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Queering a gay cliché: the rough trade/sugar daddy relationship in Derek Jarman's 'Caravaggio'
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Publication status
- Published
Journal
ParagraphISSN
0264-8334Publisher
Edinburgh University PressExternal DOI
Issue
3Volume
28Page range
36-53Pages
18.0Department affiliated with
- Media and Film Publications
Notes
This article is part of a larger project on Jarman, which aims to read Jarman's cinema through the analytical prism of queer theory, arguing that the 'queer' status of Jarman's films owe as much to the way Jarman's images queer gender and sexual identity as to their representation of queer political struggles. The project will be published asFull text available
- No
Peer reviewed?
- Yes
Legacy Posted Date
2012-02-06Usage metrics
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