Westling, Carina (2016) Postdigital efficiency in Interaction Design. International Conference on Live Interfaces, University of Sussex, 29 June - 3 July 2016. Published in: Proceedings of the 2016 International Conference on Live Interfaces. 103-108. Experimental Music Technologies (EMuTe) Lab, Falmer, UK. ISBN 9780993199684

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Abstract

The analysis discussed here of the making of Punchdrunk’s productions The Drowned Man explores the influence of an immanent perspective on interaction design, where participants are primarily modelled in terms of their agency, rather than according to reductive demographic principles that enforce a transcendent perspective where participants are represented as fixed categories describing instrumentalised perspectives on identity. This aspect of the immanent perspective on interface design, which might also be termed postidentitarian, draws on the posthuman discourse and calls for a definition of efficiency that is based on extended and idiosyncratic agency, supported by detailed articulation of actions, and for the development of interactive systems that have enhanced capacity to parse and facilitate emergent interaction.

Item Type:	Conference Proceedings
Schools and Departments:	School of Media, Film and Music > Media and Film
Subjects:	A General Works > AZ History of scholarship and learning. The humanities
Depositing User:	Carina Westling
Date Deposited:	14 Dec 2017 14:21
Last Modified:	14 Dec 2017 14:21
URI:	http://sro.sussex.ac.uk/id/eprint/72054

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