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Agency and objectification in Francis Galton's composite portraits
An essay is presented on 19th-century composite photographs of families by sociologist and eugenicist Francis Galton. The author examines the social and historical context of the photographs, especially with regard to issues of class and identity. Details on the production and dissemination of the photographs are presented. Other topics include physiognomy, Galton's photographic studies of criminals, and amateur photography.
History
Publication status
- Published
Journal
Photoworks AnnualISSN
1742-1659Publisher
PhotoworksIssue
20Page range
216-221Pages
6.0Department affiliated with
- Art History Publications
Full text available
- No
Peer reviewed?
- No
Legacy Posted Date
2020-09-11Usage metrics
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