Cinematic intermedialities and contemporary Holocaust memory

Walden, Victoria Grace (2019) Cinematic intermedialities and contemporary Holocaust memory. Palgrave Macmillan, Basingstoke. ISBN 9783030108762

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Abstract

This book explores the growing trend of intermediality in cinematic representations of the Holocaust. It turns to the in-betweens that characterise the cinematic experience to discover how the different elements involved in film and its viewing collaborate to produce Holocaust memory. Cinematic Intermedialities is a work of film-philosophy that places a number of different forms of screen media, such as films that reassemble archive footage, animations, apps and museum installations, in dialogue with the writing of Deleuze and Guattari, art critic-cum-philosopher Georges Didi-Huberman and film phenomenologies. The result is a careful and unique examination of how Holocaust memory can emerge from the relationship between different media, objects and bodies during the film experience. This work challenges the existing concentration on representation in writing about Holocaust films, turning instead to the materials of screen works and the spectatorial experience to highlight the powerful contribution of the cinematic to Holocaust memory.

Item Type: Book
Additional Information: DOI: 10.1007/978-3-030-10877-9
Keywords: Holocaust memory, film-philosophy, Deleuze, Didi-Huberman, phenomenology, museums, digital
Schools and Departments: School of Media, Film and Music > Media and Film
Subjects: N Fine Arts > N Visual arts (General) For photography, see TR > N4390 Exhibitions
Depositing User: Victoria Walden
Date Deposited: 11 Jan 2019 09:53
Last Modified: 13 Aug 2019 13:40
URI: http://sro.sussex.ac.uk/id/eprint/81225
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