A

Abberley, Will Copying from nature: biological replication and fraudulent imposture in Grant Allen’s 'An African Millionaire'. In: Replication in the Long Nineteenth Century: Re-makings and Reproductions. Edinburgh University Press, Edinburgh. ISBN 9781474424844 (Accepted)

C

Corrieri, Augusto Thoughts are borne of places (or: one imago covers another). [Performance]

H

Haslanger, Andrea Circulation narratives and spy literature. In: McDowell, Nicholas and Power, Henry (eds.) Oxford handbook of English prose, 1640-1714. Oxford University Press. (Accepted)

M

McEvoy, William and McHugh, Ian Rewriting the script: the impact of the development and rehearsal process on Ian McHugh’s play How to Curse (2007). Contemporary Theatre Review, 26 (4). pp. 496-505. ISSN 1048-6801

S

Stanger, Arabella Ballet gone wrong: Michael Clark’s classical deviations. In: Jensen, Jill Nunes and Farrugia-Kriel, Kathrina (eds.) The Oxford Handbook of Contemporary Ballet. Oxford University Press, Oxford. (Accepted)

W

Wolf, Hope, with Cooper, Rosie, Clark, Martin and Buenfeld, Gina A tale of mother's bones: Grace Pailthorpe, Reuben Mednikoff, and the birth of psychorealism. [Show/Exhibition]

Wright, Tom F Mobilizing Irish America in the Antebellum lecture hall. In: Ray, Angela G and Stob, Paul H (eds.) Thinking together: lecturing, learning, and difference in the long nineteenth century. Rhetoric and Democratic Deliberation, 2018 . Pennsylvania State University Press. ISBN 9780271080871 (Accepted)