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L’iscrizione del gesto nel visibile. Note sulla coreografia della storia
The essay explores the problematic representation of crowds and fascist aesthetics in relation to the modernist textualization of the body. By taking into account the historiography of Aby Warburg, the essay analyses the materiality and making of films by Harun Farocki, Busby Berkeley and Leni Riefenstahl in order to underscore the difference between sight and visuality in historical representations.
History
Publication status
- Published
File Version
- Published version
Publisher
PostmediaPage range
140-157Pages
206.0Book title
Arte-mondo: storia dell'arte, storie dell'artePlace of publication
MilanISBN
9788874900527Department affiliated with
- Art History Publications
Full text available
- No
Peer reviewed?
- Yes
Editors
Emanuela De CeccoLegacy Posted Date
2013-10-16First Compliant Deposit (FCD) Date
2016-03-22Usage metrics
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