Article

O'Malley, Michelle (2014) Quality choices in the production of Renaissance art: Botticelli and demand. Journal of Renaissance Studies, 28 (1). pp. 4-32. ISSN 0269-1213

O'Malley, Michelle (2010) A pair of little gilded shoes: production, cost and meaning in Renaissance footwear. Renaissance Quarterly, 63 (1). pp. 45-83. ISSN 0034-4338

O'Malley, Michelle (2010) Finding fame: painting and the making of careers in Renaissance Italy. Renaissance Studies, 24 (1). pp. 9-32. ISSN 0269-1213

O'Malley, Michelle (2007) Quality, demand, and the pressures of reputation: rethinking Perugino. Art Bulletin, 89 (4). pp. 674-693. ISSN 0004-3079

Plazzotta, Carol, O'Malley, Michelle, Roy, Ashok, White, Raymond and Wyld, Martin (2006) Perugino's Virgin and Child with Saints Jerome and Francis for Santa Maria dei Servi, Perugia. National Gallery Technical Bulletin, 27. pp. 72-95. ISSN 0140-7430

O'Malley, Michelle (2005) Altarpieces and agency: the altarpiece of the society of purification and its 'invisible skein of relations'. Art History, 28 (4). pp. 416-441. ISSN 0141-6790

Book Section

O'Malley, Michelle (2015) Responding to changing taste and demand: Botticelli after 1490. In: Mariani, Irene and Van der Sman, Gert Jan (eds.) Sandro Botticelli (1445-1510). Artist and entrepreneur in Renaissance Florence. Italia e i Paesi Bassi, (11). Centro Di, Florence. ISBN 9788870385373

O'Malley, Michelle (2007) Perugino and the contingency of value. In: O'Malley, Michelle and Welch, Evelyn (eds.) The Material Renaissance. Studies in Design & Material Culture . Manchester University Press, Manchester, pp. 106-130. ISBN 9780719076572

O'Malley, Michelle, Milner, SJ and Campbell, S (2004) Subject matters: contracts, designs and the exchange of ideas between painters and clients in Renaissance Italy. In: Campbell, SJ and Milner, SJ (eds.) Artistic Exchange and Cultural Translation in the Italian Renaissance City. Cambridge University Press, pp. 17-37. ISBN 9780521826884

O'Malley, Michelle (2003) Commissioning Bodies, Allocation Decisions and Price Structures for Altarpieces in Fifteenth- and Early Sixteenth-Century Italy. In: Fantoni, Marcello, Matthew, Louisa Chevalier and Matthews-Grieco, Sara F (eds.) The Art Market in Italy: 15th-17th Centuries. Franco Cosimo Panini, Modena, pp. 163-180. ISBN 9788882905774

O'Malley, Michelle (1999) Memorising the New: Using Recent Works as Models in Italian Renaissance Commissions. In: Reinink, Wessel and Stumpel, Jeroen (eds.) Memory and Oblivion: Proceedings of the XXIXth International Congress of the History of Art held in Amsterdam, 1-7 September 1996. Kluwer Academic Publishers, Dordrecht, pp. 803-810. ISBN 9780792342137

O'Malley, Michelle (1998) Late Fifteenth- and Early Sixteenth-Century Painting Contracts and the Stipulated Use of the Painter's Hand. In: Marchand, Eckhart and Wright, Alison (eds.) With and Without the Medici: Studies in Tuscan Art and Patronage 1434-1530. Ashgate, Farnham, pp. 156-178. ISBN 9781859284230

Book

O'Malley, Michelle (2013) Painting under pressure: Fame, Reputation and Demand in Renaissance Florence. Yale University Press, New Haven. ISBN 9780300197976

O'Malley, Michelle (2005) The Business of Art: Contracts and the Commissioning Process in Renaissance Italy. Yale University Press, New Haven and London. ISBN 9780300104387

Edited Book

Motture, Peta and O'Malley, Michelle, eds. (2011) Re-thinking Renaissance Objects: Design, Function and Meaning. Renaissance Studies Special Issues . Wiley-Blackwell, Chichester. ISBN 9781444337754

O'Malley, Michelle and Welch, Evelyn, eds. (2007) The Material Renaissance. Manchester University Press, Manchester. ISBN 9780719076572