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Galt, Rosalind (2005) Back projection: visualizing past and present Europe in 'Zentropa'. Cinema Journal, 45 (1). pp. 3-21. ISSN 0009-7101
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Official URL: http://www.jstor.org/stable/3661077
Abstract
This article analyzes Lars von Trier's film "Zentropa" (1991), arguing that it uses cinematic space to articulate Europe's historical and geopolitical spaces. Of particular interest are the film's intertextuality, its layering of superimposed images, and the relationships that it suggests exist between East and West, postwar and post-Wall, Germany and Europe.
Item Type: | Article |
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Schools and Departments: | School of Media, Film and Music > Media and Film |
Depositing User: | Rosalind Galt |
Date Deposited: | 06 Feb 2012 20:27 |
Last Modified: | 19 Jul 2012 15:31 |
URI: | http://sro.sussex.ac.uk/id/eprint/26008 |