DTK Final post-review EDITS 15.06.2017 PC Ranciere PiHG_.pdf (600.69 kB)
Rancière and the re-distribution of the sensible: The artist Rosanna Raymond, dissensus and postcolonial sensibilities within the spaces of the museum
Through aesthetics we can articulate affective politics and demonstrate new ways of ‘doing’ progressive politics (Rancière, 2004).The paper explores the politics and practice of dissensus, within the museum with artist Rosanna Raymond. The paper argues that the museum space when critiqued through a postcolonial perspective and artistic practice, can be a vehicle for political change. Using Ranciere's account of 'politics' the paper outlines how a 'redistribution of the sensible' might be possible, that is inclusive of Maori space-time, self-determined cultural values and geoaesthetics.
History
Publication status
- Published
File Version
- Accepted version
Journal
Progress in Human GeographyISSN
0309-1325Publisher
SAGE JournalsExternal DOI
Issue
1Volume
43Page range
123-140Department affiliated with
- Geography Publications
Full text available
- Yes
Peer reviewed?
- Yes
Legacy Posted Date
2018-01-31First Open Access (FOA) Date
2018-01-31First Compliant Deposit (FCD) Date
2018-01-31Usage metrics
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