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Materialising the other: pregnancy & deconstruction
In the ‘Envois’ section of Jacques Derrida’s The Post Card (1980), pregnancy and ‘the child’ keep coming back. As early as page five, there is an allusion to a child of sorts; ‘To the devil with the child, the only thing we ever will have discussed, the child, the child, the child’ (1980: 25). This unborn child is central to the emotional drama of the ‘Envois’. It is cause and consequence of the correspondence between the unnamed narrator and his pregnant lover. Nevertheless the topic of pregnancy in ‘Envois’ has been relatively ignored by Derrida scholars. In 2014, I produced a feature film inspired from The Post Card and chose to emphasise the aspect of pregnancy. I included a five-year-old child, Byron, whose genealogy remains open. I also featured a number of characters who are or want to be pregnant. In this video essay, I discuss how Love in the Post: From Plato to Derrida reads Derrida’s ‘Envois’ in relation to pregnancy, reproduction and infidelity.
Funding
Ontological Narratives; Arts and Humanities Research Council; AH/J002003/1
History
Publication status
- Published
File Version
- Published version
Journal
Studies in the MaternalISSN
1759-0434Publisher
Open Library of HumanitiesExternal DOI
Issue
1Volume
11Page range
3-3Department affiliated with
- Media and Film Publications
Full text available
- Yes
Peer reviewed?
- Yes
Legacy Posted Date
2019-12-19First Open Access (FOA) Date
2019-12-19First Compliant Deposit (FCD) Date
2019-12-18Usage metrics
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