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Ambra, Moroncini (2017) From 'The Count of Carmagnola' to 'The Betrothed': Alessandro Manzoni’s pursuit of meta-historical realism. In: Enrica Maria, Ferrara and Cormac, O'Cuilleanain (eds.) Staged Narratives / Narrative Stages: Essays on Italian Prose, Narrative and Theatre. Cesati Editore, Florence, pp. 157-180. ISBN 9788876676222

Ambra, Moroncini (2017) Suggestioni boccacciane ne Gli Straccioni di Annibal Caro. Heliotropia, 14. pp. 297-316. ISSN 1542-3352

B

Bartlett, Emily and Mennell, Nicole (2017) Brief Encounters of the academic kind. Brief Encounters, 1 (1). pp. 1-6. ISSN 2514-0612

D

Dimmock, Matthew (2019) Elizabethan globalism: England, China and the Rainbow Portrait. Paul Mellon Centre for Studies in British Art . Yale University Press. ISBN 9781913107031

Dimmock, Matthew (2015) England and the seige of Malta. In: Camilleri, Maroma (ed.) Besieged: Malta 1565. Heritage Malta, Valletta, pp. 25-32. ISBN 9789993257325

Dimmock, Matthew (2015) Shakespeare's strange tongues: editors and the 'foreign' voice in Shakespearean drama. In: Kidnie, Margaret Jane and Massai, Sonia (eds.) Shakespeare and textual studies. Cambridge University Press, Cambridge, pp. 332-341. ISBN 9781139152259

Dimmock, Matthew (2020) Tudor Turks: Ottomans speaking English in early modern Sultansbriefe. English Literary Renaissance, 50 (3). pp. 335-358. ISSN 0013-8312

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Fraser, Duncan (2016) Lording Barry: dramatist, pirate - and dramatis persona? ANQ: A Quarterly Journal of Short Articles, Notes and Reviews, 28 (2). pp. 74-78. ISSN 0895-769X

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Hadfield, Andrew (2016) Bad faith in All’s Well That Ends Well. Palgrave Communications, 2 (16051). pp. 1-7. ISSN 2055-1045

Hadfield, Andrew (2017) Lying in early modern English culture: from the oath of supremacy to the oath of allegiance. Oxford University Press, Oxford, UK. ISBN 9780198789468

Hadfield, Andrew (2021) Marlowe and Nashe. English Literary Renaissance, 51 (2). pp. 190-216. ISSN ‎0013-8312

Healy, Margaret (2016) Wearing powerful words and objects: healing prosthetics. Textual Practice, 30 (7). pp. 1233-1251. ISSN 0950-236X

L

Lim, Vanessa and Paul, Joanne (2018) Commonplaces, Aristophanes, and Clouds in Hamlet. Notes and Queries, 65 (4). pp. 535-536. ISSN 0029-3970

M

Mennell, Nicole (2017) “Compassionate Consumption”?: George Gascoigne’s 'The Noble Art of Venerie or Hunting' and the voice of the dish. Renaissance Hub (4).

Mennell, Nicole (2018) “The Dignity of Mankind”: Edward Tyson’s 'Anatomy of a Pygmie' and the ape-man boundary. In: Bezan, Sarah and Tink, James (eds.) Seeing Animals after Derrida. Ecocritical Theory and Practice . Lexington Books, Lanham, Maryland; London, pp. 87-105. ISBN 9781498540599

Moroncini, Ambra (2017) Michelangelo’s poetry and iconography in the heart of the Reformation. Routledge, New York-Oxford. ISBN 9781472469694

Moroncini, Ambra (2022) Review of The Grace of the Italian Renaissance, by Ita Mac Carthy. Religion and Literature, 53 (3). pp. 152-154. ISSN 0888-3769

Moroncini, Ambra (2019) [Review] L'Ellisse, 10/2 - 2015. Michelangelo scrittore. Italian Studies, 74 (3). pp. 319-320. ISSN 0075-1634

Moroncini, Ambra (2017) Érasme, l’Arétin et Boccace dans l’invention du discours comique-burlesque d’Annibal Caro. Renaissance and Reformation, 40 (1). pp. 67-90. ISSN 0034-429X

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Paul, Joanne (2018) [Epilogue] “Publica si domini regerent moderamina cunni”: deciphering queenship and counsel. In: Matheson-Pollock, Helen, Paul, Joanne and Fletcher, Catherine (eds.) Queenship and counsel in early modern Europe. Queenship and Power . Palgrave, Cham, pp. 259-274. ISBN 9783319769738

Porter, Chloe (2017) “Contrived in Nature’s shop”: antitheatricalism in 'The Woman in the Moon'. Shakespeare Studies, 45. pp. 106-112. ISSN 0582-9399

Porter, Chloe (2016) Prosthesis and the performance of beginnings in The woman in the moon. Textual Practice, 30 (7). pp. 1327-1344. ISSN 0950-236X

Porter, Chloe (2017) 'Things which are not': idolatry and enchantment in The White Devil. In: Das, Nandini and Davis, Nick (eds.) Enchantment and Disenchantment in Shakespeare and Early Modern Drama. Routledge studies in renaissance literature and culture . Routledge, pp. 106-119. ISBN 9781138184664

Porter, Chloe (2019) "A painted devil": the matter and making of images in Macbeth. In: Caporicci, Camilla and Sabatier, Armelle (eds.) The art of picturing in early modern English literature. Routledge. ISBN 9780367425197

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Stenner, Rachel (2016) The Act of penning in William Baldwin’s Beware the Cat. Renaissance Studies, 30 (3). pp. 334-349. ISSN 0269-1213

Stenner, Rachel (2017) ‘The Author Laughed in a Cat’s Voice': Aesop and humanism in William Baldwin’s Beware the Cat. In: Hadromi-Allouche, Zohar (ed.) Fallen animals: art, religion, literature. Ecocritical Theory and Practice . Rowman & Littlefield, New York. ISBN 9781498543965

Stenner, Rachel (2019) Debating Print in English Prefatory Dialogue. In: Wilkinson, Alexander Samuel and Kemp, Graeme (eds.) Negotiating Conflict and Controversy in the Early Modern Book World. Library of the Written Word, 73 . Brill, Leiden, pp. 142-159. ISBN 9789004401259

Stenner, Rachel (2020) Sheep, beasts, and knights: fugitive alterity in Edmund Spenser's The Faerie Queene book VI, and The Shepheardes Calender. In: McHugh, Susan, McKay, Robert and Miller, John (eds.) The Palgrave handbook of animals in literature. Palgrave Studies in Animals and Literature . Palgrave Macmillan, Basingstoke, pp. 167-179. ISBN 9783030397722

Stenner, Rachel (2018) The typographic imaginary in early modern English literature. Material Readings in Early Modern Culture . Routledge, London. ISBN 9781472480422

Stenner, Rachel and Babbage, Frances (2018) Author of first English novel kept it hidden for ten years – here’s why. The Conversation [Weblog article, 19 September 2018].

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Walter, Katie L (2019) Defending images in Pecock's Repressor: caritas, the absent friend and the sense of touch. Studies in the Age of Chaucer, 41. pp. 267-299. ISSN 0190-2407

Walter, Katie L (2018) Middle English mouths: late medieval medical, religious and literary traditions. Cambridge Studies in Medieval Literature (105) . Cambridge University Press, Cambridge. ISBN 9781108426619