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Ventrella, Francesco (2018) Feminine inscriptions in the morellian method: Constance Jocelyn Ffoulkes and the translation of connoisseurship. In: Costa, Maria Teresa and Hönes, Hans-Christian (eds.) Migrating histories of art: self-translations of a discipline. Studien aus dem Warburg-Haus, 19 . De Gruyter, pp. 37-58. ISBN 9783110491258
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Official URL: https://doi.org/10.1515/9783110491258
Item Type: | Book Section |
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Schools and Departments: | School of Media, Arts and Humanities > Art History |
Subjects: | D History > D History (General) > D016 Methodology- General works N Fine Arts > N Visual arts (General) For photography, see TR > N0061 Theory. Philosophy. Aesthetics of the visual arts U Military Science > U Military Science (General) > U045 Historiography |
Depositing User: | Francesco Ventrella |
Date Deposited: | 02 Jan 2018 10:14 |
Last Modified: | 04 Jul 2019 11:17 |
URI: | http://sro.sussex.ac.uk/id/eprint/72430 |
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📧 Request an updateFunder and Project Information
Project Name | Sussex Project Number | Funder | Funder Ref |
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Connoisseurial Intimacies: 1870-1930 | G1146 | LEVERHULME TRUST | ECF-2013-442 |