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Number of items at this level: 31.

A

Ambra, Moroncini (2018) From 'The Count of Carmagnola' to 'The Betrothed': Alessandro Manzoni’s pursuit of meta-historical realism. In: Enrica Maria, Ferrara and Cormac, O'Cuilleanain (eds.) Staged Narratives / Narrative Stages: Essays on Italian Prose, Narrative and Theatre. Cesati Editore, Florence, pp. 157-180. ISBN 9788876676222

Ambra, Moroncini (2017) Suggestioni boccacciane ne Gli Straccioni di Annibal Caro. Heliotropia, 14. pp. 297-316. ISSN 1542-3352

B

Bartlett, Emily and Mennell, Nicole (2017) Brief Encounters of the academic kind. Brief Encounters, 1 (1). pp. 1-6. ISSN 2514-0612

D

Dimmock, Matthew (2019) Elizabethan globalism: England, China and the Rainbow Portrait. Paul Mellon Centre for Studies in British Art . Yale University Press. ISBN 9781913107031 (Accepted)

Dimmock, Matthew (2015) England and the seige of Malta. In: Camilleri, Maroma (ed.) Besieged: Malta 1565. Heritage Malta, Valletta, pp. 25-32. ISBN 9789993257325

Dimmock, Matthew (2015) Shakespeare's strange tongues: editors and the 'foreign' voice in Shakespearean drama. In: Kidnie, Margaret Jane and Massai, Sonia (eds.) Shakespeare and textual studies. Cambridge University Press, Cambridge, pp. 332-341. ISBN 9781139152259

Dimmock, Matthew (2018) Tudor Turks: Ottomans speaking English in early modern Sultansbriefe. English Literary Renaissance. ISSN 1475-6757 (Accepted)

F

Fraser, Duncan (2016) Lording Barry: dramatist, pirate - and dramatis persona? ANQ: A Quarterly Journal of Short Articles, Notes and Reviews, 28 (2). pp. 74-78. ISSN 0895-769X

H

Hadfield, Andrew (2016) Bad faith in All’s Well That Ends Well. Palgrave Communications, 2 (16051). pp. 1-7. ISSN 2055-1045

Hadfield, Andrew (2017) Lying in early modern English culture: from the oath of supremacy to the oath of allegiance. Oxford University Press, Oxford, UK. ISBN 9780198789468

Hadfield, Andrew (2018) Nashe and Marlowe. English Literary Renaissance. ISSN ‎0013-8312 (Accepted)

Healy, Margaret (2016) Wearing powerful words and objects: healing prosthetics. Textual Practice, 30 (7). pp. 1233-1251. ISSN 0950-236X

L

Lim, Vanessa and Paul, Joanne (2018) Commonplaces, Aristophanes, and Clouds in Hamlet. Notes and Queries, 65 (4). pp. 535-536. ISSN 0029-3970

M

Mennell, Nicole (2017) “Compassionate Consumption”?: George Gascoigne’s 'The Noble Art of Venerie or Hunting' and the voice of the dish. Renaissance Hub (4).

Mennell, Nicole (2018) “The Dignity of Mankind”: Edward Tyson’s 'Anatomy of a Pygmie' and the ape-man boundary. In: Bezan, Sarah and Tink, James (eds.) Seeing Animals after Derrida. Ecocritical Theory and Practice . Lexington Books, Lanham, Maryland; London, pp. 87-105. ISBN 9781498540599

Moroncini, Ambra (2017) Michelangelo’s poetry and iconography in the heart of the Reformation. Routledge, New York-Oxford. ISBN 9781472469694

Moroncini, Ambra (2017) Érasme, l’Arétin et Boccace dans l’invention du discours comique-burlesque d’Annibal Caro. Renaissance and Reformation, 40 (1). pp. 67-90. ISSN 0034-429X

P

Paul, Joanne (2018) [Epilogue] “Publica si domini regerent moderamina cunni”: deciphering queenship and counsel. In: Matheson-Pollock, Helen, Paul, Joanne and Fletcher, Catherine (eds.) Queenship and counsel in early modern Europe. Queenship and Power . Palgrave, Cham, pp. 259-274. ISBN 9783319769738

Porter, Chloe (2017) “Contrived in Nature’s shop”: antitheatricalism in 'The Woman in the Moon'. Shakespeare Studies, 45. pp. 106-112. ISSN 0582-9399

Porter, Chloe (2016) Prosthesis and the performance of beginnings in The woman in the moon. Textual Practice, 30 (7). pp. 1327-1344. ISSN 0950-236X

Porter, Chloe (2017) 'Things which are not': idolatry and enchantment in The White Devil. In: Das, Nandini and Davis, Nick (eds.) Enchantment and Disenchantment in Shakespeare and Early Modern Drama. Routledge studies in renaissance literature and culture . Routledge, pp. 106-119. ISBN 9781138184664

Porter, Chloe (2018) "A painted devil": the matter and making of images in Macbeth. In: Caporicci, Camilla and Sabatier, Armelle (eds.) The art of picturing in early modern English literature. Routledge. (Accepted)

S

Stenner, Rachel (2016) The Act of penning in William Baldwin’s Beware the Cat. Renaissance Studies, 30 (3). pp. 334-349. ISSN 0269-1213

Stenner, Rachel (2017) ‘The Author Laughed in a Cat’s Voice': Aesop and humanism in William Baldwin’s Beware the Cat. In: Hadromi-Allouche, Zohar (ed.) Fallen animals: art, religion, literature. Ecocritical Theory and Practice . Rowman & Littlefield, New York. ISBN 9781498543965

Stenner, Rachel (2019) Pastoral and epic animals in the poetry of Edmund Spenser. In: McHugh, Susan, McKay, Robert and Miller, John (eds.) The Palgrave handbook of animals in literature. Palgrave Studies in Animals and Literature . Palgrave Macmillan, Basingstoke. (Accepted)

Stenner, Rachel (2018) Strategies of debate in prefatory dialogue. In: Kemp, Graeme and Wilkinson, Sandy (eds.) Conflict and Controversy. Brill, Leiden. (Accepted)

Stenner, Rachel (2018) An account of the printer’s manual, 1567-1713: history, practice, identity. In: Alexis, Cydney and Rule, Hannah (eds.) The Material Culture of Writing. Utah State University Press. (Accepted)

Stenner, Rachel (2018) The typographic imaginary in early modern English literature. Material Readings in Early Modern Culture . Routledge, London. ISBN 9781472480422

Stenner, Rachel and Babbage, Frances (2018) Author of first English novel kept it hidden for ten years – here’s why. The Conversation [Weblog article, 19 September 2018].

W

Walter, Katie L (2019) Defending images in Pecock's Repressor: caritas, the absent friend and the sense of touch. Studies in the Age of Chaucer. ISSN 0190-2407 (Accepted)

Walter, Katie L (2018) Middle English mouths: late medieval medical, religious and literary traditions. Cambridge Studies in Medieval Literature (105) . Cambridge University Press, Cambridge. ISBN 9781108426619

This list was generated on Mon Jul 22 14:11:53 2019 BST.