University of Sussex
Browse

File(s) not publicly available

Making and unmaking in early modern English drama: spectators, aesthetics and incompletion

book
posted on 2023-06-08, 13:48 authored by Chloe PorterChloe Porter
Why are early modern English dramatists preoccupied with unfinished processes of 'making' and 'unmaking'? And what did the terms 'finished' or 'incomplete' mean for dramatists and their audiences in this period? Making and unmaking in early modern English drama is about the significance of visual things that are 'under construction' in works by playwrights including Shakespeare, Robert Greene and John Lyly. Illustrated with examples from across visual and material culture, it opens up new interpretations of the place of aesthetic form in the early modern imagination. Plays are explored as a part of a lively post-Reformation visual culture, alongside a diverse range of contexts and themes, including iconoclasm, painting, sculpture, clothing and jewellery, automata and invisibility. Asking what it meant for Shakespeare and his contemporaries to 'begin' or 'end' a literary or visual work, this book is essential reading for scholars and students of early modern English drama, literature, visual culture and history.

History

Publication status

  • Published

Publisher

Manchester University Press

Pages

238.0

Place of publication

Manchester

ISBN

9780719084973

Department affiliated with

  • English Publications

Full text available

  • No

Legacy Posted Date

2013-04-29

Usage metrics

    University of Sussex (Publications)

    Categories

    No categories selected

    Exports

    RefWorks
    BibTeX
    Ref. manager
    Endnote
    DataCite
    NLM
    DC