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The choreography of space: towards a socio-aesthetics of dance

journal contribution
posted on 2023-06-09, 07:36 authored by Arabella StangerArabella Stanger
With its emphasis on the socially constructed and mobile nature of ‘space’, Henri Lefebvre's theory of spatial production presents rich possibilities for a sociocultural analysis of choreography. In this article Arabella Stanger uses an examination of social space and spatial aesthetics as a basis upon which to develop a socio-aesthetics of dance – an approach in which the societal contexts and the aesthetic forms of choreography are understood to be fundamentally interrelated. Borrowing from Lefebvre's The Production of Space (1974) and Maria Shevtsova's sociology of the theatre and performance, Stanger establishes the theoretical parameters and methodological steps of such an approach, and locates a short illustrative example in the socio-spatial formations of Aurora's Act III variation from Marius Petipa's The Sleeping Beauty (1890). Ultimately extending a bridge between formalist and contextualist strands of dance studies, the article argues for the use of a particular concept of space in understanding choreographic practice as social practice. Arabella Stanger is Lecturer in Dance at the University of Roehampton. Having trained in classical ballet, she completed her MA and PhD studies at Goldsmiths, University of London, and has published on the work of Merce Cunningham, Michael Clark, and William Forsythe.

History

Publication status

  • Published

Journal

New Theatre Quarterly

ISSN

0266-464X

Publisher

Cambridge University Press

Issue

1

Volume

30

Page range

72-90

Department affiliated with

  • English Publications

Full text available

  • No

Peer reviewed?

  • Yes

Legacy Posted Date

2017-08-14

First Compliant Deposit (FCD) Date

2017-08-12

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