Corrieri, Augusto (2019) There as here: living ecologies of film in Le Quattro Volte. Performance Research, 24 (6). pp. 22-28. ISSN 1352-8165
![]() |
PDF
- Accepted Version
Restricted to SRO admin only Download (5MB) |
![]() |
PDF (Redacted- images removed)
- Accepted Version
Available under License All Rights Reserved. Download (345kB) |
Abstract
The article focuses on Michelangelo Frammartino’s Le Quattro Volte (2011), a film that experiments with how an animist mode of perception might unfold ‘live’, within the confines of a particular darkened theatre i.e. the cinema.
Set in the South of Italy, the film is structured around the four ‘turns’ of its title: one at a time, human, animal, vegetal and mineral entities take turns in becoming the main subject. The article-essay is an attempt to think (and to find ways of writing) the peculiar affective modalities of a film work that opens towards non-anthropocentric sensibilities, and to map how these take shape in the ‘here and now’ of cinematic projection.
Item Type: | Article |
---|---|
Keywords: | ecology animism cinema performance Le Quattro Volte |
Schools and Departments: | School of English > English |
Subjects: | P Language and Literature > PR English literature > PR2199 English renaissance (1500-1640) > PR2411 The drama |
Depositing User: | Augusto Corrieri |
Date Deposited: | 10 Sep 2019 11:37 |
Last Modified: | 20 Jan 2020 12:15 |
URI: | http://sro.sussex.ac.uk/id/eprint/85732 |
View download statistics for this item
📧 Request an update