Tierney, Dolores and Podalsky, Laura, eds. (2023) Ana M. Lopez: Essays. SUNY Series in Latin American Cinema . State University of New York, Albany, pp. 1-578. ISBN 9781438491097

Tierney, Dolores (2022) Finding Emilio Fernández: Mexican extras and Latinx representation in early sound era Hollywood. Hispanic Research Journal. ISSN 1468-2737 (Accepted)

Tierney, Dolores (2021) Interrogating (neo)colonialism in the contemporary western: Alejandro González Iñárritu’s The revenant (2015). Studies in Spanish and Latin American Cinemas, 18 (1). pp. 89-104. ISSN 2050-4837

Tierney, Dolores (2021) Shifting conceptions of Alejandro González Iñárritu: interpreting the auteur. Studies in Spanish and Latin American Cinemas, 18. pp. 3-8. ISSN 2050-4837

Tierney, Dolores (2019) Latsploitation. In: Mathijs, Ernest and Sexton, Jamie (eds.) The Routledge companion to cult cinema. Routledge, London. ISBN 9781138950276

Tierney, Dolores (2019) El vampiro y el sexo/The Vampire and Sex (René Cardona 1969): El Santo, sexploitation films and politics in Mexico 1968. Porn Studies, 6 (4). pp. 411-427. ISSN 2326-8743

Tierney, Dolores (2019) Subversive lines: gender in Roberto Gavaldón’s melodramatic film noirs. In: Casas, Quim and Iriarte, Ana Cristina (eds.) Roberto Gavaldon. Festival Internacional de Cine de San Sebastián and Filmoteca Española, San Sebastian, pp. 34-45. ISBN 978-84-88452-94-8

Tierney, Dolores (2019) Gael García Bernal in Motorcycle diaries. In: Pomerance, Murray and Stevens, Kyle (eds.) Close-up: great cinematic performances. Edinburgh University Press, Edinburgh. ISBN 9781474417006

Tierney, Dolores (2018) New transnationalisms in contemporary Latin American cinemas. Traditions in World Cinema Series . Edinburgh University Press, Edinburgh. ISBN 9780748645732

Tierney, Dolores, Ruetalo, Victoria and Ortiz, Roberto Carlos (2018) New Latin American stardom. In: D'Lugo, Marvin, López, Ana M and Podalsky, Laura (eds.) The Routledge companion to Latin American cinema. Routledge Media and Cultural Studies Companions . Routledge, London, pp. 164-179. ISBN 9781138855267

Tierney, Dolores (2017) Transnational filmmaking in South America. In: Stone, Rob, Marlow Mann, Alex and Dennison, Stephanie (eds.) Routledge companion to world cinema. Routledge Media and Cultural Studies Companions . Routledge, London and New York, pp. 97-110. ISBN 9781138918801

Tierney, Dolores (2014) Transnational political horror in Cronos (1991), El Espinazo del Diablo (2001) and El Laberinto del Fauno (2006). In: Tierney, Dolores, Davies, Ann and Shaw, Deborah (eds.) The transnational fantasies of Guillermo del Toro. Palgrave Macmillan, New York, pp. 161-182. ISBN 9781137407832

Tierney, Dolores (2013) Ugly Betty's Latina Body: Race, Ethnicity, Class and Gender in Contemporary US Television. Film, Fashion and Consumption, 2 (1). pp. 7-24. ISSN 2044-2823

Tierney, Dolores (2013) Residual presences of the revolution(ary melodrama) in contemporary Mexican cinema. In: Segre, Erica (ed.) Ghosts of the revolution in Mexican literature and visual culture: revisitations in modern contemporary creative media. Iberian and Latin American studies: the arts, literature, and identity; volume 4 . Peter Lang, Oxford, pp. 241-261. ISBN 9783034307024

Tierney, Dolores (2012) Latino acting on screen: Pedro Armendáriz performs Mexicanness in three John Ford films. Revista Canadiense de Estudios Hispanicos, 37 (1). pp. 111-134. ISSN 03848167

Tierney, Dolores (2010) Emilio Fernández 'in Hollywood': Mexico's postwar Inter-American cinema, 'La perla/The Pearl' (1946) and 'The Fugitive' (1948). Studies in Hispanic Cinemas, 7 (2). pp. 81-100. ISSN 1478-0488

Tierney, Dolores (2009) Alejandro Gonzalez Inarritu: director without borders. New Cinemas, 7 (2). pp. 101-117. ISSN 1474-2756

Tierney, Dolores (2009) [Review] Annette Kuhn, ed. (2009) Screen theorizing today: a celebration of Screen's fiftieth anniversary. Textual Practice, 23 (5). pp. 894-897. ISSN 0950-236X

Tierney, Dolores (2009) José Mojica Marins (Coffin Joe) and the cultural politics of marginality in third world film criticism. In: Ruétalo, V and Tierney, Dolores (eds.) Latsploitation, exploitation cinemas, and Latin America. Routledge, New York. ISBN 9780415993869

Unset (2009) Latsploitation, exploitation cinemas, and Latin America. Routledge Advances in Film Studies, 4 . Routledge, New York. ISBN 9780415993869

Ruétalo, Victoria and Tierney, Dolores (2009) Reinventing the frame: exploitation and Latin America. In: Ruétalo, Victoria and Tierney, Dolores (eds.) Latsploitation, exploitation cinemas, and Latin America. Routledge advances in film studies . Routledge. ISBN 9780415993869

Tierney, Dolores (2007) Emilio Fernandez: pictures in the margins. Spanish and Latin American filmmakers . Manchester University Press, Manchester. ISBN 9780719074325

Tierney, Dolores (2007) La imagen digital en Cuba y Colombia. Cuadernos Hispanoamericanos, 679. pp. 45-56. ISSN 0011-250X

Syder, Andrew and Tierney, Dolores (2005) Importation/mexploitation, or, How a crime-fighting, vampire-slaying Mexican wrestler almost found himself in an Italian sword-and-sandals epic. In: Schneider, Steven Jay and Williams, Tony (eds.) Horror International. Wayne State University Press, pp. 33-55. ISBN 0814331017

Syder, Andrew and Tierney, Dolores (2005) Mexploitation/Exploitation: Or, How a crime-fighting, vampire-slaying Mexican wrestler almost found himself in an Italian sword-and-sandals epic. In: Schneider, Steven Jay and Williams, Tony (eds.) Horror International. Wayne State University Press. ISBN 9780814331019

Tierney, Dolores (2004) José Mojica Marins and the cultural politics of marginality in third world film criticism. Journal of Latin American Cultural Studies, 13 (1). pp. 63-78. ISSN 1356-9325

Tierney, Dolores (2003) Gender relations and Mexican cultural nationalism in Emilio Fernández's 'Enamorada/Woman in Love'. Quarterly Review of Film and Video, 20 (3). pp. 225-236. ISSN 1050-9208

Tierney, Dolores (2002) El terror en 'El beso de la mujer araña'. Revista Iberoamericana, 68 (199). pp. 355-366.

Tierney, Dolores (2002) The appeal of the real in snuff: Alejandro Amenábar's 'Tesis' ('Thesis'). Spectator, 22 (2). pp. 45-55.

Tierney, Dolores (1999) Tacones plateadas y melodrama mexicano: Danzón y Salón México. Archivos de la Filmoteca, 31. pp. 212-227. ISSN 0214-6606

Tierney, Dolores (1997) Silver sling-backs and Mexican melodrama: 'Salón México' and 'Danzón'. Screen, 38 (4). pp. 360-371. ISSN 0036-9543