Sociology DTK April 12th 2016 final polished edit.pdf (544.35 kB)
Feeling and being at the (postcolonial) museum: presencing the affective politics of ‘race’ and culture
This article posits the value in considering the affective politics in the everyday space of the British Museum with a postcolonial lens. Based on research collaborations with artist Rosanna Raymond the article argues that the gallery space becomes a theatre of pain. The museum acts as a site of materialising the pain of epistemic violence, the rupture of genocide and the deadening of artefacts. The article examines the embodied experience of encountering these galleries as for Maori visitors, the art museum becomes a mausoleum for the European eye, but which petrifies living cultures. In particular the article considers the petrification as it operates along racial lines. The museum space from critical postcolonial perspectives is presenced through Maori bodies looking at ‘self’, as ‘other’. This approach seeks to disturb the ways in which museums are read as texts, disembodied and removed from communities which are represented therein. The article argues for heritage sites as being forged through affective politics, and that race and postcolonial sensibilities resonate within their affective atmospheres.
History
Publication status
- Published
File Version
- Accepted version
Journal
SociologyISSN
0038-0385Publisher
SAGE PublicationsExternal DOI
Issue
5Volume
50Page range
896-912Department affiliated with
- Geography Publications
Full text available
- Yes
Peer reviewed?
- Yes
Legacy Posted Date
2018-05-15First Open Access (FOA) Date
2018-05-15First Compliant Deposit (FCD) Date
2018-05-14Usage metrics
Categories
No categories selectedKeywords
Licence
Exports
RefWorks
BibTeX
Ref. manager
Endnote
DataCite
NLM
DC