charlotte and Martin, François René (eds.) Penser, travailler, écrire à deux. les couples d'historiennes et d'historien de l'art. Editions de la Sorbonne, Paris. (Accepted)